Servranckx (35 results)

Softcover, 94 pages; in English and German; very good condition; except moderate wear to covers; 1-inch crease to lower right corner all pages. no internal marks. Foreign shipping may be extra.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:

hardcover, Condition: Good, Galerie Gmurzynska, Koln, 1976, 9"x9-3/4", paperbk., 92pp., ex-lib.- spine label, pocket, stamps, rebound into library cloth with original covers, ow VG $.

Condition: Very Good. 92 pp., paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Condition: Fair. Aus Bibliothek aussortiert; Leichte Rillen / Abschürfungen / Risse / Knicke; Farbtonänderung.

pp. 44, con 24 tav. in b/n e una tav. a col. Vol. della collana "Monographies de l'art belge". Testo in francese. Leg. tela edit., tav. a col. applicata al piatto.

Softcover. White color illustrated wraps with black lettering, 93 pp. 6 color, numerous bw plates. Text in German and English. (Pioneers of Abstract Art, Belgium.). Cologne, Germany: Nov. 11, 1976 through the end of Feb. 1977. VG- (mild wear at edges and corners).

Hardcover. Condition: As New. 1st Edition. Hardcover, 127 pages : color illustrations ; 30 cm. As new. The aim of this edition is to define the position of the works of the Flemish painter Felix De Boeck on the international scene of the Abstract Art. Approximately 100 paintings of his paintings are confronted with masterpieces from international collections. The book features artists such as Alkema, Delaunay, Doesburg, Huszar, Kandinsky, Kupka, Malevitch, Moholy-Nagy, Mondrian, Servranckx and Seuphor.

18 x 25 cm. Condition: Gut. 1. Auflage. 16 + 24 Seiten schöner deckelillustr. L einenband mit transparentem Schutzumschlag; gut erhaltenes, numeriertes Exemplar (Nr. 572) mit Klarsichtfolie. Bon état. Sprache: Französisch Gewicht in Gramm: 1.

Couverture rigide, 16pp, +24 illustrations pleine page en noir et blanc, 24.5x18cm, *tres bon tat. monograph Texte en Francais 0 g.

14 x 22, 32 pp., nombreuses illustrations en N/B, broché, bon état.

Softcover, 215 x 245mm., 93 pages, illustrated, German/English text. *good condition Ausstellung vom 11. November 1976 bis Ende Februar 1977. Guter Zustand. 630 g.

agrafé, couvertute illustrée. Condition: Très bon. Catalogue de l'exposition organisée du 11 au 29 mai, à l'occasion du soixantième anniversaire de l'artiste.26 reproductions en noir. Textes de Maurits Bilcke en flamand et Léon-Louis Sosset en français. Biographie de l'artiste et extraits de prese le concernant. Liste des oeuvres exposées. Belle couverture illustrée. 20 pp.

Cover Title. 16mo. pp. 64. Essay in Dutch, French, English & German. 31 illus. wrs. (institutional bookplate). Artist's rubberstamp on back cover. Exhib. Cat. Addendum loosely inserted in French & Dutch.

Condition: Good. 8vo. 20 pp. Soft Cover. Very Good. Illustrated stiff paper wraps. Staple binding. Some shelf wear, toning, and light moisture damage along spine. Pages toned, else fine. B&W plates throughout. Text in French. Scarce.From the Collection of the Art Historian Peter Selz (1919-2019).

Geniet, 10 pagina's ill. z /w. cat. vernissage 0 g.

12 x 17, 44 pp., 18 illustrations en N/B, broché, bon état (couverture défraîchie).

Condition: Good. Dealer Catalogue. 4to. Soft Covers. Front and back covers slightly worn and front cover has a taped cataloging number on it. Very Good. 19 pages.Black and white plates.Published in conjunction with an exhibition at Annely Juda Fine Art November 8 to December 8, 1973. Georges Van der Espt, contributor.

Oktn in einem privaten edlen gelben Leinen-Schuber mit Rückentitel.

Hardcover/Hardback. Condition: Very Good. In zeer goede staat. Hardcover. Rijkelijk geà llustreerd. Shelfwear. Plastic (transparante) omslag. Daar is een hap uit.

Paperback. Condition: Good. Dutch.

4° (29.7 x 21 x 1 cm). 106 SS., 1 Bl. Reich illustriert mit Tafeln u. Abbildungen (teilw. in Farbe), Katalogteil mit 123 s/w-Abbildungen. OBrosch. Leichte Alters- u. Lagerungsspuren. Gesamthaft gutes, kaum gebrauchtes Exemplar. - - Texte in (Belgisch-) Niederländisch und Französisch - Katalog zur Ausstellung in: Koninklijke Musea voor Schone Kunsten van België, Museum voor Moderne Kunst / Musées Royaux des Beaux Arts de Belgique, Musée d'Art Moderne 26.05.89 - 16.07.89 - Mit einem einführenden Essai 'Victor Servranckx en de abstracte kunst / et l'art abstrait' (E. Pil, pp. 9-33, mit ausführlichen Anmerkungen), Biographie (pp. 36-38), Ausstellungsverzeichnissen u. Auswahlbibliographie - Zweisprachiger Beschrieb der 123 Exponate von 1913-1963, vorwiegend Bilder, Zeichnungen, Entwürfe, sowie einige plastische Arbeiten u. Objekte, mit Angaben zu: Titel, Jahr, Technik/Materialien, Masse, Signatur, Standort/Besitzer -- "Victor Servranckx is, after Georges Vantongerloo, the most international and perhaps the most productive of the first generation of abstract artists in Belgium. [.] As the only artist from the Pure Plasticism, his work was chosen in 1927 by the New York gallery Société Anonyme for the International Exhibition of Modern Art. Servranckx belongs to the Brussels' avant-garde movement. [.] With the rediscovery of the historical avant-garde, Servranckx shall come up in the polemic over who is the first abstract artist in Belgium. Evidence for his pioneering work in 1917 is missing, but his geometric abstract works from 1923 and 1924 are without a doubt of superior quality. Typical for his non-figurative oeuvre is material imitation and the suggestion of mechanical movement in highly stylised forms that are very close to French Purism. [.] Through the usage of forms piled up on each other, his work often has a collage effect. In 1925, Servranckx momentarily stops with painting in order to devote himself to architecture and design [.]. When he again takes his brush in hand a year later, he distances himself from the constructivist style and allows for a very diverse mixture of styles in his oeuvre. His work evolves then to an abstract surrealism whereby organic elements are combined with geometrical forms." (etc.; aus: abstractmodernisme.vlaamsekunstcollectie be, online). - Sprache: nl, fr.

Hardcover. Condition: Good. pp. 16 / 'Monographies de l'art belge'; 24 illustrations French.

Koninklijke Musea voor Schone Kunstn van België, 1989. 106 blz. 123 ills. Paperback. Als nieuw. [166762].

Couverture souple. Condition: Très bon. Bruges, Raaklijn, Concertgeboux, 1958. Plaquette in-16 agrafée, 64 pages sous couverture rouge imprimée en noir Édition originale de ce catalogue abondamment illustré en noir paru à l'occasion de la rétrospective Victor Servranckx organisée à Bruges du 12 au 28 avril 1958. Texte de Marcel Duchateau en trois langues.

Broschur. 64 S.; Erste Auflage, SEHR GUTER ZUSTAND. Mint. Mit zahlreichen Abbildungen. Size: 16 x 12 Cm. 100 Gr.

Card covers, stapled spine. Condition: Fair. 17 x 25cm a fair, card-covered exhibition catalogue, covers slightly browned. Flemish text together with black and white reproductions showing the Belgian abstract painter and designeer's works.

Hardback, 280x230mm, 250p, Dutch (NL) edition.*nieuwstaat ISBN 9789074694087. Victor Servranckx (1897 - 1965) geboren in Diegem bij Brussel, was een buitengewoon kunstenaar. Zijn werk evolueerde van mathematische constructies, over abstract-surrealistische werken en lyrische kleurenuitbarstingen naar materie-experimenten en symmetrische structuren. Deze enorme varieteit maakt van hem een boeiende individuele persoonlijkheid. Victor Servranckx wil de nadruk leggen op Servranckx' werk uit de jaren 1920 met een focus op het begin van zijn abstract-geometrische periode. De tentoonstelling toont hoe Servranckx een fascinatie voor het mechanische en de fabriek, zijn werkplaats, omzet in een artistiek denken dat veel verder gaat dan het schildersdoek en de vermenging van verschillende kunstdisciplines omvat. Victor Servranckx illustreert de veelzijdigheid van de kunstenaar: Servranckx als schilder, schrijver van manifesten, ontwerper van behangpapier, architect, meubelmaker, etc. of hoe modernisme uit de jaren 1920 doordrong in alle niveaus van het dagdagelijkse leven! Ook zijn contacten met oa de kunstenaars Rene Magritte en Filippo Tommasso Marinetti, en zijn deelname aan The international exhibition of Modern Art van de Societe Anonyme te New York worden onder de aandacht gebracht! Heel wat privecollecties alsook nationale en internationale musea verleenden hun medewerking aan deze tentoonstelling waaronder MoMa in New York, Centre Pompidou in Parijs, het Museum Moderner Kunst Stiftung Ludwig in Wenen, Lehmbruckmuseum in Duisberg, Museum van Elsene. MuZee, Oostende Expo: 15/9/2012 - 6/1/2013 0 g.

Ausstellungskatalog Provinciaal Begijnhof Hasselt 1970. 4°. 36 Blatt. OBroschur. Mit zahlreichen Abbildungen.

4°. Orig.-Karton. 106 S., 1 Bl. mit zahlreichen Abbildungen. Texte in Flämisch und Französisch (gutes Exemplar). Sprache: Niederländisch Gewicht in Gramm: 900.