Pitesti (28 results)

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: guter Zustand. Zustand, siehe Scan, gelaufen - ca 14 cm X 9 cm.

Motiv in der Innenstadt 1972 postalisch gelaufen.

Carte Postale Moderne Pitesti Vedere din Parcul Vaslle Roalta.

Carte Postale Moderne Pitesti Magazinul univesal Trivale.

Carte Postale Alte Postkarte Pitesti Schitui Trivale Arad postalisch nicht gelaufen nach 1965 Erhaltung siehe scans Frierer.

Carte Postale Alte Postkarte Pitesti Pitesti postalisch gelaufen 1963 Erhaltung siehe scans Alte Ansichtskarte Postkarte LiesID40.

Carte Postale Alte Postkarte Pitesti Republica Populara Romina Pitesti postalisch gelaufen nach 1965 Erhaltung siehe scans Alte Ansichtskarte Postkarte LiesID40.

Condition: guter Zustand. Zustand, siehe Scan, gelaufen, 1918 - ca 14 cm X 9 cm.

Condition: guter Zustand. Zustand, siehe Scan - ca 14 cm X 9 cm.

Condition: Neu. 93 S. Ceea ce s-a petrecut la inchisoarea din Pitesti intre 1949 si 1952 merita un loc aparte in inspaimantatorul repertoriu al ororilor concentrationare ale veacului al XX-lea. «Fenomenul Pitesti» apartine aceluiasi registru, la care vine insa cu o trasatura specifica: utilizarea sistematica a torturarii detinutilor de catre alti detinuti. Ideea ii apartine pedagogului sovietic Makarenko (18881939), specialist in delincventa juvenila si partizan al reeducarii detinutilor tineri cu ajutorul detinutilor mai vechi, aflati pe calea cea buna, dar facand parte din aceeasi clasa de varsta. Virgil Ierunca povesteste una dintre cele mai cumplite experiente de dezumanizare pe care le-a cunoscut epoca noastra. Detinuti torturati cu un sadism de-a dreptul extravagant daca sadismul poate fi astfel , tortionarii lor impunandu-le sa tortureze la randul lor, ca sa li se conteste insasi calitatea de victime. In ultima faza a ciclului, nefericitii sunt constransi sa-si tortureze cei mai buni prieteni, ca dovada a convertirii lor launtrice. Toata lumea a fost torturata, toata lumea a torturat. Cei morti acolo si cei care au supravietuit au fost privati pana si de propria lor nefericire. Virgil Ierunca a avut curajul sa intre in acest infern si sa-i devina istoric, pentru edificarea generatiilor viitoare. (François Furet) ISBN 9789735091415 Der Spezialist für Bücher aus Siebenbürgen, dem Banat und Rumänien. Wir freuen uns auf Ihren Besuch in einer unserer Buchhandlungen in Hermannstadt, Mediasch, Birthälm und Temeswar. ro 130 x 200 mm, Softcover/Paperback.…

Soft cover. Condition: Near Fine. Romanian-language softcover in glossy, excellent, unmarked, near-pristine condition (slightest handling). 702 pages, concerning past atrocities. [2.3 lbs]. Book.

Condition: guter Zustand. Zustand, siehe Scan, ungelaufen - ca 14 cm X 9 cm.

Paperback. Condition: Gut. 702 S.; Ill. Good. Ex-library with usual markings. Clean pages. Stamped edges. Sprache: Italienisch Gewicht in Gramm: 1065.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: Sehr gut. Very good condition. ro Gewicht in Gramm: 890.

Paperback. Condition: New. New; Advertência:Os acontecimentos aqui narrados sãoverdadeiros. Eles se deram em Pitesti, na Romênia, entre 1949 e 1952, e, apesar de completamente ignorados pelo Ocidente, merecem um lugar de destaque no lúgubre repertório de horrores do século xx.A cerca de cem quilômetros de Bucareste, numa prisão relativamente moderna, o regime comunista implementou um experimento inconcebivelmente macabro, uma das mais cruéis experiências de desumanização que nossa época já conheceu.O escritor e jornalista romeno Virgil Ierunca teve a coragem de reunir uma série de depoimentos e dar a este experimento no Inferno uma versão escrita. A leitura é tão angustiante quanto necessária, uma vez que, como diz o adágio, quem não conhece a própria história está fadado a repeti-la.; 96 pages.…

Condition: Good. Envoi rapide Bon état couverture ternie intérieur propre. in8. Sans date. Agrafé. Good.

Softcover. Condition: Gut. w27976 'MPX' Carte Geologique. Nr. 34. Pitesti. 1:200.000 (1 Karte + 1 Erl.). Sprache: Französisch Gewicht in Gramm: 450.

Couverture souple. Condition: bon. R160141901: SEPT 1981. In-8. Broché. Bon état, Couv. convenable, Dos plié, Intérieur acceptable. 296 pages. Un tampon de bibliothèque sur la page de titre. . . . Classification Dewey : 890-Littératures des autres langues.

Couverture souple. Condition: bon. RO80242906: 1981. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 295 pages. Hommage de l'auteur au stylo en page de garde. Deux photos disponibles. . . . Classification Dewey : 97.2-Dédicace, envoi.

Condition: Very Good. Bon état. 2011. Université de Pitesti; Faculté des lettres: Studii si cercetari filologice seria limbi romanice volume 4 N°10/2011. bon état. Very Good.

Official football programme for the match played in Romania on 7th November 1979. Good condition.

orig.wrappers. Condition: Minor rubbing. VG. 22x13cm, 107,(2) pp. Text entirely in Romanian. Historical essay by a prominent Romanian exile writer concerning torture of political prisoners at Pitesti, Romania under Communist regime.

6 Blatt mit 11 Seiten Text. 4°. Rückenstreifenheftung. * Siebenbürgen: Eisenbahnverbindung zwischen Hermannstadt - Rimnik - Pitesti über den Rothenturm-Paß. * (Ein Titel aus unserem Online-Katalog "Technik und Verkehr - Eisenbahn").

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Source: Wikipedia. Pages: 93. Chapters: Gustav Klimt, Edvard Munch, Gustave Moreau, Henri Fantin-Latour, Pierre Puvis de Chavannes, Odilon Redon, Nicholas Roerich, Alexandru Bogdan-Pitesti, Romaine Brooks, Mahirwan Mamtani, Fernand Khnopff, Erwin Puchinger, George Frederic Watts, Viktor Vasnetsov, Jean Delville, James Ensor, Mikhail Vrubel, Stefan Luchian, Elihu Vedder, Abdel Hadi Al Gazzar, Lucien Lévy-Dhurmer, Ignat Bednarik, Arnold Böcklin, Victor Borisov-Musatov, Tivadar Kosztka Csontváry, Ivan Milev, Maurice Denis, Norma Bessouet, Fedir Krychevsky, Hugo Simberg, Franz Stuck, Giovanni Segantini, Eugène Carrière, Karl Wilhelm Diefenbach, Jan Toorop, Max Klinger, Mikhail Nesterov, Max Kurzweil, Arkady Rylov, Cecile Walton, Fidus, Carlos Schwabe, Edmond Aman-Jean, Jan Frans De Boever, Louis Welden Hawkins, William Degouve de Nuncques, Alphonse Osbert, Edgar Maxence, Kai Fjell, Henry de Groux, Jacek Malczewski, August Malmström, Ary Renan, Alexandre Séon, Maurice Chabas. Excerpt: Nicholas Roerich, also known as Nikolai Konstantinovich Rerikh (Russian: ; October 9 1874 December 13, 1947), was a Russian mystic, painter, philosopher, scientist, writer, traveler, and public figure. A prolific artist, he created thousands of paintings (many of them are exhibited in well-known museums of the world) and about 30 literary works. Roerich was an author and initiator of an international pact for the protection of artistic and academic institutions and historical sites (Roerich s Pact) and a founder of an international movement for the defence of culture. Roerich earned several nominations for the Nobel Prize. Roerich in translation from the ancient Scandinavian means rich of fame (Rö Rich). Members of Roerich s family occupied prominent military and administrative posts in Russia since the reign of Peter I. Nicholas Roerich s father Konstantin Fedorovich was a well-known notary who was born in Courland. N. Roerich s mother Maria Vasil evna Kalashnikova was descended from a long line of merchants and traders. Among friends of the Roerich s family were such famous personalities as D. Mendeleyev, N. Kostomarov, M. Mikeshin, L. Ivanovsky et al. From childhood Nicholas Roerich was attracted to painting, archaeology, history and the abundant cultural heritage of the East. Guests from Overseas, 1901 (Varangians in Russia)Nicholas Konstantinovich Roerich was born in St. Petersburg, Russia, on October 9, 1874, the first-born son of lawyer and notary, Konstantin Roerich and his wife Maria. When he was nine, a noted archeologist came to conduct explorations in the region and took young Roerich on his excavations of the local tumuli. The adventure of unveiling the mysteries of forgotten eras with his own hands sparked an interest in archeology that would last his lifetime. His father did not want him to pursue painting as a career, but rather to study law. He made a compromise, and after finishing his studies in 1893, Nicholas Roerich simultaneously entered th. …