Things New Old, Signed (18 results)

Hardcover. Condition: Fine. SIGNED and INSCRIBED by author. Quarto, hardcover, fine in white and green and red pictorial boards with spiral binding under boards. How to get started, take the sweater apart, sewing the new design, patterns, inspiring gallery of ideas. 160 pp. Book.

Paperback. Condition: Good+. 1st Edition (Unstated). 184 pages; B&W photographs. Maps. Minor stains to the exterior edges of textblock. Signed by author on half title page. Very Good condition otherwise. No other noteworthy defects. No markings on text.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Hardcover. Condition: Very Good. B00AUYN8A0 Copyright 1934. Small Green hardcover with gold lettering and picture on front cover. No Dust Jacket. Signed by Author(s).

Hardback. No Dustjacket. Copyright page had 1893 for a date Very Good To Near Fine Condition. Tight Bright Attractive Copy With No Markings To The Book. Authors inscription on front free endpaper dated 1901.

Card. Condition: VG-. Dust Jacket Condition: G++ DW. 1st Edition. DW is glued onto the card covers. Author's inscription on front endpaper,"To Jack Elliott for Auld Lang Syne - F.J. Newboult". Inscribed By the Author.

28 : 22 cm. VIII pages, 51 (2 coloured ) mounted plates, one coloured plates signed and dated 1923. Original cloth. One of 350 numbered copies, with the additinal 51st plate in colour, signed and dated by the artist. Imprint signed by the artist. The critic Beerbohm (1872-1956) was named by "The Times" as "the greatest of English comic artists" and named by the critic Edmung Wilson as "the greatest.portrayer of personalities- in the history of art". - Binding loosened, inner joints broken, binding stained, back browned.

viii, 50 printed tissue overleaves plus plates. Folio, white gilt-lettered cloth in printed dust jacket. No. 283 of 380 copies signed, each with an additional print also signed by the Artist in a pocket at the back. Riewald 23a. Near fine in a slightly soiled dust jacket with several tiny chips and creases; lightly dust-soiled.

Hardcover. Condition: Very Good. First Edition. Hardback. No Dust Jacket. 4to. pp viii, 49. Original publisher's white buckram, lettered gilt on spine and front cover with all edges gilt. Limited edition of 350 copies, this being no. 171. Signed by the author on a plate in rear pocket Slight bump and slight marking at lower spine, otherwise a bright, clean, very good indeed copy. Signedes.

Glazed White Cloth. Condition: Good/Very Good. Dust Jacket Condition: Fair/Poor. Limited Edition. LIMITED EDITION, SIGNED BY THE AUTHOR viii, limitation page signed by Max Beerbohm, illustrated with a colour frontispiece, 49 full-page black & white plates and an additional colour plate in a pocket at rear, each with a captioned tissue guard, some offsetting to the tissues, binding is firm, glazed white cloth, gilt lettering to spine and upper board, printed paper dust jacket, browned, wear to edges, torn along the rear joint and across the spine. Size: Quarto. By Author/Illustrator. Illustrated Cartoon.

hardcover. Condition: near fine. Dust Jacket Condition: good. Limited. 17 mounted plates; lettered tissue guards. 4to, white cloth, tattered dust wrapper. London: Heinemann, 1923. Limited First Edition. A near fine copy in good dust wrapper. Number 152 of 380 numbered and signed copies, with an additional print signed by the Artist in a pocket at the back.

Hardcover. Condition: Fine. First Limited Signed Edition. Coloured frontispiece and 49 black and white plates mounted with captioned tissue guards, and with an additional coloured plate signed and dated by Beerbohm loosely inserted in the pocket at the end. First Limited Signed Edition. Large 4to. [287 x 220 x 30 mm]. viii pp. Bound in the publisher's original white cloth, the front cover and spine lettered in gilt, plain endleaves, gilt edges. (Spine slightly darkened and a few minor marks). [ebc8046]. London: William Heinemann Ltd, 1923. No. 131 of 380 copies signed by Beerbohm and with the additional signed print. The pocket at the end also contains newspaper cuttings referring to the artist. Light offsetting of plates onto the guards and a few minor spots. With the signature of Arthur Spoor and label of David and Ida Miller. A very good copy. Signed by Author(s).

Cloth. Condition: Very Good Indeed. Max Beerbohm (illustrator). A pleasing signed limited edition of Max Beerbohm's book of caricatures. A signed limited edition of 380 copies, of which this is number 161. Signed by Beerbohm to the limitation page.With the additional signed colour plate loosely inserted to the rear pocket.In the original white cloth binding.Illustrated with a tipped-in colour frontispiece and forty-nine tissue-guarded monochrome plates. Collated, complete.A pleasing caricature series from Max Beerbohm, divided into three categories: 'Tales of Three Nations', 'Various Persons and Ideas', and 'Studies in the Eighteen-Seventies'. In the original white cloth binding. Externally, very smart indeed, with minor bumping to the extremities and faint handling marks to the cloth. Internally, firmly bound. Pages are generally bright and clean, with scattered spots to the first and last few leaves. Very Good Indeed. signed by author. book.

Cloth. Condition: Near Fine. Dust Jacket Condition: Near Fine. Max Beerbohm (illustrator). A signed limited edition collection of fifty plates by the caricaturist Max Beerbohm, in the original unclipped dustwrapper. A limited edition work, limited to three hundred and eighty copies, of which this is numbered two hundred and twenty five. Signed by Beerbohm to the edition page. Additional signed colour plate to the pocket to the rear. In the very scarce original unclipped dust wrapper. A collection of plates by Max Beerbohm, an English caricaturist. The drawings in this book were shown at the Leicester Galleries in the summer of 1922. Illustrated with a tipped in colour frontispiece, and forty-nine monochrome plates, as well as the additional signed colour plate. Collated, complete. In the original publisher's cloth binding, in the original unclipped dust wrapper. Externally, smart. A few light marks to the boards. Just a little bumping to the head and tail of the spine and to the extremities. Bookseller's label to the front pastedown. Dust wrapper is very smart and remarkably complete with a little discolouration only with some minor marks. Repaired tears to the reverse of the spine and reverse of the folds. Internally, firmly bound. Internally, firmly bound. Pages are bright and clean with only a couple of light spots. Near Fine. signed by author. book.

First edition. Number 228 of 380 numbered copies, signed by Beerbohm , with an extra plate signed "Max 1923" laid in at back. Color frontispiece. 49 mounted plates, 1 signed color plate in rear pocket, after drawing by Max Beerbohm. 1 vols. 4to. Original cream buckram, a.e.g. spine and covers a trifle soiled, else very good. Bookplate of Joan Whitney Payson Color frontispiece. 49 mounted plates, 1 signed color plate in rear pocket, after drawing by Max Beerbohm. 1 vols. 4to First edition. Number 228 of 380 numbered copies, signed by Beerbohm , with an extra plate signed "Max 1923" laid in at back.

First, Limited Edition. Number 341 in an edition of 380 signed and numbered copies, with an extra signed plate in rear pocket. White, beveled cloth-covered boards, titled in gilt on spine and front cover; AEG; 49 mounted, b/w plates on heavy paper, with facing text on printed tissue guards; plus a 50th plate in colors, laid loose in rear pocket as issued. Mild soil to boards, as usual, still a tight, Near Fine copy, lacking the dustwrapper. Engraved bookplate of a Peter Williamson to front pastedown. An album of caricatures in the typical Beerbohm style. The signed color plate in this copy is titled "At 21 Bedford Street". Signed.

Beerbohm, Max. First Edition. Number 274 of 380 copies signed by Beerbohm, with an additional plate in the rear sleeve. Color frontispiece and 49 black-and-white tipped-in plates after drawings by Beerbohm. 1 vols. 4to, (11 x 8 1/2 inches). Gallatin & Oliver 21a Cream cloth, a.e.g. Very Good, with the Brick Row Book Hop label on front pastedown Color frontispiece and 49 black-and-white tipped-in plates after drawings by Beerbohm. 1 vols. 4to, (11 x 8 1/2 inches) First Edition. Number 274 of 380 copies signed by Beerbohm, with an additional plate in the rear sleeve.

Dust Jacket Condition: dj. Limited Edition, one of 380 numbered copies (this being No. 83) SIGNED by the author. Includes a color frontispiece and 49 black-and-white plate illustrations, with an additional color plate in a pocket at the rear, each with captioned tissue guards. Very Good plus in a Good only dust jacket. Bookplate on the front endpaper. Jacket has moderate loss on the rear panel, with chips at the corners, and a moderately toned spine panel. Signed.

Text in Roman type in two columns. Titles within woodcut borders, woodcut illustrations, head and tail-pieces. [4], 190; 117 [i.e. 127]; 128-187 [i.e 197] [omitting 129, as issued, and other errors in pagination]; 121, [11] leaves. Complete with the leaf signed Ai preceding the general title. [Bound with, preceding the Bible]: The Booke of Common Prayer, with the Psalter or Psalmes of Dauid. Title in red and black within woodcut border. [46] leaves [complete]. ESTC S93831. [Bound with, following the Bible:] The Whole Booke of Psalmes. [10], 70pp, only. Lacking terminal three signatures. 4to. An excellent example of the Geneva Bible, with Tomson's revised New Testament and Junius' Revelation. The principal Bible of 16th-century Protestantism, and the Geneva Bible was used by Shakespeare, Oliver Cromwell, John Knox, John Donne, and John Bunyan. This edition contains the famous reading "breeches" in Genesis Chapter III, verse 7, which first appeared in 1579. Although Barker's imprint on title of this edition reads "Printer to the Queenes most excellent Majestie" the colophon reads "Printer to the Kings most excellent Maiestie" as James I had ascended in March 1603. Darlow & Moole 209; ESTC S159; Herbert 274; STC 2190 Early mottled calf, rebacked, brass corner pieces and hinges, lacks clasps, upper cover detached, marbled endpapers, gilt edges. Provenance: William James (signature and inscription dated 1663 on leaf preceding the general title); Frances Garway (inscription on brass plate on covers dated 1701); Thomas Bever (armorial bookplate, inscriptions on endpaper circa 1748); Francis Hutchinson Synge; Arthur John Snow Paget (inscription dated 1851) General Theological Seminary (bookplate) Text in Roman type in two columns. Titles within woodcut borders, woodcut illustrations, head and tail-pieces. [4], 190; 117 [i.e. 127]; 128-187 [i.e 197] [omitting 129, as issued, and other errors in pagination]; 121, [11] leaves. Complete with the leaf signed Ai preceding the general title. [Bound with, preceding the Bible]: The Booke of Common Prayer, with the Psalter or Psalmes of Dauid. Title in red and black within woodcut border. [46] leaves [complete]. ESTC S93831. [Bound with, following the Bible:] The Whole Booke of Psalmes. [10], 70pp, only. Lacking terminal three signatures. 4to.