Scene River, First Edition (29 results)

Condition: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condition: Near Fine. No Jacket. First Edition. Near Fine condition. Interior is clean with a tight spine. 118 pp.Color & b/w Illustrations.

Condition: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Near Fine. 1st Edition. Malibu, CA: J. Paul Getty Museum, 1992. 1st edition, NF/. Paperback has some light edge and corner wear. Includes notes and bibliography. 49 illustrations, a few in color, all others in sepia tones or black and white photos. Silvy (1834-1910) was a premier French photographer in the latter half of the 19th century. Nice copy, 118 pp. CF7.

First Edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description: 119 pages: illustrations (some color), map. Notes: Includes bibliographical references (p. 108-116). Subjects: Silvy, Camille-Léon-Louis 1834-1910. Vallée de l'Huisne. J. Paul Getty Museum. Photography France History 19th century. Landscape photography. Genre: History. 3 Kg.

Soft cover. Condition: Good. No Jacket. First Edition. "A brief look [at the Lehigh & Hudson River] before ConRail." 56 pages, thoroughly illustrated. Light foxing, minor wear. Book.

Hardcover. Condition: Near Fine. 1st Edition. 1997. Cambridge University Press. 4to. Hardcover. Fine in near fine DJ.

First Edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description: 119 pages: illustrations (some color), map. Notes: Includes bibliographical references (p. 108-116). Subjects: Silvy, Camille-Léon-Louis 1834-1910. Vallée de l'Huisne. J. Paul Getty Museum. Photography France History 19th century. Landscape photography. Genre: History. 1 Kg.

First Edition. First edition. Exhibition brochure for a show that ran December 15, 1992 through February 28, 1993. Single sheet folded three times to create 8 pages. Text by Mark Haworth-Booth. Includes 5 black and white images. A near fine copy. Uncommon.

Unbound. Condition: Very Good. B/w Engraving (illustrator). 1st. one page engraving showing the mighty river with logs piled alongside and several finished rafts floating along Size: 9" x 12".

Unbound. Condition: Very Good. b/w Engravings (illustrator). 1st. full page w/1/2 page scene of the railroad accident. Also on the page articles and engravings of The late Clarkson Nott Potter & James F. Wilson, Senator elect from Iowa Size: 11'' x 15.5".

Soft cover. Condition: Near Fine. First edition. A brief pictorial of some railroads as they looked in the 15 to 20 years before the proposed Conrail takeover. 56 pages with photographs and map. Front and rear covers feature color photographs. Bumped at the head of the spine. A near fine copy. Book.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. 4to, i-xiv, 344 pp, extensively illustrated throughout with black and white photographs, diagrams, drawings and tables, original cloth, lower corners bumped and some marks to the rear of the dust wrapper but a near fine copy.

1st ed. No inscriptions or annotations; binding tight; dust jacket a little worn at edges. With B&W & colour illustrations Used - Very Good. VG hardback in Good dust jacket Used - Very Good. VG hardback in Good dust jacket.

No Binding. Condition: Fine. Original Photograph. Photograph, Image 13 3/4" X 10 3/4".

No Binding. Condition: Fine. Original Photograph. Photograph, Image 13 3/4" X 10 3/4".

Unbound. Condition: Very Good. Colored Lithograph (illustrator). 1st. lithograhic plate ; 1 plates of the Upper Mississippi area near Rock Island, one page disbound, colored lithograph plate Size: 9.75" x 6".

Hardcover. Condition: New Good. 1st Edition. FIRST EDITION OF VERY SCARSE EDITION, COPY IN VERY GOOD CONDITION.

Condition: New. Practical overview of river ecology looking at natural and cultural environment. Num Pages: 360 pages, 400 b/w illus. BIC Classification: PSAF; PSPF. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 297 x 211 x 19. Weight in Grams: 898. . 2009. 1st Edition. paperback. . . . .

Hard covers, dust jacket. Condition: Fine. Dust Jacket Condition: Fine. 1st edition. As new. iv, 344 pp. Weight: 1 Language: English.

No Binding. Condition: Fine. Original Art Work. Original Watercolor. Signed "M. M. Hull", But From The Canadian Family Of Sf Writer E. Mayne Hull (Mrs. A E. Van Vogt). Very Nicely Framed, With Glass, 16 3/4" X 14 1/4". Signed by Illustrator(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. HBDJ, 1946. First Edition. Hardcover. Fine-/Fine-. Bonnie Book # 4027. Pictorial color Hardcover Light Wear; ;Clean, tight and unmarked ;Dust jacket Light wear & edge Scuff protected in a new archival grade mylar sleeve; COLLECTIBLE almost BRAND NEW LOOKING .Spiral bound Hardback Cvr Duplicates DJ Illustration, 32 pgs. UNPAGINATED, Binding is color illustration over boards, Small hardback book with glossy pictorial cover & green spine, Fabres free Pen Drawings with Color Splashed in, Reproduced on every pg with Full Color , in Color Dustjacket of Rural Farm Scene with Man in White Hat & Shirt & Red Pants catching Large Green Fish, Family of 5 Golden Ducks in River as Train passes by Overhead on Brick Bridge & Cow & 2 Pigs & Birds in Field with Snail, A delightfully illustrated tale of a train heading toward the Big City. TRAIN COMES TOOTING into the station & we are off on a trip to the City. Animals are going to the city Too. They are going to win Blue Ribbons at the Fair, We Chug Thru a Black Tunnel, see a real Cowboy, Cross a High Bridge & have Dinner in the Diner. Cute cartoon type colored line art,with minimal text,describing busy train ride.

Bickers & Son. 1886. First edition, thus. Large 8vo. A VERY FINE, BRIGHT AND DETAILED FORE-EDGE depicting a river scene, possibly in a university setting. Bound in full brown calf, decorations in gilt to compartments of spine, raised bands. Extremities worn and rubbed. Marbled endpapers. Generally a very clean and sound copy.

No Binding. Condition: Fine. 1st Edition. Fine Watercolor 9 5/8" X 6 1/4". Finely Done, Charming Coloring. Signed With A Firma And Dated 1901.

Single sheet. Condition: Fine. First edition. Original pastel drawing on paper. Signed and dated 1988. Sheet size 760x590mm Crease at corners with tear to upper right corner. 'One of the constant factors in my process of working is the emotive dialogue I have with the scale materials in painting. Owing to the problems of age and fading eyesight i have had to create limitations in my working process so that the dialogue can continue. for about ten years now I have been building surfaces by spraying colour grounds of varying hue on the stretched white primed canvas. onc ehte syrface I want has been achieved I respond by sqeezing large tubes of acrlic colour directly on to the canvas and this results in an iconograpic element loosely relating to handwriting. This final application of marks is achieved with speed in a kind of dance by the painter reacting to the whole large surface. These paintings are not descriptive of any direct experience but are analogues for a varity of stimuli and actions which have been part of my life as a painter. the result is not only what you see, it is what you get as well.

Single sheet. Condition: Fine. First edition. Original pastel drawing on paper. With artists sticker '302' to reverse. Sheet size 645x740mm 'One of the constant factors in my process of working is the emotive dialogue I have with the scale materials in painting. Owing to the problems of age and fading eyesight i have had to create limitations in my working process so that the dialogue can continue. for about ten years now I have been building surfaces by spraying colour grounds of varying hue on the stretched white primed canvas. onc ehte syrface I want has been achieved I respond by sqeezing large tubes of acrlic colour directly on to the canvas and this results in an iconograpic element loosely relating to handwriting. This final application of marks is achieved with speed in a kind of dance by the painter reacting to the whole large surface. These paintings are not descriptive of any direct experience but are analogues for a varity of stimuli and actions which have been part of my life as a painter. the result is not only what you see, it is what you get as well.

Hardcover. Condition: Very Good. 1st Edition. Complete set of six lithographic views of colonial South Australia, by Edward Castle who came to South Australia in 1839 on board the Moffatt and took up land in the colony. These very rare suite of lithographs made only three years after settlement of Adelaide in 1836, are part of handful of early colonial South Australian images made for prospective emigrants and investors in Britain. Each lithograph is matted and presented in a Solander box with green morocco spine, gilt bands and red title label. 1. Bushmen at Camp Mouth of the Salt Creek SA 2. Hungry Bushmen after Beef, Scene near the Maria Creek SA 3. Kangaroo Hunting in SA 4. Mount Gambier, SA 5. Scene on the River Murray SA 6. The Rocky Creek SA Edward Castle was born in Bristol and arrived in South Australia on the Moffat in 1839 and took up land. The prints were lithographed by the well known lithographers Alfred and Rose Pocock of in Bristol. The family connection with Bristol would have been the reason why the prints were lithographed and published in Bristol. The Pococks at the time were actively promoting their lithographic printing business, by advertising their services in various newspapers and via their own printed flyers. They also supplied materials for lithographers and offered advice: 'directions given to assist Young Practitioners'. References : Baynton-Williams & Worms, British Map Engravers, p.531, Carroll, Graven Images 9. ill. p.14 Condition: In good condition. Technique: Lithographs. Image Size: 290mm x 220mm (11.4" x 8.6"). Paper Size: 380mm x 280mm (14.9" x 11"). Louis P. Kissajukian est. 1979, Members: ILAB, ANZAAB, IMCOS, AAADA.

Hand colored albumen photograph 21 3/4 in. x 16 in., trimmed flush and affixed to old board. The surface shows some reticulation; the blank reverse of the mount board is acid stained. A very good example. Gioacchino Altobelli (1814 - 1878) studied painting in Rome during the 1830s, and is listed as a painter in the Roman Almanac of 1855. By 1858, Altobelli had joined in a photographic studio with his Spanish friend, Pompeo Molins. In 1865, Altobelli had formed a new company at Passeggiata di Ripetta 16, and was experimenting with the application of color to photographs and a new form of photographic chromolithography. "Altobelli decides to request a declaration of ownership; the latter, however, was not granted to him because of the opposition of the director of the Pontifical Chromolithography, Michele Stefano de Rossi, who claimed that the same invention had already been conceived by Mr. Gregorio Mariani, painter and draftsman of the plant. Despite the bitter disappointment, Altobelli perseveres in his research and comes to conceive a new method for "performing in a photograph the views of monuments with sky effect" for which he was awarded the patent in 1866. Many of the views he made with this invention were presented at the Universal Exhibition in Paris in 1867, enjoying great success." ( Wikipedia entry) also see Becchetti, Piero. FOTOGRAFI E FOTOGRAFIA IN ITALY 1839 - 1880. Generally, Altobelli's albumen prints are approximately 10 x 14 inches; this print is considerably larger.