Simon Vouet (101 results)

Paperback. Condition: Good. Exhibition catalogue, with articles in French. Top corner creased else VG; 4to 11" - 13" tall; 66 pages.

Carte Postale Moderne Montpellier Musee Fabre Exposition Vouet Grand Palais 1990 Simon Vouet Allegorie de la Prudence Royale.

Carte Postale Moderne Louvre département des Peintures Simon Vouet Allegorie de la Richesse.

Carte Postale Moderne Vouet Simon Ne a Paris 1590 Mort a Paris 1649 Le Temps vaincu par l'Amour et l'Esperance.

Carte Postale Moderne Exposition Vouet Grand Palais 1990 Simon Vouet La Madeleine Repentante.

Condition: guter Zustand. Zustand, siehe Scan, ungelaufen - ca 9 cm X 14 cm.

Carte Postale Ancienne Musee du Louvre Ecole française Vouet Simon La Vierge l'Enfant Jesus et Saint Jean.

Condition: New. *Price HAS BEEN REDUCED by 10% until Tuesday, May 26 (holiday sale item)* 71 pp., Hardcover, NEW!! - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Cloth. Condition: New. Dust Jacket Condition: None, as Issued. 72 pp. Tan cloth, brown titles. Also includes works by Bernardino Licinio, Guido Reni, Giovanni Lanfranco, Francesco Albani (L'Albane), Antonio Zanchi, and Luca Giordano. Well illustrated in color, with accompanying text in French and English.

Couverture souple. Condition: Bon. Connaissance des arts n° 465 Livre d'art Simon Vouet - George Segal - panoramiques -art et publicité - L'art et les financiers.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Hardcover. No jacket. Text in English and French. Pages are clean and contents are clear throughout. Binding is sound. HJW. Used.

Tapa blanda. Condition: Bueno. 16 x 25 cm Lamina procedente de la obra: Enciclopedia Universal Ilustrada Espasa.

Tapa blanda. Condition: Bueno. 20,5 x 27 cm Lamina procedente de la obra: Museos de Francia.

29,5 x 21 cm. Condition: Gut. 328 Seiten ; Durchgehend Illustriert Katalog zur Ausstellung - Softcover, Broschur angestaubt. Innen in sehr gutem Zustand. Bitte beachten Sie unsere Bilder. B14-02-06D|S29 Sprache: Deutsch Gewicht in Gramm: 1405.

Tapa blanda. Condition: Bueno. 23 x 28 cm. Lamina procedente de la obra: Historia de Francia.

Broché. 122 pages. 22x28,5cm.

Soft cover. Condition: Very Good. No Jacket. nice condition.

Hardcover. Condition: Fine. First Edition. Hardcover in beige linen boards with title type on front in back. Fine condition. No dust jacket. Full-page color and black-and-white plates throughout. 4to. 71 pp.

Couverture souple. Condition: Bon. - couverture légèrement défraîchie, bon état par ailleurs - envoi rapide, soigné.

Hardcover. Condition: VG. Gray cloth over boards; 71 pp.; Profusely illustrated in bw and color. Parallel text, French and English. Features ten works, by Francisco de Zurbaran, Bernardino Licinio, Guido Reni, Giovanni Lanfranco, Simon Vouet, Pietro Martire Neri, Francesco Albani (dit l'Albane), Antonio Zanchi, Luca Giordano, and Angelika Kauffmann. Extensive annotations. Very nice plates.

Tapa blanda. Condition: Bueno. editorial Codex - Argentina edicion 1963, buen estado, fasciculo 4 paginas numeradas 097 a 100.

Schönes original Kupferstich-Portrait von ca. 1750. -- Blattformat: ca.25x18 cm. Platte: ca. 15 x 11 cm. -- gut erhalten. || Original copper engraved portrait from c. 1750. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Condition: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Condition: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

broché, Condition: Très bon état. 441 pages, abondamment illustré de photos, facs-similé et reproductions in et hors-texte. format : 27/22 cm.

First Edition. Fine copy in the original title-blocked cloth. Remains well-preserved overall; tight, bright, clean and strong. Series; [Catalogue] / Galerie Canesso ; 18. Physical description; 71 pages : illustrations ; 28 cm. Notes; Catalogue from Galerie Canesso, March 2014. Parallel texts in French and English. Subjects; Painting, European 17th-18th centuries Catalogs. Portrait painting, European Catalogs. Galerie Canesso Catalogs. Odile Delenda. 3 Kg.

Paperback. Condition: Fine. Octavo, 88 pages, 34 colour illustrations. Signed and inscribed b the author. Signed by Author(s).

schönes Original Kupferstich-Portrait aus dem 18. Jahrhundert - Blatt-Format: ca. 15,5 x 25 cm | Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! - No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Softcover. Condition: VG. Light corner bumping. Small quarto. Softcover. Illustrated wraps. 292 pages : illustrations ; 25 cm. French text. "When he returned to Paris in 1627, Simon Vouet possessed all the necessary qualities to change the course of French painting, a role he has been recognized for over three centuries. But what was the training of this painter in Italy, who lived in the Rome of Caravaggio and Bernini between 1613 and 1627, from the age of 23 to 37? Thanks to the contributions of leading specialists, this volume traces the various facets of this multi-talented artist. By focusing on understanding both his career and the milieu in which he worked, and by comparing his activity with that of some of his contemporaries who may have worked with him or interacted with him, it sketches the portrait of an artist who remarkably forged a career in Barberini Rome, while also working in other artistic centers (Genoa and Milan). The authors of this work also propose new hypotheses regarding the attribution of some of the artist's works, and this book focuses on." Finally, it presents new information about this painter who was at once a Caravaggesque painter, a prince of the Academy of Saint Luke, and the first foreigner commissioned to decorate St. Peter's Basilica in Rome. It thus allows us to draw up an initial synthesis on the Roman Vouet, an open-ended synthesis that crowns decades of research. --Page 4 of cover.