Scots Imagination Modern Memory by Blaikie Andrew (32 results)

Paperback. Condition: Fine.

Condition: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. This highly original study explores how different, but connected ways of seeing infuse relationships between place and belonging. Its argument is that all memories, whether fleeting glimpses or elaborated narratives, necessarily invoke imagined pasts - tenement life, island cultures, vanished moralities, even the origins of social science. But do these multiple recollections share a common frame of reference? Are perceptions conditioned by a collective social imaginary?Visions of nation and community, from Adam Ferguson's ideas on the development of civil society through John Grierson's pioneering of documentary film to the structures of feeling in popular fiction, reflect the impact of modernity on Scottish culture since the late eighteenth century. While landscape as the symbolic 'face of Scotland' and its attendant mental contours have been produced and debated in many genres, including travel literature, social commentary, novels and magazines, changes in the means of capturing and presenting images, particularly the emergent possibilities of the photograph, have affected the ways we identify and remember. The analysis adopts a broadly sociological approach, but its range lends equal appeal to social historians, cultural geographers, and particularly those pursuing visual or memory studies. All memories invoke imagined pasts, but do the ways we remember share a common imaginary? In seeking to interpret Scottish culture in the recent past as a series of encounters with modernity, this study draws on a wide range of sources to explore relationships between perceptions of place, belonging and identity in one nation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. Andrew Blaikie explores how different, but connected, ways of seeing infuse relationships between place and belonging. He argues that all memories, whether fleeting glimpses or elaborate narratives, invoke imagined pasts - be these of tenement life, island cultures, vanished moralities, even the origins of social science. But do these recollections share a common frame of reference? Are our perceptions conditioned by a collective social imaginary?We see the impact of modernity on Scottish culture in visions of nation and community from the late eighteenth century on, from Adam Ferguson's ideas on civil society through John Grierson's pioneering of documentary film to structures of feeling in popular fiction. Landscape as the symbolic 'face of Scotland', with its attendant mental contours have been produced and debated in genres including travel literature, social commentary, novels and magazines, but it is the changes in how we capture and present images, particularly given recent technological changes in photography, which have affected the ways we identify and remember.Broadly sociological in approach, the range of Blaikie's analysis lends itself equally to those interested in social history, cultural geography and visual or memory studies.Key FeaturesAnalyses relationships between memory and local and national identitiesProvides interpretive connections between sociology, history, cultural geography and visual studiesContains 25 black and white illustrations and numerous case studies.

Condition: New. pp. 272 20 Illus.

Hardcover. Condition: Near Fine. 1st Edition. 8 VO , 1ST ED 2010 , BLACK CLOTH , FINE PLATES AND CHARTS , NEAR FINE COPY IN DUSTWRAPPER , SCARCE HARDBACK COPY .

Condition: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Condition: New. pp. 272 1st Edition.

Condition: New. Blaikie explores how our different ways of seeing influence the relationship between place and belonging. He argues that our memories, however brief or complex, invoke imagined pasts. But do our recollections share a common frame of reference? Blaikie's cross-disciplinary exploration sets out to answer this question. Includes numerous case studies. Num Pages: 272 pages, 20 b+w illus. BIC Classification: 1DBKS; 3JJ; HBTB; JFC; JH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 186 x 232 x 15. Weight in Grams: 404. . 2013. Reprint. Paperback. . . . .

Paperback. Condition: New. New copy - Usually dispatched within 4 working days. 506.

Condition: New. pp. 272.

Condition: New. Blaikie explores how our different ways of seeing influence the relationship between place and belonging. He argues that our memories, however brief or complex, invoke imagined pasts. But do our recollections share a common frame of reference? Blaikie's cross-disciplinary exploration sets out to answer this question. Includes numerous case studies. Num Pages: 272 pages, 20 b+w illus. BIC Classification: 1DBKS; 3JJ; HBTB; JFC; JH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 186 x 232 x 15. Weight in Grams: 404. . 2013. Reprint. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condition: Brand New. reprint edition. 262 pages. 9.50x6.00x0.75 inches. In Stock.

Condition: New. Blaikie explores how our different ways of seeing influence the relationship between place and belonging. He argues that our memories, however brief or complex, invoke imagined pasts. But do our recollections share a common frame of reference? Blaikie s cro.

Paperback. Condition: new. Paperback. This highly original study explores how different, but connected ways of seeing infuse relationships between place and belonging. Its argument is that all memories, whether fleeting glimpses or elaborated narratives, necessarily invoke imagined pasts - tenement life, island cultures, vanished moralities, even the origins of social science. But do these multiple recollections share a common frame of reference? Are perceptions conditioned by a collective social imaginary?Visions of nation and community, from Adam Ferguson's ideas on the development of civil society through John Grierson's pioneering of documentary film to the structures of feeling in popular fiction, reflect the impact of modernity on Scottish culture since the late eighteenth century. While landscape as the symbolic 'face of Scotland' and its attendant mental contours have been produced and debated in many genres, including travel literature, social commentary, novels and magazines, changes in the means of capturing and presenting images, particularly the emergent possibilities of the photograph, have affected the ways we identify and remember. The analysis adopts a broadly sociological approach, but its range lends equal appeal to social historians, cultural geographers, and particularly those pursuing visual or memory studies. All memories invoke imagined pasts, but do the ways we remember share a common imaginary? In seeking to interpret Scottish culture in the recent past as a series of encounters with modernity, this study draws on a wide range of sources to explore relationships between perceptions of place, belonging and identity in one nation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condition: Neu. Neuware - This highly original study explores how different, but connected ways of seeing infuse relationships between place and belonging. Its argument is that all memories, whether fleeting glimpses or elaborated narratives, necessarily invoke imagined pasts - tenement life, island cultures, vanished moralities, even the origins of social science. But do these multiple recollections share a common frame of reference Are perceptions conditioned by a collective social imaginary Visions of nation and community, from Adam Ferguson's ideas on the development of civil society through John Grierson's pioneering of documentary film to the structures of feeling in popular fiction, reflect the impact of modernity on Scottish culture since the late eighteenth century. While landscape as the symbolic 'face of Scotland' and its attendant mental contours have been produced and debated in many genres, including travel literature, social commentary, novels and magazines, changes in the means of capturing and presenting images, particularly the emergent possibilities of the photograph, have affected the ways we identify and remember. The analysis adopts a broadly sociological approach, but its range lends equal appeal to social historians, cultural geographers, and particularly those pursuing visual or memory studies.Key Features\*Analyses relationships between memory and local and national identities\*Interpretive connections provide links between sociology, history, cultural geography and visual studies\*Contains 25 black and white illustrations and numerous case studiesAndrew Blaikie is Professor of Historical Sociology at the University of Aberdeen. His publications include Illegitimacy, Sex and Society: Northeast Scotland, 1750-1900 (1994) and Ageing and Popular Culture (1999). He is co-editor of the journal Cultural Sociology.

Paperback. Condition: New. Andrew Blaikie explores how different, but connected, ways of seeing infuse relationships between place and belonging. He argues that all memories, whether fleeting glimpses or elaborate narratives, invoke imagined pasts - be these of tenement life, island cultures, vanished moralities, even the origins of social science. But do these recollections share a common frame of reference? Are our perceptions conditioned by a collective social imaginary?We see the impact of modernity on Scottish culture in visions of nation and community from the late eighteenth century on, from Adam Ferguson's ideas on civil society through John Grierson's pioneering of documentary film to structures of feeling in popular fiction. Landscape as the symbolic 'face of Scotland', with its attendant mental contours have been produced and debated in genres including travel literature, social commentary, novels and magazines, but it is the changes in how we capture and present images, particularly given recent technological changes in photography, which have affected the ways we identify and remember.Broadly sociological in approach, the range of Blaikie's analysis lends itself equally to those interested in social history, cultural geography and visual or memory studies.Key FeaturesAnalyses relationships between memory and local and national identitiesProvides interpretive connections between sociology, history, cultural geography and visual studiesContains 25 black and white illustrations and numerous case studies.

Hardcover. Condition: new. Hardcover. This highly original study explores how different, but connected ways of seeing infuse relationships between place and belonging. Its argument is that all memories, whether fleeting glimpses or elaborated narratives, necessarily invoke imagined pasts - tenement life, island cultures, vanished moralities, even the origins of social science. But do these multiple recollections share a common frame of reference? Are perceptions conditioned by a collective social imaginary?Visions of nation and community, from Adam Ferguson's ideas on the development of civil society through John Grierson's pioneering of documentary film to the structures of feeling in popular fiction, reflect the impact of modernity on Scottish culture since the late eighteenth century. While landscape as the symbolic 'face of Scotland' and its attendant mental contours have been produced and debated in many genres, including travel literature, social commentary, novels and magazines, changes in the means of capturing and presenting images, particularly the emergent possibilities of the photograph, have affected the ways we identify and remember. The analysis adopts a broadly sociological approach, but its range lends equal appeal to social historians, cultural geographers, and particularly those pursuing visual or memory studies. All memories invoke imagined pasts, but do the ways we remember share a common imaginary? In seeking to interpret Scottish culture in the recent past as a series of encounters with modernity, this study draws on a wide range of sources to explore relationships between perceptions of place, belonging and identity in one nation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. pp. 272 20 Illus.

Condition: New. pp. 272 1st Edition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. All memories invoke imagined pasts, but do the ways we remember share a common imaginary? In seeking to interpret Scottish culture in the recent past as a series of encounters with modernity, this study draws on a wide range of sources to explore relationships between perceptions of place, belonging and identity in one nation. Num Pages: 272 pages, 20 black & white illustrations. BIC Classification: 1DBKS; 3JJ; HBTB; JFC; JH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 23. Weight in Grams: 556. . 2010. Hardcover. . . . .

Hardback. Condition: New. New copy - Usually dispatched within 4 working days. 588.

Condition: New. pp. 272.

Hardcover. Condition: Brand New. 272 pages. 9.50x6.50x0.75 inches. In Stock.

Hardback. Condition: New. This highly original study explores how different, but connected ways of seeing infuse relationships between place and belonging. Its argument is that all memories, whether fleeting glimpses or elaborated narratives, necessarily invoke imagined pasts - tenement life, island cultures, vanished moralities, even the origins of social science. But do these multiple recollections share a common frame of reference? Are perceptions conditioned by a collective social imaginary?Visions of nation and community, from Adam Ferguson's ideas on the development of civil society through John Grierson's pioneering of documentary film to the structures of feeling in popular fiction, reflect the impact of modernity on Scottish culture since the late eighteenth century. While landscape as the symbolic 'face of Scotland' and its attendant mental contours have been produced and debated in many genres, including travel literature, social commentary, novels and magazines, changes in the means of capturing and presenting images, particularly the emergent possibilities of the photograph, have affected the ways we identify and remember. The analysis adopts a broadly sociological approach, but its range lends equal appeal to social historians, cultural geographers, and particularly those pursuing visual or memory studies.

Condition: New. All memories invoke imagined pasts, but do the ways we remember share a common imaginary? In seeking to interpret Scottish culture in the recent past as a series of encounters with modernity, this study draws on a wide range of sources to explore relationships between perceptions of place, belonging and identity in one nation. Num Pages: 272 pages, 20 black & white illustrations. BIC Classification: 1DBKS; 3JJ; HBTB; JFC; JH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 23. Weight in Grams: 556. . 2010. Hardcover. . . . . Books ship from the US and Ireland.

Condition: New. All memories invoke imagined pasts, but do the ways we remember share a common imaginary? In seeking to interpret Scottish culture in the recent past as a series of encounters with modernity, this study draws on a wide range of sources to explore relationsh.

Buch. Condition: Neu. Neuware - This highly original study explores how different, but connected ways of seeing infuse relationships between place and belonging. Its argument is that all memories, whether fleeting glimpses or elaborated narratives, necessarily invoke imagined pasts - tenement life, island cultures, vanished moralities, even the origins of social science. But do these multiple recollections share a common frame of reference Are perceptions conditioned by a collective social imaginary Visions of nation and community, from Adam Ferguson's ideas on the development of civil society through John Grierson's pioneering of documentary film to the structures of feeling in popular fiction, reflect the impact of modernity on Scottish culture since the late eighteenth century. While landscape as the symbolic 'face of Scotland' and its attendant mental contours have been produced and debated in many genres, including travel literature, social commentary, novels and magazines, changes in the means of capturing and presenting images, particularly the emergent possibilities of the photograph, have affected the ways we identify and remember. The analysis adopts a broadly sociological approach, but its range lends equal appeal to social historians, cultural geographers, and particularly those pursuing visual or memory studies. Key Features \*Analyses relationships between memory and local and national identities \*Interpretive connections provide links between sociology, history, cultural geography and visual studies \*Contains 25 black and white illustrations and numerous case studies Andrew Blaikie is Professor of Historical Sociology at the University of Aberdeen. His publications include Illegitimacy, Sex and Society: Northeast Scotland, 1750-1900 (1994) and Ageing and Popular Culture (1999). He is co-editor of the journal Cultural Sociology.