Tate Gallery, Signed (26 results)

Soft Cover. Condition: Very Good. First Edition. 1st edition in soft cover format, large square 4to, 240pp, colour abd b/w photo illustrations; card covers; lower corner a shade bumped but by and large safely VG Copy; signed by Janet Axten on title page Size: 4to - over 9¾" - 12" tall. Signed by Author.

First edition, first printing. Signed presentation copy (signed to a local Cornish journalist to the title page). Very good large format paperback original with a tear to the top of the spine/top right corner of the rear panel.

Soft cover. Condition: Very Good. Wrappers. Staples slightly rusty. Signed by the author on the upper cover. Leading article (unsigned in print) on a William Blake exhibition sponsored by the Blake Trust. Signed by Author(s).

library. Condition: Very Good. Dust Jacket Condition: Very Good. Signed. Signed by editor on title page. Internally very clean. Juxtaposes quality reproductions in the tate collection with the poetic reflection of fifty contemporary poets, including Abse, Jennings, Enright, Stevenson, Fanthrope, Muldoon, Causley, and Redgrove.

Softcover. Condition: Very Good. No Jacket. First edition. 1st 1995. Very good condition. Large format. Card wraps. B/w and colour photos. SIGNED by author and designer to title page. Has dedication to previous owners. Packaged with care and promptly dispatched! SIGNED - please see description for details.

Soft cover. Condition: Near Fine. Dust Jacket Condition: none. Fully illustrated (illustrator). 1st Edition. Signed by author : Janet Axten & illustrator Colin Orchard 1st edition appears unread with no spine crease - almost fine with shelflife to text block only - Please note over 1 kilo & extra postage outside the UK. - - Guaranteed posting 24hrs from Cornwall ST216. Signed by Author(s).

Black & White Flecked Cloth. Condition: Very Good (AVERAGE). No Jacket. Black & White Plates Throughout (illustrator). Undated Circa 1950's/1960's. POSTED AT OUR STANDARD RATES FULLY INSURED! (UK ONLY!).Please e-mail for further details. Size: 4to - over 9¾" - 12". Gift Inscription. HARDBACK.

Soft cover. Condition: Very Good. 1st Edition. A typed (signed in his absence) letter to the literary agent Douglas Maxwell. Thanking him for the donation of the papers of Robert Melville to the tate Gallery archives. With a follow-up letter from Caroline Cuthbert (signed) dated 24 February 1994. Signed by Author(s).

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See 'Death of a Bookman' by the novelist Sally Emerson (editor of 'Books and Bookmen' at the time of Dosse's suicide), in Standpoint magazine, October 2018. The present item is 2pp, 8vo. In good condition, lightly aged. Folded once for postage. Signed 'John Rothenstein'. He believes that Dosse asked him 'to review the John books' (Michael Holroyd's biography of Augustus John, and his book with Malcolm Easton on John's art) for Art and Artists. 'I don't think I'm dreaming as have some copies wh. you sent me at the time. I believe I explained that exceptional demands would make it difficult & I've also received an intimation that one of the Sunday papers is planning to invite me to do a special feature on the two books, but I'm not at all sure whether I shall be able to accept.' Dosse is 'quite right in supposing that the Easton volume will be by no means complete'.

Condition: Good. 8vo. 276 pp. Very Good. Soft Cover. Illustrated paper wraps. Some wear at head of spine, else fine. Color and B&W plates throughout. Autographed by Peter Selz and dated 1964.From the Collection of the Art Historian Peter Selz.

100 Seiten, Sauberes Exemplar ohne Stempel oder Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Handschriftlich signiert von Richard Hamilton auf Titelblatt. Sprache: eng.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 64 pages, 8vo. SIGNED and inscribed by Barbara Hepworth on front endpaper: "For Mary Manghelli, with every good wish, Barbara Hepworth, St. Ives, Jan. 1969." Shelfwear to DJ: light scuffing along edges, light tanning. DJ in mylar. Tight binding, no marks. Volume is in Very Good condition. Signed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. Signed and inscribed on the half title page by Gilbert de Botton, first chairman of the Tate Gallery Foundation. Signed by Author(s).

SOFTCOVER. Condition: AS NEW. Dust Jacket Condition: AS NEW. 1st Edition. Inscribed and signed by Francis Bacon in pencil on the half title leaf below his printed name. Large heavy Quarto size (4to). in colour printed stiff card covers, 246pp including approx 110pp of finely printed large full page colour plates plus 21 large foldout leaves for the triptychs, and an extensive bibliography at the rear. Bacon was almost always happy to sign books and catalogues but he was rarely asked, so signed items are uncommon . [CONDITION: An exceptionally well preserved AS NEW unread or barely read copy in an AS NEW complete Dust Jacket. An excellent copy ] . . . . . . . . . . . . . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . __NOTE Due to size and/or weight posting to some destinations outside the UK will cost more than the shipping price shown. If so, orders made by card will only be completed after you have approved any extra cost. . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paper. Condition: Good. First Edition. An Original Handwritten and Signed Letter by Bloomsbury Artist Duncan Grant to Interior Designer Sarah Hamilton Discussing a Visit to the Picasso Retrospective at the Tate Gallery, London. Dated 1960. Duncan James Grant 1885-1978 was a Scottish painter and designer of textiles, pottery, theatre sets, and costumes. He was a member of the Bloomsbury Group. Grant became involved in the Bloomsbury Group, where he made many such great friends including Vanessa Bell. He would eventually live with Vanessa Bell who, though she was a married woman, fell deeply in love with him and, one night, succeeded in seducing him; Bell very much wanted a child by Grant, and she became pregnant in the spring of 1918. Although it is generally assumed that Grant's sexual relations with Bell ended in the months before the child was born they continued to live together for more than 40 years. Size is 178m x 115mm. Condition is good. Light folding creases. More images can be taken upon request. Ref18551. Signed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Signed. First Edition. Inscribed by John Rothenstein (director of the Tate gallery & author) to Oliver Miller British art historian. Pages clean and bright, dust jacker price clipped with light edgewear. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Soft Cover. Condition: F. First Edition. Square 8vo. original printed paper wraps, in printed folder; pp. [24 (last blank)], with engraving illustrations. A fine copy. No. 97 of a limited edition of 250 copies signed by the author and artist, 'Tate Adams'. Signed by Author.

Paperback. Condition: Near fine in wraps. First Edition. 21 x 21cm 64pp near fine catalogue produced to accompany the display 'About Collage' at Tate Liverpool. Includes a reproduction, secured within an envelope, to the inside rear cover, signed by the artist. Has texts by Dawn Ades, Peter Blake, Natalie Rudd together with colour reproductions.

Softcover. First Edition. Signed by Tinguely, dated 7th Sept 1982. Chronology, bibliography, biography and catalogue of the exhibition with numerous illustrations including some in colour. Fine in fold around cover. Signed by Author.

Paperback. Condition: Near fine in wraps. First Edition. 24 x 29cm 124pp near fine exhibition catalogue expressively signed on the title page by Jean Tinguely and dated 7 Sept. 82. Jean Tinguely was a Swiss sculptor best known for his kinetic art sculptural machines that extended the Dada tradition into the later part of the 20th century. Tinguely's art satirized automation and the technological overproduction of material goods.

Softcover. Condition: Fine. No Jacket. First Edition. Two SIGNED Exhibition catalogue of Caulfield's works. 1. Serigrafias, Exhibition catalogue, Lisboa, 1989 Original ink drawing of vase of flowers to front end-paper after his own image of a vase on the front cover, inscribed to 'Paul & Yvonne Love Patrick' [1989] AND 2. Patrick Caulfield. Paintings 1963 ?Äì 81. Exhibition catalogue, inscribed by the artist on photographic portrait frontispiece, The Tate Gallery,The Walker Art Gallery, 1981, original wrappers, 4to.Both FineProvenance : Recipient Paul was Caulfield's stepson. Signed by Author.

Original-kartoniert. Condition: Sehr gut. 8 Original-kartoniert en eh. Widmung v. Ludwig Münz an Comtess Harrach, etliche Anmerkungen; 180 pp. - Information zur Signatur: eh. Unterschrift v. E. H. Buschbeck am Einband. 1.

Square format softback catalogue, fine condition, for the exhibition at Tate Gallery London, Feb-March 1983, together with as souvenir postcard signed by Blake and in the envelope and a booklet wherein Blake discusses his thoughts on the exhibition, plus letters from friends and various reviews. All three items near fine, point of one corner a touch creased on the catalogue. web. Book.

Condition: Very Good. J. Thomson (illustrator). London. Very Good. [1897]. Scarce. Blind ruled straight grained maroon morocco with gilt title and decorations to front cover. Some wear to head and tail of spine. All edges gilt. White moire pastedowns and endpapers. Inscribed "Edwin + May/from/Henry Tate/November 1879" to front fly. 68 leaves of recto-only photograveurs of 65 paintings (including John Everett Millais' "Ophelia" and J. M. Waterhouse's "The Lady of Shalott") and two statues. Pages are toned with some light occasional soiling to page edges, not affecting images. Foxing to endpapers, as well as first and last blank pages with occasional negligible foxing throughout, also not affecting images. A very nice copy of this difficult to find catalogue of Henry Tate's first collection. Originally bequested to the National Gallery, the collection was turned down due to a lack of space and later formed the founding collection of what is known today as Tate Britain. ; Oblong Small 4to 9" - 11; Signed by Author; All shipments through USPS insured Priority Mail. .

A rare and striking signed copy of the catalogue for Francis Bacon's 1985 Tate Gallery exhibition. Signed in his bold, energetic hand, this is a remarkable example of Bacon's elusive autographhe was never one to sign freely, making such pieces exceptionally scarce. His signature carries the same raw intensity that defines his work, making this a compelling artifact for collectors of modern art. One of very few Tate catalogues to be found signed. Condition: First edition, first printing. Large quarto in illustrated stiff card covers. A scarce and exceptionally well-preserved copy, featuring over 100 finely printed color illustrations, including approximately 110 full-page plates and 21 fold-out leaves showcasing Bacon's triptychs. Also includes an extensive bibliography. Loosely inserted is a printed note listing the exhibition sponsors. A rare opportunity to own a signed piece from one of the 20th century's most influential painters.

Kein Einband. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. Joan Miro - Signed & Inscribed Exhibition Poster "An Art Council -Tate Gallery " - Framed - 1964 ** Hand signed by Miro lower left. With dedication Amicalement a Christian (kind regards to Christian). Professionally framed in exclusive wooden frame with PLEXIGLAS Optical HC, scratch-resistant and UV-protected. Framed approx. 80 x 55 cm. ** This striking exhibition poster was created for Joan Miró s 1964 retrospective at The Tate Gallery, London. Held from August 28 to October 11, 1964, this exhibition was organized by the Arts Council of Great Britain and celebrated Miró's significant contributions to modern art. * The poster features Miró s unmistakable abstract, calligraphic style, dominated by bold black strokes, a vivid red background, and splashes of yellow and green. The dynamic composition reflects the spontaneity and expressive energy that define his work. His signature biomorphic forms, surrealist influences, and gestural brushstrokes are evident, reinforcing his reputation as one of the most innovative artists of the 20th century. * This exhibition marked an important moment in Miró s career, solidifying his global influence and expanding his recognition in the British art scene. As a rare original vintage poster, it remains highly collectible, particularly when hand-signed. It embodies Miró s artistic philosophy, merging playfulness, symbolism, and surrealist abstraction. * Miró (1893 1983) was a Catalan painter, sculptor, and printmaker, widely known for his Surrealist and abstract works that often incorporated cosmic themes, organic shapes, and dreamlike symbolism. His impact on modern art is profound, influencing artists across movements from Abstract Expressionism to contemporary street art. *** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition ***. Signatur des Verfassers.