Robert Adams, Signed (30 results)

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition, first printing. Signed in pencil on the title page by Adams. Hardcover. Paper-covered boards, with dust jacket. Photographs and text by Robert Adams. 48 pp. with 32 duotone plates. 9-1/4 x 8-5/8 inches. This first edition was limited to 2000 hardbound copies. New in publisher's shrink-wrap (slit open for signature). From the publisher: "Robert Adams has for many years photographed the western American landscape, but here brings together thirty-two pictures made in his own back yard. In them, he records the pleasures that a small dog and her human companions have found in a sanctuary less than fifty feet to a side. In his preface, the photographer gives us a metrical description of paradise from a dog's point of view, a reply to those who might charge sentimentality, and an outline for a creation story. The book is at once amusing and serious, local and far-reaching. Its theme is gratitude." Signed by Author.

Hardcover. Condition: Fine. French and English on facing pages.Set in Galliard and printed on Curtis Rag paper. One of 2,000 copies with typography, calligraphy, decorative endleaves and binding by Stephen Harvard and signed by him. Green cloth, titled and stampped in gilt, decorative slipcase, A fine copy. Signed by Author(s).

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition, first printing. Signed in black ink on the title page by Adams. Hardcover. Fine Japanese linen cloth, with title blind-stamped on spine, with illustrated dust jacket. Photographs and text by Robert Adams. 44 pp., with 1 four-color and 17 duotone plates, beautifully printed on fine matte art paper. 9-3/8 x 8-5/8 inches. This first edition was limited to 500 copies. New in publisher's shrink-wrap (slit open for signature). From the Introduction by Robert Adams: "The house in which my parents lived stands at the base of Neahkahnie Mountain, from which the first photograph was made. Their ashes are buried on Nehalem Spit, visible in the distance. My mother especially loved the Spit for what was then its profusion of wild strawberries, and when she was no longer able to walk there we enjoyed bringing them back to her. All of the photographs were made on a return to the town of Manzanita, the interiors at a motel kitchen counter and table. 'There is no first, or last, in Forever -- It is Centre, there, all the time' (Emily Dickinson)." From the publisher: "Serving as a companion book to Adams's previous titles, I Hear the Leaves and Love the Light and A Portrait in Landscapes, this beautiful and touching new artist's book takes as its tangible subject a bowl of fresh fruit, a clear glass of water, a feather, a stone and shells, cupping them all in memories and light. Printed in a first edition of 500 copies, Still Lives at Manzanita is bound in Japanese cloth, with the artist's 1970s linoleum cut 'Neahkahnie Mountain' reproduced on the front jacket." Signed by Author.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. A New First Edition in Hardcover and DJ Signed on card as published by Steidl Unmarked Unread Unopened. Signed by Author(s).

4°. 145, (3) S., OLwd. mit Goldpr. Tadelloses Exemplar in (an den Rändern minim. verblasstem) Schuber. Innendeckel mit einem Exlibris von Egbert Herfurth (Bücher fliegen aus einem Bienenstock), von Herfurth signiert. * Nr. 19 von 2000 handschr. nummer. Exemplaren. Signiert von Stephen Harvard, welcher Typographie, die kalligraph. Titelvignette u. den Einband entworfen hatte. Gedruckt auf Curtis Rag-Papier der Meriden Gravure Company. - Beiliegt ein Verlagszettel zu diesem Buch sowie "The Monthly Letter" der Edition Nr. 513.

4to, 145. An out of series binding in crimson 1/2 Morocco on unique half-tone floral patterned boards, very lightly superficially marked towards sine. Text block comprised of Curtis rag paper with edges untrimmed. End paper bears a signature of typographic designer Rauri McLean. A beautiful, truly unique edition in fine to near-fine condition. Out of series copy. Signed by Rauri McLean.

Condition: Wie neu. 145 pages. In EXCELLENT shape. - Text in Französisch und Englisch. - First book set by the Stinehour Press using Galliard type. Beautifully designed by Stephen Harvard who also contributes some calligraphy. Copy 1896 of 2000 SIGNED by the DESIGNER on the colophon page. Sprache: Französisch Gewicht in Gramm: 1005 Full forest green cloth, spine and front cover stamped in genuine gold. Fine in fine floral decorated light green slipcase matching the endpapers.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition, first and only printing. Signed in black ink on the title page by Adams. Hardcover. Fine linen cloth, with debossed title on front cover and spine, with dust jacket. Photographs and introduction by Robert Adams. 48 pp., with 34 duotone plates, beautifully printed on fine matte art paper. 12 x 11-1/4 inches. This first edition was limited to 1000 copies. New in publisher's shrink-wrap (slit open for signature). From Robert Adams: "The Valley is located next to Oregon's high desert. Most of the pines for which it was named have been cut, but it is still an oasis. In the morning and evening there are quail -- 'sweet-whistling quail' as Anne Porter called them -- that walk near the house in lines of family." From the publisher: "This is a book about a place at once alive and serene. Robert Adams had been photographing the cut over remains of northwestern forests when one day, near Hell's Canyon, he came upon a valley of unaccountable promise. The pines for which the valley was named had been mostly logged-off, but cottonwoods and fruit trees had grown up since then. 'In the high desert light the new trees reminded me of what originally brought me to photography -- beauty. As simple as that.' Born in 1937, Robert Adams has worked as a photographer of the changing American landscape for the past three decades. His photographs are included in dozens of books, and housed in most major photography collections throughout the United States and Europe. Adams has been awarded the Guggenheim and MacArthur Foundation fellowships. Pine Valley is printed in a first edition of 1,000 copies." Signed by Author.

Hardcover. Condition: Very Good. First Edition. Hardback. Dust Jacket. 8vo.pp. 196. Signed by both authors on the front end paper:" Best wishes Willie Pep" and "Good luck, Robert Sacchi." Original publisher's cloth binding in dark brown, lettered gilt at spine. Dust jacket in dark brown and ivory, lettered red and ivory. Frontispiece photograph of Willie Pep World Featherweight Champion 1942Ð1951. Black and white photographs illustrate the text. Very good in minus very good dust jacket. Slight rubbing and creasing. Dust jacket used, creased and nicked at edges. Signedes.

Hardcover. Condition: As New. 1st Edition. 1st Printing. Signed. 48 pages. Published in 2023. Retrospective collection of landscape and place photographs. One of the most beautiful art photography books of our time. Published in a small and limited first print run as a hardcover original only. An austerely elegant production by Robert Adams, Gerhard Steidl, and Joshua Chuang: Regular-sized volume format. Pictorial cloth boards with titles embossed on the cover and spine, as issued. Photographs by Robert Adams. Except for a brief Introductory Note by Adams, there is no text. Printed on pristine-white, thick uncoated stock paper by Steidl in Gottingen, Germany to the highest standards. The reproduction quality is outstanding in every respect. In publisher's original slipcase. Without DJ, as issued. Re-presents, in its Revised, Expanded, and perhaps definitive format, Robert Adams' "Eden". Images of Eden, Colorado, named not after the Biblical place, but a former railroad official. The Garden of Mister Eden is made up of railroad tracks, gas tanks, metal sheds, military salvage lots, and the Westland Truck Stop. Captured in the blinding desert light, these are stark photographs that somehow implant themselves in one's memory. Robert Adams has published indispensable books about the radical (and irreversible) transformation of the American West for more than forty years (his work is the inspiration for Richard Avedon's "In The American West"). A MacArthur Genius Grant Laureate, one of very few photographers so honored, Adams is regarded by critics and admirers as the greatest American landscape and place photographer since Ansel Adams, with whom he shares the same surname, and nothing else. Indeed, Robert Adams is the ultimate anti-Ansel Adams photographer, an artist who evokes our inner desolation - and implicitly rejects Ansel's lush Romanticism - by exposing instead the detritus of modern civilization. An absolute "must-have" title for Robert Adams collectors. This copy is very boldly and beautifully signed in pencil on the cream-color Card (that is affixed to the title page) by Robert Adams. This title is a great art photography book. This is one of very few such pre-signed copies of the Steidl First Hardcover Edition/First Printing (2023) still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Adams pre-signed a very limited number of copies through the publisher only. As such, these signed copies are instantly collectible and will increase in value, as ALL of Adams' signed books have. This is surely an accessible and lovely alternative. A rare signed copy thus. Lavishly illustrated with tonal plates. Robert Adams' "What We Bought: The New West" was selected as one of the greatest photography books in "The Photobook". One of the greatest photographers of our time. A fine collectible copy. (SEE ALSO OTHER ROBERT ADAMS TITLE IN OUR CATALOG) ISBN 3958296815. Signed by Author.

Hardcover. Condition: As New. 1st Edition. First edition, first printing. Limited edition of 100 copies, signed and hand-numbered in pencil on the title page by Adams. Hardcover. Custom-designed cloth presentation case with fine, pale olive cloth-covered boards with title stamped in beige on front cover, with printed loose sheets collated in a foldover paper enclosure (attached to inside rear board), no dust jacket as issued. The presentation case is contained in a matching cloth clamshell box. Photographs and text by Robert Adams. 24 duotone plates on 27 total unbound coated matte heavy stock sheets (each 14 x 11 inches). Clamshell box 15-5/8 x 12-3/8 inches, presentation case 14-3/8 x 11-3/8 inches. Published in cooperation with Fraenkel Gallery. As New in Near Fine clamshell box (slight sunning bands to back, and small stain on top edge of clamshell box). From Robert Adams: "Cyril Connolly wrote that 'no city should be too large for a man [or woman] to walk out of in a morning.' It is a sensible standard, though by it the Denver area in the 1970s was a disappointment. People had moved there to enjoy nature, but found that nature was mostly inaccessible except on weekends. Often little of it was even visible out the window. The puzzle became how to live inside. These rooms seemed to me then to be mostly sad, although what strikes me now is the evidence in them, however fragile, of caring." From the publisher: "Robert Adams recently came across a group of 24 pictures he made in Denver in the early 1970s. These photographs, which informed his later work, are published here for the first time. They offer new insight into the photographer's way of seeing and thinking about the human condition, the profound influences of which are still being felt generations later." Signed by Author.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. Note: All sets numbers 1-6 (36 books),total cost is 16,750$. The price of a single set of 6 books is 3,5000$. 14 1/4 x 11 inches, cloth, Dust Jacket. The books in Set four includes; Robert Adams: Sally; Edward Burtynsky: Monegros (Dryland Farming); Kenro Izu: Blue; Catherine Opie: The Middle of Somewhere; Doug Rickard: A New American Picture; Issei Suda: Sparrow Island. First Edition, Limited edition: No. 87 of 100 copies numbered in pencil in the colophon. Six volumes each containing an 11 x 14 silver gelatin, chromogenic, or pigment print titled, numbered and signed by six photographers comprising this set. All volumes housed in cloth slipcase. Signed by Author(s).

Hardcover. Condition: New. 1st Edition. 2000-2017. Nazraeli Press One Picture Book Series 1 to 100, Limited Edition(s) (each title with Print(s)). All of the One Picture Books in this complete set are in the First Edition, first and only printing. Each title is a limited edition of 500 copies hand-numbered and signed by the artist, with one original print tipped in the front or final page (except for #5, which has two Type-C prints mounted recto/verso on a hinged board). All of the titles in the set share the following format: Hardcover. Paper-covered boards (color and printing vary), no dust jacket as issued. 16 pp., with four-color and/or duotone plates. 7-1/2 x 5-3/4 inches. The complete set of 100 titles of this critically acclaimed series is extremely scarce, as the majority of the tittles are out of print and many are very scarce. New (all books). All books and tipped-in prints are in flawless condition. 1) Terri Weifenbach, Instruction Manual No. 1: 21. May 1995; 2) John Gossage, Four American Photographs; 3) Terri Weifenbach, Instruction Manual No. 2: 21. April 1996 ("Bee"); 4) Terri Weifenbach, Instruction Manual No. 3: 25. June 1996 ("Blue Sky"); 5) Chan Chao, Letter from P.L.F. (Burma); 6) Todd Hido, Taft Street; 7) Ron van Dongen, Rosa Ferreus; 8) Susan Hornbeak-Ortiz, True; 9) Bill Jay, Bill Brandt; 10) Julien Coulommier, Soleil Cou Coupe; 11) Yuki Onodera, How to Make a Pearl; 12) Robert Adams, Alders; 13) Risaku Suzuki, Fire: February 6; 14) Robert Heinecken, studiesnineteenseventy; 15) Don Kirby, You're not really initiated until your eyes are redder than your lips; 16) Masao Yamamoto, The Path of Green Leaves; 17) Martin Parr, 7 Communist Still Lifes; 18) Andreas Müller-Pohle, Yumiko; 19) Sara Gilbert, Cues; 20) Toshio Shibata, Type 55; 21) Michael Kenna, Boarding School; 22) Eduardo del Valle, Mirta Gómez, Four Sections of Time; 23) Weng Fen, Sitting on the Wall & Bird's Eye View; 24) Judy Gelles, Beach Boxes; 25) Naoya Hatakeyama, River Series / Shadow; 26) Boomoon Kwon, On the Clouds; 27) Camille Solyagua, Twenty-One Red-Crowned Cranes and One Black Crow; 28) Martin Parr, 7 Colonial Still Lifes; 29) Jim Stone, Why My Photographs are Good; 30) Stu Levy, Cranial Czar, Eh?; 31) Ken Ohara, One; 32) Steve Pyke: Post Partum; 33) Steve Pyke: Post Mortem; 34) Joseph Mills, e mars, Lilly's Waist; 35) Yuichi Hibi, Robert Frank, A Weekend with Mr. Frank; 36) Twinkako Ishiwata-Pichler, Desperately Seeking Twinka; 37) Ron van Dongen, A. angustatum; 38) Junko Takahashi, The Receptionist; 39) Daido Moriyama, Kuchibiru; 40) Emi Anrakuji, e hagaki; 41) Michael Kenna, Montecito Garden; 42) Tanya Marcuse, Fruitless; 43) Stephen Shore, Merced River; 44) Jesse Diamond, Drum Circle; 45) Nancy Honey, Poodle Parlour; 46) Lars Schwander, Manuel Álvarez Bravo: One Day in April 1999; 47) John Divola, Seven Dogs; 48) Masao Yamamoto, Fujisan; 49) David Maisel, Cascade Effect; 50) Rob McDonald, Birth Place; 51) Netta Madahar, Sustenance; 52) David Tseklenis, Julius Shulman Does His Own House; 53) Joe Deal, Indian Bingo; 54) Raymond Meeks, Doctrine of an Axe; 55) Mayumi Lake, Ex Post Facto; 56) Michael Kenna, Heiden Hotel; 57) Eduardo del Valle & Mirta Gómez, En Vista; 58) Edward Bateman, Mechanical Brides of the Uncanny; 59) Todd Hido: Cracked Trees; 60) Todd Hido: Crooked Cracked Tree in Fog; 61) David H. Gibson: Water Cascade: A Sequence; 62) Eiji Ina: Wacht; 63) Alec Soth: One Mississippi; 64) Mark Steinmetz: Italia: Cronaca di un Amore; 65) Pine & Woods: For Constance; 66) Hiroshi Watanabe: Love Point; 67) Terri Weifenbach: Some Insects; 68) Sally Mann, Rob McDonald and Even Rogers: Cy's Rollei; 69) Corey Arnold: Fishing with My Dad 1978-1995; 70) Joni Harbeck & Neil Krug: Indian Girl; 71) Steve Fitch: Motel Signs; 72) Liz Steketee: Dystopia; 73) Stephen Shore: Pet Pictures; 74) Martin Parr: Seven Cups of Tea; 75) Stu Levy: Honk If You Love Stieglitz: Jerry Uelsmann, A Grid-Portrait; 76) Leon Borensztein: Portraits ii; 77) Carol E. Richards: Birds Have Wings; 78) Melanie. Signed by Author(s).

Hardcover. Condition: As New. 1st Edition. First edition, first printing. Limited edition of 500 copies hand-numbered and signed by Adams, with one original gelatin silver print (4 x 2-3/4 inches), printed by Rolfe Horn under the direction of Robert Adams, tipped in on page five. Hardcover. Paper-covered boards, no dust jacket as issued. Photographs by Robert Adams. Poetry by Carolyn Dunn. 16 pp., with 4 duotone plates and 3 poems. 7-1/2 x 5-3/4 inches. As New. The twelfth publication in the Nazraeli Press One Picture Book series. From the publisher: "'Following acts of violence / we are offered, if we wish, the stillness of alder leaves / moving in concert with an easterly wind / in the morning.' -- from After Great Fear by Carolyn Dunn. This thoughtful and moving addition to our One Picture Book series opens with a tranquil view of trees in a forest, transformed in a short sequence of pictures to falling lumber. Robert Adams has produced a set of five images that -- with beautiful simplicity -- tell their own devastating story. Adams's sister, Carolyn Dunn, wrote the three haunting poems that accompany his work, and was recently awarded a William Bronk Foundation prize for poetry." Signed by Author. Signed.

First edition. Octavo (7-1/2" x 5-3/4"). (12)pp. Lime green boards lettered in white. Illustrated with four photographs reproduced in duotone and one tipped-in photograph printed from the original negative by Rolfe Horne. Edition limited to 500 numbered copies, signed on the limitation leaf by Robert Adams. "A book of three poems, four photographs reproduced in duotone, and one original photograph." OCLC "This is volume #12 from the Nazraeli Press Series "One Picture Book.".

Unbound. Condition: Near Fine. Autograph Letter Signed. One 8½" x 11" sheet of Seven Gables Bookshop stationery. Old folds and one faint marginal stain, near fine. A letter from John Kohn, coproprietor of Seven Gables Bookshop, to Frederick B. Adams Jr., director of the Pierpont Morgan Library. Kohn writes to give the name of a poet he couldn't think of on Adams' last visit: Tom (Thomas Hornsby) Ferril. Kohn writes: "[H]ere is the poem that Robert Frost inscribed in one of [Ferril's] books: A man is as tall as his height, / Plus the height of his home town. / I know a Denverite, / Who, measured from sea to crown, / Is one mile five feet ten / And he swings a commensurate pen." Ferril would have the poem printed on the dust jacket of his 1952 *New and Selected Poems*. A charming letter.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. James Metcalf (illustrator). Limited Signed Edition (Signed by both Robert Graves and James Metcalf on limitation page). Number 142 of 250 copies. 36 wood engravings and 36 line drawings by James Metcalf. (viii) + 74pp. Dust jacket complete. Red cloth with bright gilt titling on spine. No ownership marks. Very clean and tight. It is now generally recognised that the story told in the first four chapters of Genesis is only one of a group of Middle Eastern Creation legends, from which it differs in many particulars. But attention has hitherto been drawn' rather to the likenesses between Genesis and its Sumerian, Phoenician, Babylonian, Egyptian and Hittite counterparts, than to the differences. Robert Graves is the first to show that Genesis, a document of unexpectedly late composition, contains Western as well as Eastern elements; and further that such unmythical anomalies as the creation of trees and pasture before the heavenly bodies, and the formation of Eve, the `Mother of Mankind', from the rib of a man, are best explained as anecdotes based on a misreading of certain Canaanite icons, captured by the Hebrews when they overran Hebron. Mr. Graves suggests that these icons were intended to be read boustrophedon (`as an ox ploughs') and not always from the same direction, as the author of Genesis has assumed; and that they tell an altogether different story of a more primitive Creation myth current in Canaan. The argument is illustrated by a reconstruction of these icons, thirty-six in number, which have been engraved on wood in sub-Mycenean style by James Metcalf. These are shown twice, in different orders, to illustrate both the conventional Genesis story and the hypothetical version. Size: 4to. Signed By Robert Graves & James Metcalf.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. One of only 150 copies signed and numbered by Robert Adams. Features an essay by poet, Robert Haas. Signed by Author(s). Book.

Dust Jacket Condition: dj. First Edition. First edition. Oblong Hardcover. Published in conjunction with exhibitions at the Fraenkel and Matthew Marks Galleries. Done in an edition of only 150 copies. Features an essay by Pulitzer Prize winner Robert Haas. Includes 57 tritone illustrations. A fine copy in a fine dust jacket and with a fine cloth slipcase. Still in the publisher's shrinkwrap slit open to verify signature. Signed by Adams. A very attractive production of one of Adams better books. Signed.

Fine printed loose sheets in foldover paper enclosure in cloth folder in matching cloth clamshell box titled to front panel. 24 sheets with duotone photographs plus three other sheets including title page Signed by Adams and marked AP 4/10. From the Library of Hakan Rosenius. ISBN 1590050649.

Hardcover. Condition: New. 1st Edition. 2000-2017. Nazraeli Press One Picture Book Series 1 to 100 (Total of 115 Books, Complete with Five Boxed Sets of four books each), Limited Edition(s) (each title with Print(s)). All of the One Picture Books in this complete set are in the First Edition, first and only printing. Each title is a limited edition of 500 copies hand-numbered and signed by the artist, with one original print tipped in the front or final page (except for #5, which has two Type-C prints mounted recto/verso on a hinged board). All of the titles in the set share the following format: Hardcover. Paper-covered boards (color and printing vary), no dust jacket as issued. 16 pp., with four-color and/or duotone plates. 7-1/2 x 5-3/4 inches. The complete set of 100 titles of this critically acclaimed series is extremely scarce, as the majority of the tittles are out of print and many are very scarce. A complete set including the rare boxed sets is very rare, as few boxed sets were made near the beginning of the Series. New (all books). All books and tipped-in prints are in flawless condition. 1) Terri Weifenbach, Instruction Manual No. 1: 21. May 1995; 2) John Gossage, Four American Photographs (4-Volume Set); 3) Terri Weifenbach, Instruction Manual No. 2: 21. April 1996 ("Bee"); 4) Terri Weifenbach, Instruction Manual No. 3: 25. June 1996 ("Blue Sky"); 5) Chan Chao, Letter from P.L.F. (Burma); 6) Todd Hido, Taft Street (4-Volume Set); 7) Ron van Dongen, Rosa Ferreus; 8) Susan Hornbeak-Ortiz, True; 9) Bill Jay, Bill Brandt; 10) Julien Coulommier, Soleil Cou Coupe; 11) Yuki Onodera, How to Make a Pearl; 12) Robert Adams, Alders; 13) Risaku Suzuki, Fire: February 6; 14) Robert Heinecken, studiesnineteenseventy; 15) Don Kirby, You're not really initiated until your eyes are redder than your lips; 16) Masao Yamamoto, The Path of Green Leaves; 17) Martin Parr, 7 Communist Still Lifes; 18) Andreas Müller-Pohle, Yumiko; 19) Sara Gilbert, Cues; 20) Toshio Shibata, Type 55; 21) Michael Kenna, Boarding School; 22) Eduardo del Valle & Mirta Gómez, Four Sections of Time (4-Volume Set); 23) Weng Fen, Sitting on the Wall & Bird's Eye View; 24) Judy Gelles, Beach Boxes (4-Volume Set); 25) Naoya Hatakeyama, River Series / Shadow; 26) Boomoon Kwon, On the Clouds; 27) Camille Solyagua, Twenty-One Red-Crowned Cranes and One Black Crow; 28) Martin Parr, 7 Colonial Still Lifes; 29) Jim Stone, Why My Photographs are Good; 30) Stu Levy, Cranial Czar, Eh?; 31) Ken Ohara, One; 32) Steve Pyke: Post Partum; 33) Steve Pyke: Post Mortem; 34) Joseph Mills, e mars, Lilly's Waist; 35) Yuichi Hibi, Robert Frank, A Weekend with Mr. Frank; 36) Twinkako Ishiwata-Pichler, Desperately Seeking Twinka; 37) Ron van Dongen, A. angustatum; 38) Junko Takahashi, The Receptionist; 39) Daido Moriyama, Kuchibiru; 40) Emi Anrakuji, e hagaki (4 Volumes Included with 4 Unique Prints); 41) Michael Kenna, Montecito Garden; 42) Tanya Marcuse, Fruitless; 43) Stephen Shore, Merced River; 44) Jesse Diamond, Drum Circle; 45) Nancy Honey, Poodle Parlour; 46) Lars Schwander, Manuel Álvarez Bravo: One Day in April 1999; 47) John Divola, Seven Dogs; 48) Masao Yamamoto, Fujisan; 49) David Maisel, Cascade Effect; 50) Rob McDonald, Birth Place; 51) Netta Madahar, Sustenance; 52) David Tseklenis, Julius Shulman Does His Own House; 53) Joe Deal, Indian Bingo; 54) Raymond Meeks, Doctrine of an Axe; 55) Mayumi Lake, Ex Post Facto; 56) Michael Kenna, Heiden Hotel; 57) Eduardo del Valle & Mirta Gómez, En Vista; 58) Edward Bateman, Mechanical Brides of the Uncanny; 59) Todd Hido: Cracked Trees; 60) Todd Hido: Crooked Cracked Tree in Fog; 61) David H. Gibson: Water Cascade: A Sequence; 62) Eiji Ina: Wacht; 63) Alec Soth: One Mississippi; 64) Mark Steinmetz: Italia: Cronaca di un Amore; 65) Pine & Woods: For Constance; 66) Hiroshi Watanabe: Love Point; 67) Terri Weifenbach: Some Insects; 68) Sally Mann, Rob McDonald and Even Rogers: Cy's Rollei; 69) Corey Arnold: Fishing with My Dad 1978-1995; 70) Joni Harbeck & Neil Krug: Indian Gi. Signed by Author(s).

Hardcover. Condition: Near Fine. No Jacket. 8vo. pp. 124, [4]. profusely illus. signed, dated and numbered folding print, entitled Manual (Michael Snow/A Survey), three Walking Woman stickers, the magnifying sheet, book mark and a small magnifying glass. pictorial bds. clear plastic slipcase. Edition limited to 125 copies, signed(p. 2); the print is numbered 50 of an edition of 125. Published on the occasion of the exhibition of the same name held at the Art Gallery of Ontario, February 14-March 15, 1970. "This special edition of Michael Snow/A Survey is entirely designed by the artist and consists of a plastic case, a fresnel magnifying sheet, a book mark, three of the original (1965) Walking Woman stickers and a signed print. Each copy is individually annotated, signed and numbered by the artist." (Colophon). Signed by Author(s).

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. IMPORTANT NOTE: These publications are only available in the complete limited edition series of 36 total titles in six Sets (items 107746, 108056, 109664, 109822, 110463 and 112341). Individual titles or Sets will not be sold separately (no exceptions will be made to this policy). SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout). SET FOUR: Volume One: Robert Adams: Sally. Includes an 11 x 14-inch gelatin silver print (image size: 6-1/2 x 8 inches). Photographs by Robert and Kersten Adams. Unpaginated (32 pp.), with 16 black-and-white plates plates. ISBN: 9781590053607. Volume Two: Edward Burtynsky: Monegros (Dryland Farming). Includes a 14 x 11-inch Type-C print (image size: 9 x 12 inches). Photographs by Edward Burtynsky. 32 pp., with 28 four-color plates. ISBN: 9781590053614. Volume Three: Kenro Izu: Blue. Includes a 14 x 11-inch pigmented inkjet print (image size: 9 x 12-7/8 inches). Photographs by Kenro Izu. Unpaginated (32 pp.), with 18 four-color plates. ISBN: 9781590053621. Volume Four: Catherine Opie: The Middle of Somewhere. Includes an 11 x 14-inch varnished pigmented inkjet print (image size: 9 x 12 inches). Photographs by Catherine Opie. Unpaginated (32 pp.), with 29 four-color plates. ISBN: 9781590053638. Volume Five: Doug Rickard: A New American Picture. Includes a 11 x 14-inch Type-C print (image size: 8-1/8 x 13-1/8 inches). Photographs by Doug Rickard. Unpaginated (32 pp.), with 29 four-color plates. ISBN: 9781590053645. Volume Six: Issei Suda: Sparrow Island. Includes a 14 x 11-inch gelatin silver print (image size: 7 x 7 inches). Photographs by Issei Suda. Unpaginated (36 pp.), with 33 black-and-white plates plates. ISBN: 9781590053652. New in publisher's packaging. ABOUT THE SERIES: Published over a seven-year period, the Six by Six Series includes limited edition books and prints by some of the most important contemporary photographers working today. 2010-2016. First edition, first printing. Limited edition of 100 hand-numbered copies, and 36 artist's proofs, all of which were given to the 36 participating "Six by Six" artists. Each Set (of six Sets) is comprised of six volumes, each with an original, signed and numbered print (Type-C print, gelatin silver print, platinum print or archival pigmented inkjet print) on 11 x 14-inch paper (image sizes vary) laid into the book in an archival protective clear polyester film (Mylar) sleeve. The six volumes and accompanying prints are contained in a custom black Japanese cloth-covered slipcase, with the series title debossed on one side. Each of the volumes shares the following format: Hardcover. Fine Japanese cloth-covered boards, with photographically illustrated dust jacket. Each book is signed and numbered on a small printed paper tipped in a debossed area of the book's rear cover. Unpaginated, with approximately 24 black-and-white (a special viscous "Daido black" ink and varnish are used) or four-color offset plates (varies between 16 and 33 plates), exquisitely printed on Nazraeli's special exclusive heavyweight Japanese paper. 15 x 12 inches. [All six Sets share this same design and format, and are housed in matching slipcases.] SIX BY SIX SETS: SET ONE (released in 2010) featured Anthony Hernandez, Todd Hido, Raymond Meeks, Martin Parr, Toshio Shibata and Mark Steinmetz. SET TWO (released in 2011) featured Joe Deal, Tanya Marcuse, Joe Mills, Stephen Shore, Alec Soth and Risaku Suzuki. SET THREE (released in 2012) featured William Christenberry, Eduardo Del Valle & Mirta Gómez, John Divola, Daido Moriyama, Karin Apollonia Müller and Carrie Mae Weems. SET FOUR (released in 2012) featured Robert Adams, Edward Burtynsky, Kenro Izu, Catherine Opie and Doug Rickard. SET FIVE (released in 2014) featured Jo Ann Callis, Thomas Demand, Kikuji Kawada, Michael Kenna, Richard Misrach and Andrea Modica. SET SIX (released in 2016) featured Roger Ballen, Mike Brodie, Jim Goldberg, Katy Grannan, Idris Khan and Marilyn Minter. From the publisher: "We are pleased to announce Set Four of our award-winning limited edition series "Six by Six." This subscription-based Series comprises 36 titles, published in six sets of six titles each, over a [five] year period. Each title in the series is limited to 100 hand-numbered copies, printed on our exclusive heavyweight Japanese paper and bound in Japanese cloth. Each book contains a separate exhibition-quality original print, numbered and signed by the artist, on 11 x 14 inch paper. The hardcover, oversized (12 x 15-inch) books and accompanying prints are contained in a custom-made slipcase. The current price for the series is $36,000 ($1,000 per book). Existing subscribers are locked in at their original price." Signed by Author.

Condition: Wie neu. Nazraeli Press, Tucson. 2006. First edition, second printing. Signed by Robert Adams! Limited to 500 copies only! Hardcover with jacket. 215 x 235 mm. 49 pages. Black and white photos. Text in English. Condition: Dustjacket with minimalst trace of use (nearly invisible); no defects. Book new, mint, unread. Overall near perfect condition! Signed by the artist! Collector`s copy! Robert Adams is famous for some photobook milestones like "The New West: Landscapes Along the Coloroda Front Range" (Martin Parr, The Photobook, vol II, page 25) "What we bought" (The Open Book, Hasselblad Center, pages 364/365) or "Eden" ("The Open Book, The Hasselblad Center, Stockholm, page 378/379).***************Nazraeli Press, Tucson. 2006. Zweiter Druck der Originalausgabe. Signiert von Robert Adams! Limitiert auf nur 500 Exemplare! Hardcover mit Umschlag. 215 x 235 mm. 49 Seiten. Schwarz-weiß Fotos. Text in englisch. Zustand: Umschlag minimalst benutzt (kaum zu sehen), aber ohne Mängel. Innen neu, ungelesen, verlagsfrisch. Insgesamt nahezu perfekte Zustand! Signiert vom Künstler! Sammler-Exemplar! Robert Adams ist berühmt für einige herausragende Fotobücher wie "The New West: Landscapes Along the Coloroda Front Range." (Martin Parr, The Photobook, vol II, Seite 25), "What we bought" (The Open Book, Hasselblad Center, pages 364/365) oder "Eden" ("The Open Book, The Hasselblad Center, Stockholm, page 378/379). Sprache: Englisch Gewicht in Gramm: 1600.

Folio, 1 p. Bifolium. Text on recto of first leaf; docketed on reverse of second leaf. Text clear and complete. Fair, on lightly-aged and worn paper. Headed 'Longhoughton | Northumberland'. Signed at foot by the Earl and Countess. Begins 'Licence is hereby Granted to Elizabeth Adams to Lett Lett or Assign over to Robert Adams All That Messuage or Tenement and the Lands thereto belonging with the Appurtenances Lying and being in Longhoughton held of us by Lease for Twenty One yeares from Ladyday One thousand Seven hundred forty and Nine'. Robert Adams is restrained from subletting without the written permission of the Earl and Countess. By coincidence an observatory designed by the Scottish architect Robert Adam for the Duke of Northumberland sits atop of Ratcheugh Crag in Longhoughton.

First Edition. First edition. Poster done in conjunction an exhibition that ran January through February 2006 at Matthew Marks Gallery. Measures 17" wide by 22" high. A very fine copy. Signed by Adams. Uncommon thus. Poster will be shipped rolled. Signed.

No Binding. Condition: Very Good. This offset b&w poster is hand SIGNED by Robert Adams; exhibition titled "Trees 1965-2005"; limited edition of 100 numbered copies; paper size: 20 x 16in, image size: 13-1/2 x 11in; text at bottom " Robert Adams--- Trees 1965-2005 ---April/May 2007 Fraenkel Gallery San Francisco"; SHORT BIO: Robert Adams (1937) earned a doctorate degree in English from the University of Southern California. His photographs, most of which record the development of the modern American West, have been widely collected, exhibited, reproduced, and honored, earning him two awards from the John Simon Guggenheim Memorial Foundation and the Charles Pratt Memorial Award in 1987. Among Robert Adams's many writings and monographs books are those published by Aperture: From the Missouri West (1980), Beauty in Photography: Essays in Defense of Traditional Values (1981), Our Lives and Our Children (1983), Summer Nights (1985), Los Angeles Spring (1986), and Perfect Times, Perfect Places (1988). EXHIBITIONS: Solo exhibition at the Museum of Modern Art in 1978, the Philadelphia Museum of Art, the Corcoran Gallery, Washington, D.C., the Los Angeles County Museum, the Amon Carter Museum of Fort Worth, and the Colorado History Museum, Denver."; he is represented by: Matthew Marks Gallery & Fraenkel Gallery, CA.; PROVENANCE: directly from Fraenkel Gallery, CA; poster in VERY GOOD COND. Signed by Author(s).

No Binding. Condition: Very Good. This offset b&w poster is hand SIGNED by Robert Adams; exhibition titled "Circa 1970"; paper size: 20 x 16in, image size: 15 x 15in; small text at bottom "Robert Adams -- CIRCA 1970 -- Fraenkel Gallery"; edition size is unknown but normally Fraenkel Gallery has an edition of 100 signed copies; SHORT BIO: Robert Adams (1937) earned a doctorate degree in English from the University of Southern California. His photographs, most of which record the development of the modern American West, have been widely collected, exhibited, reproduced, and honored, earning him two awards from the John Simon Guggenheim Memorial Foundation and the Charles Pratt Memorial Award in 1987. Among Robert Adams's many writings and monographs books are those published by Aperture: From the Missouri West (1980), Beauty in Photography: Essays in Defense of Traditional Values (1981), Our Lives and Our Children (1983), Summer Nights (1985), Los Angeles Spring (1986), and Perfect Times, Perfect Places (1988). EXHIBITIONS: Solo exhibition at the Museum of Modern Art in 1978, the Philadelphia Museum of Art, the Corcoran Gallery, Washington, D.C., the Los Angeles County Museum, the Amon Carter Museum of Fort Worth, and the Colorado History Museum, Denver."; he is represented by: Matthew Marks Gallery & Fraenkel Gallery, CA.; PROVENANCE: directly from Fraenkel Gallery, CA; just very small crease at bottom left; otherwise poster in VERY GOOD COND. Signed by Author(s).

First edition, first printing. Inscribed by the photographer "For Dave Gardmen! Better looking coming!!! Ansel Adams". Quarto. Original black cloth, titles to spine in silver. With dust jacket. Near fine in near fine dust jacket.

First editions, first printings, each volume signed by the photographer, the first "For Mike, Ansel Adams, Carmel, 1-21-81" and the second and third "Ansel Adams, Carmel, 8-6-83". Adams lifetime of artistic photography helped shape these manuals for amateurs and professionals. 3 vols, quarto. Photographic illustrations and diagrams throughout. Original black cloth, lettering to spines in silver. With dust jackets. A set of fine books in near-fine, unclipped dust jackets.