Poster Work, First Edition (33 results)

First Edition. Fine cloth copy in a near fine, very slightly dust-dulled dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 188 pages; Description: p. 188 ; chiefly ill. ; 32 cm. Subjects: Commercial art - Europe - Catalogs - Graphic design and art - Book illustration - Animation. 4 Kg.

First Edition. Fine cloth copy in a near fine, very slightly dust-dulled dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 188 pages; Description: p. 188 ; chiefly ill. ; 32 cm. Subjects: Commercial art - Europe - Catalogs - Graphic design and art - Book illustration - Animation. 2 Kg.

Unbound. Condition: Fine. First Edition. Fine as issued.

1st Edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 249 pages, illustrations. Subjects: Graphic arts United States History 20th century; Catalogs; Periodicals. Graphic arts Canada History 20th century; Catalogs; Periodicals. Illustration of books United States Yearbooks. Magazine illustration United States; Periodicals. 3 Kg.

First Edition. Fine cloth copy in an equally fine dust-wrapper; incased in the publisher's shrink-wrap. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 188 pages : ilus. ; 32 cm. Notes; English, French, and German. Includes index. Subjects; Commercial art -- Europe -- Catalogs. Illustration of books -- Europe -- Catalogs. Animated films -- Europe -- Catalogs. Genres; Catalogs. 4 Kg.

1st Edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 249 pages, illustrations. Subjects: Graphic arts United States History 20th century; Catalogs; Periodicals. Graphic arts Canada History 20th century; Catalogs; Periodicals. Illustration of books United States Yearbooks. Magazine illustration United States; Periodicals. 1 Kg.

First Edition. STUDENT PRINT MAKING LOS ANGELES CITY COLLEGE -AN EXHIBITION OF STUDENT WORK FROM THE FIRST PRINT MAKING COURSE OFFERED AT L.A.C.C., UNDER DIRECTOR NORMAN SCHWAB, 1970, first printing, measuring approximately 14" by 18.5" and most suitable for framing. A fine copy.

Card Covers. Condition: Very Good +. 1st Edition. 20pp. Excellent clean copy.

First Edition. Fine cloth copy in an equally fine dust-wrapper; incased in the publisher's shrink-wrap. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 188 pages : ilus. ; 32 cm. Notes; English, French, and German. Includes index. Subjects; Commercial art -- Europe -- Catalogs. Illustration of books -- Europe -- Catalogs. Animated films -- Europe -- Catalogs. Genres; Catalogs. 2 Kg.

Opbd mit OU. 1. Aufl. 241 (5) S. Umschlag leicht nachgedunkelt und mit kl, Einrissen am Rückenkopf , Einbandschnitt leicht gebräunt, sonst guter Zustand. Text: englisch, französisch, deutsch. Sprache: Englisch Gewicht in Gramm: 1500.

Opbd mit OU. 1. Aufl. 241 (5) S. Umschlag leicht gebräunt und kl. Einrisse, sonst guter Zustand. Text: englisch, französisch, deutsch. Sprache: Englisch Gewicht in Gramm: 1500.

Hardcover. Condition: Very Good. Dust Jacket Included. First Edition. New York, American Illustration, 1983. Quarto; cloth slightly bumped, rubbed, sunned and spotted; endpapers with a little light foxing; a very good copy with the dustwrapper slightly chipped with slight loss.

Soft cover. Condition: Very Good. 1st Edition. Poster. 295x410mm. A little thumbed and pin-holes to upper corners.

Soft cover. Condition: Very Good. 1st Edition. Poster. Kent Jones.Hobson Gallery. Cambridge 420x300, colour illust.Kent Jones is an American artist who received his BFA from the University of California at Santa Barbara and a post-graduate degree from the Slade School of Fine Art, University College, London, England in 1974. He has exhibited his paintings, prints, drawings and videos in solo, group and juried exhibitions worldwide since 1971. He is the recipient of numerous national and international awards including awards from print and painting competitions, direct artist grants, artist-in-residencies, travel grants, research grants, guest artist appointments and elections to distinguished organizations. In September 2015 he was given the Long Haul Award by Visual Arts Newfoundland and Labrador for lifetime service/achievement to the arts of Newfoundland and Labrador, Canada. In addition to making artworks, for fifteen years after graduating from The Slade he worked as a Master Printer in Intaglio and Lithography at Petersburg Press in London, England, as Assistant Art Director of New West Magazine in Beverly Hills, California, as an affiliate of the Institute of Papua New Guinea Studies in Port Moresby recording songs, stories, poems and photographing processes for their archives, and held a variety of Visual Arts teaching positions in England, Ireland, Canada, the USA and France. He designed and built Fine Art Printmaking studios in the USA, Canada, England, and Northern Ireland. His artwork is included in over 100 public, corporate and educational collections worldwide such as Harvard University, Victoria and Albert Museum, Trinity College Dublin, The Irish Museum of Modern Art, The Butler Institute of American Art, Ohio, Mulvane Art Museum, Kansas; Ulster Museum, Belfast, Northern Ireland, Glenbow Museum Canada, and Museo de Bellas Artes, Rio de Janeiro. The artist lives and works in Corner Brook, Newfoundland where he retired as Professor at Grenfell Campus, Memorial University of Newfoundland in 2016. He continues an active Visual Arts practice.

Poster. Condition: Near Fine. First Printing. Publisher's promotional poster featuring the same great drawing of a rhinoceros as the dust jacket, printed in limited numbers and distributed at the ABA trade show in 1985, in celebration of Searle's 65th birthday. Near Fine, 17" w x 22" h, small bottom corner crease. A SCARCE poster, well suited for framing. Will be shipped loosely rolled in a mailing tube.

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. 1xv 246p index 35 plates as called for - several coloured. The book is clean in near fine unmarked condition with blind embossed margin on front board and gilt titling on front board and spine.Uncommon. See Scans.

First edition hard back binding in publisher's original scarlet cloth covers, gilt lettering to spine. Folio 12½'' x 9ĵ'' ISBN 0904866637. Colour illustrations throughout. Fine condition book in Fine condition dust wrapper. Dust wrapper supplied in archival acetate film protection. Member of the P.B.F.A. ART [American].

First edition hard back binding in publisher's original yellow cloth covers, maroon lettering to spine. Folio 12½'' x 9ĵ'' ISBN 0810918455. Colour illustrations throughout. Fine condition book in Fine condition dust wrapper. Dust wrapper supplied in archival acetate film protection. Member of the P.B.F.A. ART [American].

Soft cover. Condition: Near Fine. No Jacket. 1st Edition. Poster Work. An Instruction Manual with Examination Questions. Produced by the International Correspondence School in 1951. Size: 6 x 9 inches. Page number: 48. Soft cover. A booklet teaching the processes of poster making to students. With 10 full page colour images showing classic advertisements of the day and one pull out image showing the processes undertaken to produce these images. Also black and white images. Included is a letter sent by the school to the purchaser of the manual. Condition: Near Fine. The cover is clean and shows very little wear. The pages within are clean and un-thumbed.

No Binding. Condition: Good. 1st Edition. Single white sheet (approx. 84 x 33cm) printed in black, brown and yellow, showing a portrait by Phillips of Beckett. Chip to the lower left corner (not affecting the design), otherwise Very Good with more moderate rubbing and edgewear, and light horizontal creasing suggestive of a loose rolling. This example comes from Phillips' own collection and is stamped with his copyright.

No Binding. Condition: Fine. 1st Edition. Proof On Glossy Board Of The Original Poster For Jae Carmichael's 1977 Film About The Sculpture Of Claire Falkenstein. Falkenstein, An Important American Artist For Decades, Also Welded The Gates For Peggy Guggenheim's Iconic Venetian Palazzo By Hand. Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And This 1977 Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Condition: Good Plus. 1st Edition. Single white sheet (54.6 x 39.2cm) printed at Bath Academy of Art in black, yellow and green on one side only. Old horizontal fold, otherwise Very Good if slightly creased/crumpled in general. This example comes from Phillips' collection.

No Binding. Condition: Good. 1st Edition. Single white sheet (37.5 x 27.2cm) printed in red/blue on one side only. The poster purports to show work from 'A Human Document' (i.e. 'A Humument') but Phillips has added a note in pencil: 'not by me', which he has initialled. Either the stock is rather evenly toned at the front or the colouration is deliberate; that aside, horizontal fold (quite mild now) and other light creasing, a patch of soiling to the lower corner on the left, and somewhat marked on the reverse. This example comes from Phillips' collection. Signed.

Poster. Condition: Near Fine. First Printing. SCARCE exhibition poster featuring Scholder's 1980 painting "Sunset Indian". Near Fine, small spot soiling top left edge in margin. A strong and colorful image, well suited for framing. Will be shipped loosely rolled in sturdy mailing tube.

No Binding. Condition: Very Good. 1st Edition. Poster, 20 X 20? (50.8 X 50.8 Cm), For Kosuth's First Solo Exhibition, 1968], Machine-Folded Mailer, Whited-Out Address To Jae Carmichael, Then Of The Pasadena Art Museum. Per Wikipedia, Joseph Kosuth (1945-) Is An American Conceptual Artist. Kosuth Belongs To A Broadly International Generation Of Conceptual Artists That Began To Emerge In The Mid-1960'S, Stripping Art Of Personal Emotion, Reducing It To Nearly Pure Information Or Idea And Greatly Playing Down The Art Object. Kosuth Gives Special Prominence To Language. His Art Generally Strives To Explore The Nature Of Art Rather Than Producing What Is Traditionally Called "Art". Kosuth's Works Are Frequently Self-Referential. He Remarked In 1969: "The 'Value' Of Particular Artists After Duchamp Can Be Weighed According To How Much They Questioned The Nature Of Art." Kosuth's Works Frequently Reference Sigmund Freud's Psycho-Analysis And Ludwig Wittgenstein's Philosophy Of Language. His First Conceptual Work Leaning Glass, Consisted Of An Object, A Photograph Of It And Dictionary Definitions Of The Words Denoting It. In 1966 Kosuth Also Embarked Upon A Series Of Works Entitled Art As Idea As Idea, Involving Texts, Through Which He Probed The Condition Of Art. The Works In This Series Took The Form Of Photostat Reproductions Of Dictionary Definitions Of Words Such As "Water", "Meaning", And "Idea". Accompanying These Photographic Images Are Certificates Of Documentation And Ownership (Not For Display) Indicating That The Works Can Be Made And Remade For Exhibition Purposes. One Of His Most Famous Works Is One And Three Chairs. The Piece Features A Physical Chair, A Photograph Of That Chair, And The Text Of A Dictionary Definition Of The Word "Chair". The Photograph Is A Representation Of The Actual Chair Situated On The Floor, In The Foreground Of The Work. The Definition, Posted On The Same Wall As The Photograph, Delineates In Words The Concept Of What A Chair Is, In Its Various Incarnations. In This And Other, Similar Works, Four Colors Four Words And Glass One And Three, Kosuth Forwards Tautological Statements, Where The Works Literally Are What They Say They Are. A Collaboration With Independent Filmmaker Marion Cajori, Sept. 11, 1972 Was A Minimalist Portrait Of Sunlight In Cajori's Studio. His Seminal Text Art After Philosophy, Written In 1968-69, Had A Major Impact On The Thinking About Art At The Time And Has Been Seen Since As A Kind Of "Manifesto" Of Conceptual Art Insofar As It Provided The Only Theoretical Framework For The Practice At The Time. (As A Result, It Has Since Been Translated Into 14 Languages, And Included In A Score Of Anthologies.) It Was, For The Twenty-Four Year Old Kosuth That Wrote It, In Fact More Of A "Agitprop" Attack On Greenbergian Formalism, What Kosuth Saw As The Last Bastion Of Late, Institutionalized Modernism More Than Anything Else. It Also For Him Concluded At The Time What He Had Learned From Wittgenstein - Dosed With Walter Benjamin Among Others - As Applied To That Very Transitional Moment In Art. In The Early 1970S, Concerned With His "Ethnocentricity As A White, Male Artist", Kosuth Enrolled In The New School To Study Anthropology. In 1969 Kosuth Held His First Solo Exhibition At Leo Castelli Gallery, New York [This Exhibition Predates That!]. That Same Year, He Organized An Exhibition Of His Work, Fifteen Locations, Which Took Place Simultaneously At Fifteen Museums And Galleries Worldwide; He Also Participated In The Seminal Exhibition Of Conceptual Art At The Seth Siegelaub Gallery, New York. In 1973, The Kunstmuseum Luzern Presented A Major Retrospective Of His Art That Traveled In Europe. In 1981, The Staatsgalerie Stuttgart And The Kunsthalle Bielefeld Organized Another Major Kosuth Retrospective. He Was Invited To Exhibit At Documentas V, Vi, Vii And Ix (1972, 1978, 1982, 1992) And The Biennale Di Venezia In 1976, 1993 And 1999. He Continued To Exhibit In Venice During The Biennale From 2011 Onwards.

Capsule, métabolisme, structure spatiale, métamorphose de Kisho Kurokawa, aussi intitulé Kisho Kurokawa : son ?uvre a été publié par Bijitshu Shopansha à Tokyo en 1970, année de l'Expo 70 à Osaka. Il s'agit principalement d'un recueil visuel mêlant graphisme de style victorien occidental et imagerie et textes traditionnels japonais. Les impressions sont de très bonne qualité, et l'ouvrage présente des photographies sur la construction des pavillons de l'Exposition d'Osaka, ainsi que des dessins et des photographies de maquettes mettant en évidence l'utilisation d'éléments préfabriqués et d'une structure spatiale. Le livre, mesurant est accompagné d'une grande affiche pliée en parfait état et d'un disque vinyle 7 pouces intitulé Ğ Musique pour l'espace de vie ğ, aussi en très bon état. L'ouvrage inclue aussi certaines des premières ?uvres de Kurokawa, telles que des projets d'appartements et autres logements, le concours de la fontaine du centre civique de Seattle en 1961, des immeubles de bureaux, des plans d'urbanisme et des hôtels. Les éléments architecturaux sont liés au corps humain et s'inscrivent dans une perspective biologique, considérant l'architecture et les villes comme des organismes vivants. Kisho Kurokawa fut l'un des fondateurs du mouvement métaboliste japonais en 1960. Le métabolisme postulait que la ville est un organisme aux aires de croissance diverses, impliquant une architecture évolutive et flexible. 94 pages ; couverture rigide sous étui imprimé. L'étui est légèrement usé. Un ouvrage rare et en très bon état, d'un architecte japonais très important. Le livre, le disque vinyle et l'affiche sont en parfait état. Remise en main propre, pas de retour pour ce genre de livre.

Soft cover. Condition: Very Good. 1st Edition. Nigel Henderson. Recent Work: Photographs, Paintings, Collages. Poster. Designed by Gordon House House, printed at Kelpra Studios. 430x580mm. Light handling creases, slight spotting at edges.

Unbound. Condition: Good. Poster. Illustrated by Marion Brody. Measuring approximately 23" x 35". Poster stained, rippled, and foxed, two tiny pieces of tape on the verso, good only. Copy 74 of 75 copies numbered and Signed by James Merrill.

No Binding. Condition: Very Good Plus. 1st Edition. Single white sheet (59.3 x 41.9cm) printed in multicolour on one side only. The lower portion (the privilege panel) of this example, which is from Phillips' collection, is blank, but it would have been used by different galleries to advertise their details when the touring exhibition visited them. Generally crisp with mild signs of handling, the right edge a little marked, faintly.

No Binding. Condition: Very Good. 1st Edition. Invitation / Poster, Single Sheet 17" X 11", Folded For Mailing. This Copy Addressed To Jae Carmichael. Light Usagwe, 2" Closed Tear In Fold At Top.