Pippa by Browning, First Edition (26 results)

Pappband. Condition: Gut/Befriedigend. 1. Auflage. 76 S. bereits in Antiquaschrift gedruckt, Rücken geklebt, Rückenschild ohne Nr. CC-2.

Soft cover. Condition: Very Good +. 1st Ed THUS. Lovely small edition (4 x 5 1/2). Red leather cover with gilt design & top edge gilt. 121pp. No Date. Assume early 1900's. Photo frontis of Browning. Prior owner's small, neat name on title page.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Redcroft edition in usual green on bronze leatherette. 95pp. Usual scuffing and curling of edges to this edition with browning to title page and last page. Post and packing UK will be less than quoted by abe export orders go by airmail. Size: 48mo - over 3" - 4" tall 0.0 0.0.

Hardcover. Condition: Very Good+. Dust Jacket Condition: No Dust Jacket. Thomas Stothard (illustrator). Limited. 70 pp. Original decorative paper covered boards w/ paper title label on red cloth spine. Spine a bit sunned; modest wear to top corners. One of 1,450 copies. Comes in original gray slipcase, which is worn at edges. Illust. w/ drawings. Contents very nice.

First Edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains quite well-preserved overall. Physical description: vi, 302 pages : portrait ; 19 cm. Subjects; 1800-1899; English poetry 19th century; Poésie anglaise 19e siècle; English poetry; English poetry Nineteenth century. 3 Kg.

First Edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains quite well-preserved overall. Physical description: vi, 302 pages : portrait ; 19 cm. Subjects; 1800-1899; English poetry 19th century; Poésie anglaise 19e siècle; English poetry; English poetry Nineteenth century. 1 Kg.

Softcover. First Edition, Limited. First edition, softcover printed on Japan Vellum, one of 100 copies but unnumbered, the silk ribbon is detached but laid in, and the book has bumps with light creasing to the spine ends and corners, sunning with small scuffs and scrapes to the spine, and small smudges to the covers. Overall, this is a solid, Near Very Good copy.

Hardcover. Condition: Near Fine. L Leslie Brooke (illustrator). 1st Edition. First thus, a clean unmarked copy in publisher's cloth, the end papers are toned.

Hardcover. Condition: Very Good. No Jacket. Margaret Armstrong (illustrator). 1st Edition. 1st edition. Hardbound, no dust jacket. Printed boards. Previous owner's bookplate & neat inscription on front end pages. Minor wear to board edges & corners, otherwise very good.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Attractive pocket sized soft green leather binding, decorated & titled gilt. Head & foot of spine chipped. Clear plastic cover neatly taped to outside but slight tape marks as a result to endpapers. No dustwrapper.

Full-Leather. Condition: Very Good_. No Jacket. First Edition Thus. 494pp. 6 inches. No dw. Full leather binding, black, heavy texture, gilt titles spine and front. Rounded corners. Appearance of raised bands to spine. Spine folds and extremities rubbed, plus lightly to corners and edges. All-rose-gilt edges, tops slightly marked, other edges vg. Internally, pretty pastel pink and cream marbled endpapers, with owner's name and date and a few pin-spots of ink.Portrait frontispiece, lightly foxed titlepage, slight bump travels through some upper page corners, else contents as new. No date stated. C.1900. After 1889, states date of death of poet. Nowhere does it indicate series of volumes, except at the end, where we have "End of Vol.I", other than the dates described in the title. 210g. (Poetry, English, Literature, Nineteenth Century) Size: 16mo - over 5¾" - 6¾" tall.

Trade Paperback. Condition: Good. First Edition. Condition: 'Good' Notes: Illustrated by Eleanor F. Brickdale. Good. First edition thus. Hardback. Original cloth slightly rubbed and marked, otherwise near very good with clean contents and sound binding. Some light foxing to endpapers, and evidence that a bookplate has been removed from ffep. Gilt applique is not present.

Hardback. Condition: VG-. Dust Jacket Condition: No DW. 1st Thus. FILE COPY stamped on front end paper. 150 x 90 mm. Full leather lettered and decorated in gold on spine and with gold device on front cover. Top edge gold. In very good, clean, tight condition BUT spine faded and a bit chipped.

Condition: Very Good. First edition thus. Hardback. Original cloth slightly rubbed and marked, lacks most of backstrip, otherwise near very good with clean contents. Ink name to endpaper.

Softcover. Condition: Very Good. Presumably the first edition. Quarto. 24pp. Threaded wrappers. Rubbing and edgewear to the wrappers particularly along the spine where they are separating a bit at the bottom, light scattered soiling to the wrappers, still a very good copy. For voice and piano (with pedal marks). Plate number, 18739. The four songs included are, "Morning at Asolo," "Ottima's Regret," "The King's Dancer," and "Heart's Ease." *OCLC* locates only six holdings and it appears to be equally uncommon in the trade.

Hardcover. Condition: Good. No Jacket. Eleanor F. Brickdale (illustrator). 1st Edition. copy no 1 of 250 of the special edition in vellum with gold applique, spine is halfway split, some foxing, 10 beautiful tissue guarded plates.

Hardcover. Brickdale, Eleanor Fortesque (illustrator). 1st ed. 1st ptg, 4to full green cloth with gilt embossed image. Ten charming color plates by Eleanor Brickdale. Publishers Note: "The present volume follows the earliest edition of "Men and Women", which was considerably larger than the selection in the collected works bearing the same title." Top edge gilt, ocasional scuffing to cloth and toning to endpapers else fine without previous owner'ship marks.

Condition: Gut. 110 S. OHlwd. Leichte Gbrsp., Ebd. etw. berieben. EA. Eines von 800 Expl. - Leichte Gbrsp., Ebd. etw. berieben.

Three Quarters Leather. Condition: Very Good binding. First Edition. An attractive Mosher Press edition, in three quarter teal morocco over printed paper boards. One of 925 First Edition copies on Van Gelder paper. Joints are holding very well, though the top of the front joint is just a tad tender.~~There is a previous owner name on the pastedown and a lengthy (and rather amusing) gift inscription on the recto of the first blank leaf. (Bishop, II 291). Very Good binding.

FIRST EDITION. A VERY GOOD COPY IN GREEN BOARDS DECORATED IN GILT. SOME AGE-TONING TO THE FRONT AND REAR. ILLUSTRATED BY ELEANOR F. BRICKDALE.

Hardcover. First Edition; Early Printing. Very Good+ in boards. Rubbing along panel edges. Gilded text block edges.

Black & White Illustrations (illustrator). First Edition. New York, NY: Dodd, Mead & Company. Good plus condition: gently cracked, cover spotted/No Dustjacket. 1900. First Edition. 8vo., unpaginated . Good plus condition: gently cracked, cover spotted/No Dustjacket.

first us edition, 1900. new york: dodd mead & co. 6 x 9 inches. unpaginated. hardcover. bound in in original gilt-blocked, decorated cloth. top edge gilt. deckled ends. book condition: fading to spine. single spot to rear board. light shelf-wear. near fine--.

Illustrated by Eleanor Fortescue Brickdale with ten full-page colour illustrations, including the frontispiece. First edition, No. 111 of 260 copies. 4to. Original vellum gilt, top edge gilt. London: Chatto & Windus, With some discolouration (principally dust staining) to binding and ends of spine a little bumped. Occasional heavy foxing, but otherwise very good.

New York, Dodd, Mead & Co., 1900. In-8° (22 x 15), ff. (70) senza numerazione. In apertura una illustrazione impressa in mezzotinto con le figure dei due protagonisti, firmata da Helen Maitland Armstrong, sorella di Margaret. Ogni pagina di testo è incorniciata da elaborati motivi di gusto Art Nouveau racchiudenti versi, figure e riferimenti a episodi del poemetto, siglete "MA". Bella legatura editoriale impressa in oro e a colori al piatto anteriore; fogli di guardia illustrati; taglio superiore dorato. Ottimo es. (11074) Prima edizione illustrata con raffinatezza da Margaret Armstrong, in uno stile ricco di elaborati motivi floreali che fanno cornice ad ogni scena, di questo noto poemetto drammatico di Robert Browning (1812-89), il celebre poeta inglese innamorato dell'Italia, ove trascorse buona parte della sua esistenza. Il poemetto, composto nel 1842, e ambientato ad Asolo, aveva alla sua base una storia d'amore legata ad un adulterio, e suscitò all'epoca un certo scandalo. Margaret Neilson Armstrong (1867-1944), nota illustratrice americana, si caratterizzò per il suo gusto "Art Nouveau" anche nelle legature. Fu anche una delle prime illustratrici sistematiche della flora americana, e nei suoi ultimi anni anche scrittrice di novelle, alcune delle quali divennero soggetti per il cinema.

New York, Dodd, Mead & Co., 1900. In-8° (22 x 15), ff. (70) senza numerazione. In apertura una illustrazione impressa in mezzotinto con le figure dei due protagonisti, firmata da Helen Maitland Armstrong, sorella di Margaret. Ogni pagina di testo è incorniciata da elaborati motivi di gusto Art Nouveau racchiudenti versi, figure e riferimenti a episodi del poemetto, siglete "MA". Bella legatura editoriale impressa in oro e a colori al piatto anteriore; fogli di guardia illustrati; taglio superiore dorato. Ottimo es. (11074) Prima edizione illustrata con raffinatezza da Margaret Armstrong, in uno stile ricco di elaborati motivi floreali che fanno cornice ad ogni scena, di questo noto poemetto drammatico di Robert Browning (1812-89), il celebre poeta inglese innamorato dell'Italia, ove trascorse buona parte della sua esistenza. Il poemetto, composto nel 1842, e ambientato ad Asolo, aveva alla sua base una storia d'amore legata ad un adulterio, e suscitò all'epoca un certo scandalo. Margaret Neilson Armstrong (1867-1944), nota illustratrice americana, si caratterizzò per il suo gusto "Art Nouveau" anche nelle legature. Fu anche una delle prime illustratrici sistematiche della flora americana, e nei suoi ultimi anni anche scrittrice di novelle, alcune delle quali divennero soggetti per il cinema.