Primer by Bertolt Brecht, Signed (2 results)

First edition, an altered artists' book, number 68 of 100 copies signed by both artists on the front free endpaper; 4to (294 x 243 mm, 11½ x 9½ in); 85 black-and-white photographs printed in offset, each with a new photographic reproduction partially pasted over it by hand, the final image with a screen printed red square, new notes screen printed in red over the original text section; plain endpapers, grey cloth-covered boards, original titles stamped on spine in silver, new titles screen printed in red on upper side, starting at head, near-fine; [176], xxivpp. German poet and dramatist Bertold Brecht's Kriegsfibel [War Primer] was first published in 1955. Brecht's mistrust of the press imagery emerging from the Second World War led him to compose four-line poems, which he juxtaposed with photographs sourced from newspapers and magazines, many of which were from LIFE magazine as Brecht was living in the United States in exile from Nazi Germany. Broomberg & Chanarin, concerned with the proliferation of imagery relating to the 'War on Terror' that began with 9/11, have taken copies of the 1998 first English edition of Brecht's War Primer as the starting point for this revised version. Keeping the original captions intact, they have partially overlaid the original photographs selected by Brecht with contemporary imagery from both sides of the recent conflict drawn from online sources. The URL for each image is provided with a caption in a new set of notes, screenprinted over the originals. Broomberg & Chanarin were awarded the 2013 Deutsche Bà rse Photography Prize for this work. The Photobook: A History III, p285.

Unknown. Condition: Very Good. No Jacket. 4to - over 9¾" - 12" tall. From the library of noted American poet Denise Levertov, an important influence in Pawlak's career. She has noted in ink 'Mark's Brecht poems - will need for BU talk in Nov.' 9 leaves, xerox printed in landscape format, double column. It appears that these translations have never been published, but Brecht's influence on Pawlak's own poetry is well-publicized. Levertov, Pawlak's former teacher, introduced him to Hanging Loose magazine (where she was a contributing editor). He became and has continued to be the co-editor for many years.