Station by Killip Chris (22 results)

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Condition: new.

Hardback. Condition: New.

Hardcover. Condition: new. Hardcover. Late in 2016 Chris Killips son serendipitously discovered a box of contact sheets of the photos his father had made at The Station, an anarcho-punk music venue in Gateshead open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book. The Station was not merely a music and rehearsal space, but a crucible for the self-expression of the sub-cultures and punk politics of the time. As Killip recollects: "When I first went to The Station in April 1985, I was amazed by the energy and feel of the place. It was totally different, run for and by the people who went there. Every Saturday that I could, I photographed there. Nobody ever asked me where I was from or even who I was. A 39-year-old with cropped white hair, always wearing a suit, with pockets stitched inside the jacket to hold my slides. With a 4 5 camera around my neck and a Norman flash and its battery around my waist, I must have looked like something out of a 1950s B movie. 1985 was just after the miners strike and there was a lot of youth unemployment. Most of the punks at The Station didnt have a job, and this place, run as a very inclusive collective, was so important to them and their self-worth."What youre trying not to do is oversimplify. Youre trying to have some sort of cool in there somehow, so that people looking at your pictures are not constrained by you. Meaning you havent predetermined everything, so that ambiguity can be embraced. Chris Killip Late in 2016, British photographer Killip's son discovered a box of contact sheets of the photos his father had made at the Station, an anarcho-punk music venue in Gateshead, Northern England, open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. 2020. 01st Edition. Hardcover. . . . . .

Hardcover. Condition: Near Fine Condition. First Edition. A bit of wear at corners Size: Folio. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Photography; Inventory No: 047714.

Condition: As New. Unread book in perfect condition.

Condition: New. 2020. 01st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. 01 edition. 80 pages. French language. 15.00x11.50x0.50 inches. In Stock.

First edition. 38 x 29 cm. 80 unpaginierte S. Illustrierter OLeinen. Sehr gutes Exemplar. Durchgehend mit 72 meist ganzseitigen schwarz-weiß Abbildungen versehen. Text in Englisch. Zeigt überwiegend englische Punks tanzend in Clubs.

Condition: NEW.

Hardcover. Condition: new. Hardcover. Late in 2016 Chris Killips son serendipitously discovered a box of contact sheets of the photos his father had made at The Station, an anarcho-punk music venue in Gateshead open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book. The Station was not merely a music and rehearsal space, but a crucible for the self-expression of the sub-cultures and punk politics of the time. As Killip recollects: "When I first went to The Station in April 1985, I was amazed by the energy and feel of the place. It was totally different, run for and by the people who went there. Every Saturday that I could, I photographed there. Nobody ever asked me where I was from or even who I was. A 39-year-old with cropped white hair, always wearing a suit, with pockets stitched inside the jacket to hold my slides. With a 4 5 camera around my neck and a Norman flash and its battery around my waist, I must have looked like something out of a 1950s B movie. 1985 was just after the miners strike and there was a lot of youth unemployment. Most of the punks at The Station didnt have a job, and this place, run as a very inclusive collective, was so important to them and their self-worth."What youre trying not to do is oversimplify. Youre trying to have some sort of cool in there somehow, so that people looking at your pictures are not constrained by you. Meaning you havent predetermined everything, so that ambiguity can be embraced. Chris Killip Late in 2016, British photographer Killip's son discovered a box of contact sheets of the photos his father had made at the Station, an anarcho-punk music venue in Gateshead, Northern England, open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

hardcover. Condition: As New. Prima edizione (First Edition). Un testo e 72 fotografie in bianco e nero a piena pagina di Chris Killip . Cm 38x29. pp. 80. . Perfetto (Mint). . Prima edizione (First Edition). . Alla fine del 2016 il figlio di Chris Killip ha scoperto per caso una scatola di fogli a contatto con le foto che il padre aveva fatto al The Station, un locale di musica anarco-punk di Gateshead aperto dal 1981 al 1985. Queste immagini di una gioventù cruda, colta nella foga dei festeggiamenti, erano rimaste sopite per 30 anni; ora tornano a vivere in questo libro. La Station non era solo uno spazio per la musica e le prove, ma un crogiolo per l'autoespressione delle sottoculture e della politica punk dell'epoca.Come ricorda Killip: "Quando andai per la prima volta alla Station nell'aprile del 1985, rimasi stupito dall'energia e dall'atmosfera del posto. Era totalmente diverso, gestito per e dalle persone che lo frequentavano. Ogni sabato che potevo, fotografavo lì. Nessuno mi ha mai chiesto da dove venissi o chi fossi. Un trentanovenne con i capelli bianchi tagliati, sempre in giacca e cravatta, con le tasche cucite all'interno della giacca per contenere le diapositive. Era il 1985 ed era appena finito lo sciopero dei minatori e c'era molta disoccupazione giovanile. La maggior parte dei punk di The Station non aveva un lavoro e questo posto, gestito come un collettivo molto inclusivo, era così importante per loro e per la loro autostima". Book.…

Condition: New. AUTOR: Chris KillipBorn on the Isle of Man in 1946, Chris Killip was a Professor of Visual and Environmental Studies at Harvard University where he had taught from 1991. Since 2012 he has held solo exhibitions at Museum Folkwang, Essen Le Bal, Par.

Buch. Condition: Neu. Neuware - Late in 2016 Chris Killip's son serendipitously discovered a box of contact sheets of the photos his father had made at The Station, an anarcho-punk music venue in Gateshead open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book. The Station was not merely a music and rehearsal space, but a crucible for the self-expression of the sub-cultures and punk politics of the time. As Killip recollects: 'When I first went to The Station in April 1985, I was amazed by the energy and feel of the place. It was totally different, run for and by the people who went there. Every Saturday that I could, I photographed there. Nobody ever asked me where I was from or even who I was. A 39-year-old with cropped white hair, always wearing a suit, with pockets stitched inside the jacket to hold my slides. With a 4 × 5 camera around my neck and a Norman flash and its battery around my waist, I must have looked like something out of a 1950s B movie. 1985 was just after the miners strike and there was a lot of youth unemployment. Most of the punks at The Station didn't have a job, and this place, run as a very inclusive collective, was so important to them and their self-worth.'.…

Hardback. Condition: New.

Buch. Condition: Neu. The Station | Chris Killip | Buch | 80 S. | Englisch | 2020 | Steidl Verlag | EAN 9783958296169 | Verantwortliche Person für die EU: Steidl Verlag, Düstere Str. 4, 37073 Göttingen, mwegener[at]steidl[dot]de | Anbieter: preigu.

Hardcover. Condition: gut. 2020. The Station. In deutscher Sprache. pages.

Hardcover. Condition: Fine. First Edition, First Printing. Folio. 15 x 11.5 in. [Four editions collect about 124 pp.] Profusely illustrated with black & white reproductions of photographs. Fine in original newspaper print wrappers and fine in original pictorial cloth slipcase. Signed on the back cover by Killip, from a limited edition of 250 copies, of which this is number 232. This edition collects four volumes of Killip's early work spanning from 1970 until the late 1980s. Signed.…

Condition: Wie neu. Steidl, Göttingen. 2020. First edition, first printing. Mint, new, unread; still originally shrink-wrapped in publisher`s plastic foil. Hardcover (as issued). 285 x 375 mm. 80 pages. 72 photos. Text in english. Perfect condition! Collector`s copy! "Late in 2016 Chris Killip`s son serendipitously discovered a box of contact sheets of the photos his father had made at The Station, an anarcho-punk music venue in Gateshead open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book. The Station was not merely a music and rehearsal space, but a crucible for the self-expression of the sub-cultures and punk politics of the time. As Killip recollects: `When I first went to The Station in April 1985, I was amazed by the energy and feel of the place. It was totally different, run for and by the people who went there. Every Saturday that I could, I photographed there. Nobody ever asked me where I was from or even who I was. A 39-year-old with cropped white hair, always wearing a suit, with pockets stitched inside the jacket to hold my slides. With a 4 × 5 camera around my neck and a Norman flash and its battery around my waist, I must have looked like something out of a 1950s B movie. 1985 was just after the miners strike and there was a lot of youth unemployment. Most of the punks at The Station didn`t have a job, and this place, run as a very inclusive collective, was so important to them and their self-worth.`" (from the publisher)***************Steidl, Göttingen. 2020. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Hardcover (wie erschienen). 285 x 375 mm. 80 pages. 72 Fotos. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.…