Pol Bury: Signed (23 results)

Soft cover. Condition: Very Good. 1st Edition. First edition. Publisher's printed yellow wrappers as issued. Signed and inscribed by Pol Bury to fellow sculptor Fletcher Benton just above Benton's portrait "For Fletcher and Bobbie, souvenir of San Francisco Pol Bury". A clean copy with the only marking being the aritst's inscription. Tear to the foot of the spine, otherwise fine. An exhibition catalog of an exhibit that went from Berkeley California to the Guggenheim Museum in New York. Inscribed by Author(s).…

Hardcover. Condition: Very Good. Dust Jacket Condition: Poor. First Edition; First Printing. Very Good yellow hardback first edition, 1970 inscribed by Pol Bury on the title page. Poor worn dust jacket with heavy edgewear, tears and large chips. Wear at the head of the spine. 160 pages, unmarked; UO15 OVRB7; 4to 11" - 13" tall; 160 pages; Signed by Artist. …

Couverture Souple Illustrée. Condition: Très bon. Edition originale publiée dans la collection "Babil" et achevée d'imprimer fin avril de 1992. Tirage limité à 700 exemplaires sur Leykam numérotés (celui-ci n° 371) après 50 sur Rivoli et 3 exemplaires Hors Commerce. Ce recueil d'aphorismes est accompagné de vignettes en 2 tons hors-texte. Notre volume est enrichi des ENVOIS autographes de Pol BURY (directeur de la collection) et André BALTHAZAR au compositeur belge Alain Debaisieux sur la page de faux-titre. Non paginé ; couverture à rabats. Broché. Format : 14,5 x 18 cms. Belle provenance. Signé par l'auteur.…

Soft Cover. Condition: Very Good. This is a very good softcover copy with just light wear. Completely clean. Signed in ink, by the artist, Pol Bury, and briefly inscribed in French to a collector. Text in French. Illustrated in color and black & white with photographs and drawings of Pol Bury's metal sculptures. 10" high X 8" wide, 117 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Signed by Artist.…

dj. First Edition. First edition. Oblong hardcover. 160 pages. Text in English by Dore Ashton. Includes numerous color and black and white illustrations. A near fine copy in yellow cloth boards in an about very good dust jacket that has some of the typical soiling, toning and edge tears and wear. Signed and inscribed by Bury on the title page to New York Times art critic Grace Glueck. A nice association copy. Signed. …

14x18cm, broché, Exemplaire signé. Avertissement d'Ernest Pirotte. 32 illustrations. Edition originale au tirage limité à 1000 exemplaires sur Périgord numérotés après 75 sur Ingres. Complet de son bandeau. Bel exemplaire.

Couverture souple. Condition: Très bon. Edition originale. BURY Pol Le pouvoir érectionnel Publishing Year : 1974 Subject : Comic Author : Pol Bury Publisher : Daily Bul, La Louvière Belgique Printer : imprimé en Belgique Issue : Numbered : 469/1000 Pages : 32 p. on Laid Paper Signature : Hand Signed in Pencil Iconography : Binding : Cartonnage souple. Condition description : Petit tâche sur la couverture sinon reliure et intérieur impeccable. Description : Texte français/French text Cinquante et unième volume de la collection " Les Poquettes volantes" Daily-Bul Cet exemplaire est signé et dédicassé par Pol Bury (voir photos). Signé par l'illustrateur.…

Couverture souple. Condition: Bon. Non-périodique Editions Galilée, 1976. Collection écritures/figures dirigée par Michel Delorme. Un volume in-8 broché (16 x 24), 105 pages, nombreuses illustrations monochromes in texte. AVEC ENVOI DE L'AUTEUR SIGNÉ. ETAT : bon état. BURY, Pol (illustrator). Signé par l'auteur. Non-périodique.…

Hardcover. Condition: Very Good. First Edition. Hardback. Dust Jacket. Oblong 4to. 29cm by 29.5cm. pp 161. Original publisher's yellow cloth, lettered black on spine and front cover. Text in English. Copiously illustrated in colour and black and white throughout. Signed by Pol Bury to fellow artist Ronald Searle and his partner, Monica, on the title page, 'Pour Monica et Ronald, en toute amitie, Pol Bury." Including the Mayer Gallery invitation to the 1967 Pol Bury show, with colourful covers. Very good indeed in slightly used, close very good dust jacket, with 3cm closed tear on the top edge but no loss and faint surface marking. Signedes.…

KUNSTPOSTKARTE la Tour Eiffel - ramollissement 2 (1980) mit Unterschrift signiert.

4°. 29,5 cm. 262 Seiten. Original-Karton. (Monographien über moderne Kunst). 1. Auflage. Mit 2-zeiliger, signierter Widmung von Pol Bury auf Vorsatz. Katalog anlässlich der 'Pol Bury Retrospektive 1939 - 1994' im Museum am Ostwall, Dortmund (14. August bis 16. Oktober 1994) und im PMMK Museum Moderner Kunst, Ostende (1. Juli bis 25. September 1995). Sehr gutes Exemplar. First edition. Original softcover. Fine copy.…

En cahiers sous chemise titrée. Condition: Très bon. Ed. numérotée. Grand in-4. Sous chemise et étui de l'éditeur. Exemplaire du tirage de tête sur vélin de Lana, no. 81/150, signé au colophon. Complet des 7 lithographies originales en couleur dont 4 en double page, des 8 facsimilés de dessins et des 13 reproductions en noir. Bel exemplaire. Pol Bury (illustrator). Signé par l'artiste.…

Hardcover. Condition: Fine. Limited Edition. A very fine copy in a very fine slipcase. One of 150 copies, signed by Pol Bury. This is copy No. 28. Includes seven original lithographs. Scarce signed. The bright yellow slip case is very clean and bright. *** WE BOX AND SHIP ALL BOOKS WITH USPS TRACKING. *** WE HAVE BEEN BUYING AND SELLING USED BOOKS FOR OVER 38 YEARS.…

Erste Auflage. 29,8 x 42,4 cm. [17] unpaginierte Blätter. Privater OPappband mit Klemmbindung und montierter Titelei recto. Einband wenig angestaubt, sonst sehr gutes Exemplar. Künstlerbuch von Paul Heimbach (1946 - 2013) bestehend aus einer DIN-A-3-Mappe mit 16 Tintenstrahldrucken. Aus einer Auflage von 10 Exemplaren, hier Exemplar Nr. 9/10. Vom Künstler auf der Titelseite in Bleistift signiert, datiert und nummeriert. [Vgl. Paul Heimbach: Werkverzeichnis der Bücher und Auflagenobjekte. Books & Editions 1967 - 2008. Catalogue Raisonné. Köln 2009, S. 74 (dort abgebildet)]. Dem 2004 begonnenen Projekt "nach Daten/individuelle Strukturen" gingen andere serielle Zeichnungen aus den drei Grundfarben voraus. Hier sind es zwei ineinander verzahnte Strukturen, die je ein Datum visualisieren. Cyan, Magenta und Gelb korrespondieren dabei Tag, Monat und Jahr, die Repetitionsstruktur der Linien ergibt sich aus den Zahlen-Werten der Daten. Diese Übersetzungen der Geburts- und Todestage werden seit 2007 mit Abbildungen der portraitierten Personen kombiniert (Info Homepage Paul Heimbach).…

Kein Einband. Condition: Wie neu. Dust Jacket Condition: Wie neu. Pol Bury Hand-Signed Exhibition Poster: Pol Bury Kinetische Skulpturen. Josef Albers Museum 1990. *** Hand-Signed by Pol Bury, lower right under image. Original Exhibition poster for Pol Bury Kinetische Skulpturen 1990 , at the Quadrat / Josef Albers Museum, Bottrop, Germany. Very good condition.Sheet size 84 x 59.5 cm. *** This rare, hand-signed exhibition poster was created for Pol Bury s 1990 exhibition "Kinetische Skulpturen" at Quadrat Bottrop Moderne Galerie im Stadtgarten. Featuring one of Bury s iconic kinetic water sculptures, this poster highlights his mastery in blending movement, geometry, and fluidity. Pol Bury (1922 2005) was a pioneering kinetic artist, known for his slow-motion sculptures that challenge traditional perceptions of movement in art. His works, often made of metal and water elements, evoke a sense of controlled dynamism, making him a leading figure in contemporary sculpture and public installations. This highly collectible, museum-quality poster is a must-have for collectors of kinetic and modern art, celebrating Bury s innovative vision and artistic legacy. 4o ** SHIPPING: Worldwide shipping available *** CONDITION: Artwork and book are in very good condition ***. Signatur des Verfassers.…

Original lithograph by Pol Bury, titled 'Rouge', hand-signed 'Pol Bury' and numbered 35/75 in pencil. Published by Galerie Maeght, Paris, 1969. Sheet: 76 × 55.3 cm (30 × 21.75 in). A rare and intimate work by a key figure of European kinetic art and the CoBrA movement, published by the most prestigious print publisher of its era. Pol Bury (1922 Haine-Saint-Pierre, Belgium 2005 Paris) is celebrated as one of the pioneers of kinetic art art that incorporates or evokes movement. After an early period as a CoBrA painter, Bury developed his distinctive vocabulary of slowly moving spheres, cylinders and lines, creating works of meditative, almost hypnotic power. His prints, produced in close collaboration with the Galerie Maeght in Paris, bring this same quality of animated tension to the graphic medium.'Rouge' (1969) presents Bury's refined abstract language in a restrained palette centred on red, conveying the visual rhythm and quiet dynamism of his kinetic sculptures. Published by Galerie Maeght in an edition of only 75, hand-signed in pencil. Sheet size: 76 × 55.3 cm. In excellent condition. 76 x 55,3 cm (30 x 21,75 inches).…

Original color lithograph, hand-signed, numbered 57/150 Original abstract lithograph depicting music notes by Pol Bury.In 1938/39 he studied at the Académie des Beaux-Arts in Mons. In 1939 he was a founding member of the,Group Rapture'. From 1949 to 1951 he was involved in the CoBrA initiative, which was founded in Paris in 1948 by the Danish painter Asger Jorn, the Belgian writer Christian Dotremont and the Dutch painter Karel Appel. After joining the,Art Abstrait' group of artists, he turned away from painting altogether in 1953.In 1957 he developed the first mobile kinetic sculpture with a motor. In 1964 Pol Bury, who had lived in Paris since 1960, represented Belgium at the Venice Biennale. Bury moved to New York from 1966 to 1968. In 1970 he accepted a teaching position at the University of California, Berkeley, and in 1973 he taught at the Minneapolis College of Art and Design, which awarded Pol Bury an honorary doctorate. Since 1983, Pol Bury has been a professor of sculpture at the École national supérieure des beaux-arts de Paris (ENSBA). He took part in the documenta III in Kassel in 1964 and was also represented as an artist at the 4th documenta in 1968.Pol Bury initially belonged to the surrealist and communist movement of abstraction, first as a painter and later as a sculptor. In his first works he was significantly influenced by his compatriots Magritte and Ubac. After retiring from painting in 1953, he established himself as one of the most renowned kinetic artists. Pol Bury creates objects that perform extremely slow movements and thus put perception to the test. He first develops his works as reliefs that depict the movement of serial elements such as discs or pins. The demand and the contemporary public interest in kinetic energies and kinetic art gave birth to his first large objects of monumental sculptures in 1973. Since 1976 he has built numerous fountains, always in the context and on the basis of the basic shapes sphere, cone, cylinder, cube and cuboid. In his graphic works ('Cinétisations', since 1964) he presents the problem of movement.Pol Bury also worked on film between 1968 and 1976, e.g. with Clovis Prevost. (Wikipedia) Pol Bury (* 26 April 1922 in Haine-Saint-Pierre, Belgium; 28 September 2005 in Paris) was a Belgian painter and sculptor.Pol Bury studied in 1938/39 at the Académie des Beaux-Arts in Mons. In 1939 he was a member of the surrealist poet group Rupture. From 1949 to 1951 he was involved in the CoBrA initiative, which was founded in Paris in 1948 by the Danish painter Asger Jorn, the Belgian writer Christian Dotremont and the Dutch painter Karel Appel. After his involvement with the artist group "Art Abstrait" he turned away from painting completely in 1953.In 1957 he developed the first mobile kinetic sculpture with a motor. In 1964, Pol Bury, who had lived in Paris since 1960, represented Belgium at the Venice Biennale. Bury moved to New York from 1966 to 1968. In 1970 he took up a teaching post at the University of California, Berkeley, and in 1973 he taught at the Minneapolis College of Art and Design, which awarded Pol Bury an honorary doctorate. From 1983, Pol Bury was professor of sculpture at the École nationale supérieure des beaux-arts de Paris (ENSBA). He took part in documenta III in Kassel in 1964 and was also represented as an artist at the 4th documenta in 1968.Pol Bury initially belonged to the surrealist and communist movement of abstraction, first as a painter and later as a sculptor. His early works were significantly influenced by his compatriots Magritte and Ubac. After retiring from painting in 1953, he made a name for himself as one of the most renowned kinetic artists. Pol Bury creates objects that move extremely slowly and thus put perception to the test. He first creates his works as reliefs that depict movement on serial elements such as discs or pins. The demand and public interest in kinetic energies and kinetic art gave birth to his first large monumental sculptures in 1973. Since 1976, he has built numerous fountains, always in context and based on the basic shapes of sphere, cone, cylinder, cube and cuboid. In his graphic works ("Cinétisations", since 1964) he presents the problem of movement.Between 1968 and 1976, Pol Bury also worked on film, including Clovis Prevost. In excellent condition. 75 x 54 cm (29.5 x 21,25 inches). …

Original color lithograph by Pol Bury, titled 'Deux Traits I' (Two Lines I), hand-signed 'Pol Bury' within the image and numbered 34/75 in pencil. Published by Galerie Maeght, Paris, 1970. Sheet: 76 × 55.3 cm (30 × 21.75 in). A refined kinetic-abstract composition by one of the key figures of the CoBrA movement and European kinetic art. Pol Bury (1922 Haine-Saint-Pierre, Belgium 2005 Paris) began his career as a painter within the Belgian CoBrA group before becoming one of the foremost kinetic sculptors of the 20th century. His work is held in major international collections including the Centre Pompidou, the Musée d'art moderne de la Ville de Paris, and the Guggenheim Museum.'Deux Traits I' (Two Lines I, 1970) is a characteristic example of Bury's graphic work in which the apparent simplicity of the composition conceals a subtle visual tension, evoking the slow, hypnotic movement for which his sculpture is famous. Published by the prestigious Galerie Maeght in Paris in a small edition of 75, each print hand-signed in pencil and within the image by the artist. Sheet size: 76 × 55.3 cm. In excellent condition. 76 x 55,3 cm (30 x 21,75 inches).…

2 KUNSTPOSTKARTEN Manneken-Pis(1992) je mit Unterschrift signiert -2 verschiedene Motive .

Pas de couverture. Condition: Très bon. Photo signée dans les années 90. Format : 10x15 cm. État : une très légère trace de doigt, voir scans svp. Authenticité garantie. Signé par l'auteur.

Condition: Tres bon. Pol BURY (1922-2005) - Copa del mundo : Oviedo Affiche en lithographie originale en couleurs - Signée dans la planche - Sur papier affiche 60 x 95 cm (c. 24 x 37 inches) - Imprimée dans les Ateliers Arte/Maeght (Paris, France) - Excellent état INFORMATION : Lithographie originale créée par l'artiste pour la ville d'Oviedo à l'occasion de la Coupe du monde de football de 1982 en Espagne.. BURY Pol (illustrator).…

Farbserigraphie auf Büttenpapier. Jahresgabe der Kestner-Gesellschaft, Hannover 1972. 61,5 x 44 cm auf 86 x 60 cm. Rechts unterhalb der Darstellung signiert, links unten mit 7/200 nummeriert.

Paris, Éditions RLD, 1984. In-folio, 547 x 446 mm, 36 feuillets. Leporello, chemise au dos de toile beige et plats de plexiglas, et étui de l'éditeur. Emboîtage légèrement usé. Édition originale et tirage unique à 142 exemplaires sur Moulin de Pombié filigrané, signé par l'auteur et l'artiste à la justification. 12 eaux-fortes originales en couleurs de Pol Bury signées au crayon (trois sur double page et neuf à pleine page) plus deux eauxfortes en couverture. Un des 7 premiers exemplaires avec un collage original signé de Pol BURY et une suite de 7 gravures supplémentaires, justifiées et signées. "Les compositions géométriques choisies par l'artiste parmi des estampes datant de 1972 font écho au premier titre choisi par le poète pour sa contribution : "Lettre sur la géométrie". La résonance instaurée entre le texte et l'image rend manifeste une profonde entente entre les deux créateurs, qui avaient longuement parlé de l'ouvrage avant sa réalisation" (Martin-Scherrer). Gravures tirées sur les presses taille-douce de l'Atelier Dutrou ; l'emboîtage et l'assemblage du livre ont été réalisés par Bernard Duval. Réf. : Frédérique Martin-Scherrer, Pol Bury, bibliographie raisonnée, p. 67. Livres.…