Together Now, Signed (31 results)

Condition: Very Good. Signed Copy . Very Good dust jacket. Signed/Inscribed by author on half title page.

Condition: Good. Signed Copy . Inscribed by author on title page.

Hard Cover. Condition: Very Good-. Dust Jacket Condition: Very Good. The author signed and dated on the title page. The book is in very good- condition as the top right corner of the ffe is clipped otherwise this is a nice clean book with light wear and the dust jacket has light wear and is in a Mylar type protector. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author.

hardcover, Condition: Very Good, Knopf, NY, c.1979, 2nd.prtg., 8vo., hardcover, 238pp., signed by author, foxed spine, price marked out on ep, ow VG/VG $.

hardcover, Condition: Good, Knopf, NY, c.1970, 1st., 8vo., hardcover, 238pp., signed by author, G/G $.

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. First edition, first printing of the first graphic novel in the "True Blood" series. Based on the characters of Charlaine Harris. Story by Alan Ball, Kate Barnow and Elisabeth Finch. Written by Mariah Huehner and David Tischman. SIGNED by Harris on the first free end-page. Light edge wear. Remainder marked otherwise in near fine unread condition. Signed by Author.

Soft cover. Condition: Fine. 1st Edition. 1st printing of softcover original. Inscribed by Bernstein on inside cover to p/o, "a member of the WITT team!" The book explains how WITT stands for "We're In This Together." Bernstein went on to serve as chief economist and economic adviser to Vice President Joseph Biden. A startlingly uncommon title signed. 155 pages. Inscribed by Author(s).

Soft cover. Condition: Near Fine. No Jacket. Smith, Adam (illustrator). First Edition. Large paperback shows only the slightest edgewear. INSCRIBED ON THE TITLE PAGE:MATTHEW, I HOPE YOU DIG IT. ROBERT KENT. Inscribed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. SIGNED by Tom Fitzpatrick and dated 4-6-73 with a brief humorous and personalized inscription on the front endpaper. Clean and tightly bound with fine, unmarked contents. Very slight shelf wear to the binding, remains near fine. The unclipped dust jacket has light edge wear, still Very Good. A nice copy. Signed by Author(s).

hardcover. Condition: Near Fine. First Edition. To our USA customers. We ship to the USA via "Deliver Duty Paid" shipping options. This means that there will be no duty or tariffs that you need to pay on your purchase! We're always buying collectible book collections. Contact us for details. We're happy to provide pictures of all books, please just ask! Signed American first edition, first printing. Signed on title page by Charlaine Harris. Contains numberline 1 2 3 4. No jacket as issued. Covers are clean and bright. Edges are sharp. No tears or creases. The book itself is in Near Fine condition. The binding is straight and tight. NO remainder mark. Signed.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition, First Printing. The book is signed by the author on the full title page. Signed by Author(s).

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. re-print, signed by Auther Sir John Harvey-Jones Size: 8vo - over 7¾" - 9¾" tall. Signed by Author.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. All Together Now by John Harvey-Jones. 1994. Hardback. UK edition. Signed to bookplate pasted to facing front end-paper. Book plate states A Personalized Book From Sir John Harvey-Jones. This is a reprint from same year as first edition. Book and jacket in very good condition. Pages have sunned to tips of pages. Jacket is unclipped. Clean throughout. Bookseller Inventory #HFB002484. Signed by Author.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. ISBN: 1587170957 1ST PRINTING STATED hardcover LIKE NEW/dustjacket LIKE NEW brodart covered, SIGNED with SMALL DRAWING on the title page by author/illustrator DIANE de GROAT. Signed by Author(s).

Condition: Fine in near fine dust jacket. Dust Jacket Condition: dj. First Edition. Signed first printing of this Thanksgiving story of the importance of getting along with your classmates, even if you've woken up on the wrong side of the bed - with original drawing of Gilbert the opossum. Diane deGroat had a long career as an illustrator before moving into the dual role of author/illustrator. Her Gilbert the opossum series is the best-known of her original works. 10'' x 8''. Original color pictorial boards. Original unclipped ($15.95) color pictorial dust jacket. Illustrated in color. [32] pages. Signed by deGroat to title page, with small drawing of Gilbert the opossum. Jacket with "autographed copy" sticker and two smaller round stickers. Tight. Signed.

The story of AFC Wimbledon's remarkable rise from start up to League One. Large 8vo. 412pp. Fine Copy in unclipped dustjacket. SIGNED (undedicated) by the author on the title page. From our large stock of football books and publications.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Blue boards with gilt titles to the spine. Firm binding and clean pages. Jacket is not price clipped. 1st Impression. Signed by Erik Samuelson to the title page. Professional seller. All pictures are of the actual book that is for sale. Books are dispatched in cardboard packaging and dust jackets are placed in removable protective covers. Signed By Author.

Hardcover. Condition: As New. 1st Edition. First edition, FIRST PRINTING, SIGNED by Charlaine Harris (author of the novels the show is based on) & also SIGNED by 3 'True Blood' cast members [Sam Trammell (Sam Merlotte), Rutina Wesley (Tara Thornton), and Deborah Ann Woll (Jessica Hamby)] with a silver sharpie directly on the first spread as you open the book (not inscribed to anyone); hardcover (issued w/o a dustjacket); unread in MINT condition (no marks, not book-club ed, etc); comes with a set of photos from the signing events; ships securely in a box. Signed by Author(s).

4 Volumes. 32 pages; 32 pages; 32 pages and 32 pages. Each with a lot of illustrations, partially in colour. Illustrated original hardcover binding. (A litte used). 24x16,5 cm * "Sometimes I'm afraid" is signed by Robert E. Switzer. --- Jane Werner Watson, born Elsa Jane Werner (19152004) was an American children's author. She also wrote under the names Elsa Jane Werner Watson, Jane Werner, Annie North Bedford, Monica Hill, Elsa Ruth Nast, W. K. Jasner, and A. N. Bedford. Jane Werner was born on July 11, 1915 in Fond du Lac, Wisconsin, the daughter of Henry Charles Werner, a physician, and Elsa, née Nast She earned a B.A. degree from the University of Wisconsin in 1936. She was one of the original editors of the Little Golden Books series, which were published by Western Publishing in conjunction with Simon and Schuster. She went on to write approximately 150 books in the Little Golden Books series. In 1954 she married Earnest C. Watson, a Caltech physicist on sabbatical leave, at Tarbert in Scotland. Until his retirement from Caltech in 1959, the couple spent weekends and holidays in Santa Barbara. From 1960 to 1962 Earnest Watson worked as a science attaché to the United States Embassy in New Delhi. While they lived in New Delhi, the couple formed a large collection of Indian miniatures. Papers are held at the University of Minnesota. (Quelle Wikipedia) Sprache: Englisch Gewicht in Gramm: 700.

Hardcover. Condition: Very Good +. No Jacket. Facsimile Letter (illustrator). 1st Edition. One Of 350 Copies. Black Cloth On Spine, With Spine Label Printed In Black; Plain Grey Boards. With The Rare Glassine Dust Jacket. Inscribed By Lewis To Bibliophile And Author Melba Berry Bennett, And With Her Bookplate. Wear At Spine Edges And Corners, Wear At Tips And Tiny Frays At Lower Tips. Illustrated Bookseller's Ticket Of Gelber Lilienthal Inc. Of San Francisco, Major Retailers Of Grabhorn Books; Gelber Illustrated For Grabhorn. A Very Early Oscar Lewis Inscription. Inscribed by Author(s).

First edition. xi, [1], 94pp. With a photographic frontispiece and one further plate. Unopened in original publisher's cloth-backed green paper boards, lettered in black to spine. A trifle rubbed, spine dulled. Scattered spotting. Presentation copy, inked inscription to title page: 'Evelyn Brook / from T. W. Rolleston / Sept. 24, 1920'. A presentation copy of Shelley's Philosophical View of Reform, edited and introduced by Irish writer T. W. Rolleston, and given to his sister-in-law, Evelyn. Shelley's longest prose work, Reform addresses the Peterloo massacre, advocating non-violent resistance to the British government's regime. Size: Quarto.

Hardcover. Condition: Very Good. Limited First Edition. [One of only 150 copies issued]; Autograph; xii, (2), 631 pages; Contents clean and secure in original binding of white cloth spine over blue paper covered boards with printed spine label. Some spotting of white cloth; corners rubbed through. Limitation stated on copyright page: "One hundred and fifty copies of this first edition have been printed and bound wholly uncut with paper label." Inscribed and Signed by the author on ffep "My dear Cabot never forget / that you are the godfather. / W. S. Booth / May 15, 1909" Inscribed to Henry Cabot Lodge. An in-depth study of acrostics located in printed works of the sixteenth century, intended to prove that Francis Bacon was the real author of the plays attributed to Shakespeare. explores the hidden messages and codes within the writings of the famous philosopher and statesman, Francis Bacon. The book focuses on acrostic signatures, which are hidden messages created by the first letter of each line of a poem or text. Booth argues that Bacon used these acrostics to encode secret messages and information within his works. The book includes a detailed analysis of Bacon's writings, including his essays, poems, and letters, as well as a discussion of the historical and cultural context in which Bacon lived. Booth also provides examples of how Bacon's acrostics reveal his political and religious beliefs, as well as his personal relationships and experiences. A fascinating look into the mind of one of history's most enigmatic figures and sheds light on the hidden meanings behind his words. In the early 20th century, William Stone Booth (1864-1926) was engaged in his father's lumber business for many years. Later from 1894-97, he was a branch librarian of the New York Public Library. Booth served as literary adviser to leading publishers, including G.P. Putnam's Sons (1897), the Macmillan Company (1898-1903), Houghton Mifflin, and then became a literary adviser and editor on his own account. Among the authors he worked with were Jane Addams and Theodore Roosevelt. In 1907, he published a practical guide for authors in their relations with publishers and printers. Finally, in 1909, his major work on offer here was published. "As an author his favorite field was the literature and drama of the Elizabethan and Jacobean periods, especially the plays of Shakespeare and their authorship. On this subject he wrote Some Acrostic Signatures of Francis Bacon (1909), The Hidden Signatures of Francesco Colonna and Francis Bacon (1910); The Droeshout Portrait of William Shakespeare, an Experiment in Identification, (1911); Marginal Acrostics and Other Alphabetical Devices, a Catalogue (1920) and Subtle Shining Secrecies, Writ in the Margents of Books (1925). In these works he submitted new evidence and arguments on the Bacon-Shakespeare controversy, but his exhaustive knowledge and judgment prevented his espousal of the opinions of the extremists on either side." [Patton, 2000]; Signed by Author.

Hardcover. Condition: Very good. Limited edition. Limited edition #381of 450 copies, (one of 200 copies on Exeter book Paper). SIGNED by contributor and publisher, Thomas C. Russell. Octavo. 9.5 x 6.75". 350pp. Illustrated. Grey paper covered boards, with tan cloth spine and paper title label. Light wear with some darkening to edges. Endpapers browned- offsetting. Some mild toning to page edges and a little bit of light foxing to first and last few pages. Nice solid copy.

Hardcover. First edition. With a cheque signed by Cruikshank tipped on the front e/paper. 8vo., orig. green cloth, (viii), 223, (28)pp.ads. Fine. Signed by Author(s).

4to. 303pp and 100 full page plates. A very good copy in original paper covered boards with vellum spine. Spine worn with a small amount of cracking and repair to top edge. Corner of front board chipped. Internally very good with slight foxing. Number 109 of a limited signed edition of 250 copies for sale to subscribers only. Signed by Norman Lindsay and Ralph Straus.

Hardcover. Condition: Near fine. First Edition. The first edition in book form. Out of an edition of 450 copies, this is one of the 200 printed on California bond-paper and signed by the publisher, with eight hand-colored line block relief prints from drawings based on old prints of life in the California Gold Fields. First published serially in "The Pioneer" magazine in 1854-55, these celebrated letters offer an insightful and vivid account of everyday life in a California mining town. Having sailed around Cape Horn to San Francisco, Clappe (1819-1906) joined her husband at Rich Bar in September 1851, and wrote a series of 23 letters between 1851 and 1852 to her sister back home in Massachusetts. Although not originally intended for publication, the letters are a carefully composed commentary upon a masculine society in which "Dame Shirley" wittily and sometimes sentimentally displays her realistic observations of a coarse and barbarous way of life. Clappe later worked as a school teacher in San Francisco, before returning to the East in 1878. Octavo. Original gray paper-covered boards over a natural cloth spine, with a printed paper spine label. A near fine copy, with the dust jacket which appears to have been miscut or neatly trimmed. The Zamorano Eighty 69.

Hardcover. Condition: Very Good. One of 250 copies numbered and signed by Norman Lindsay, illustrator, and by Ralph Straus, publisher. Translation by William Burnaby and unknown assistant, first published in 1694. Bound in quarter vellum with boards, spine stamped in gilt and cover stamped in black. Illustrated throughout with one hundred full-page plates in black and white. Text block is near uniformly fine. Some wear to extremities of boards. 10 x 12 1/2 inches. 303 pages plus introduction. Signed.

Hardcover. First Edition (8 volumes). Splendidly bound octavos in 8 volumes; in period bindings of green moroccan leather spines with leather tips; with marbled paper-covered boards, raised bands, and bright gilt lettering on the spines. Marbled endpapers and all edges marbled. The color of the spines has sunned to burnished brown. With a little snag to the marbled paper on the rear boards of volume V. The bindings are signed by Bickers & Sons of Leicester and So.E. London. This is the first important collected edition of Shelley's works. There is some light rubbing to the extremities, most noticeably at the corners. With manuscript poems printed in facsimile on special laid paper; and with the large folding multi-page plates of the Percy Bysshe Shelley Pedigree in volume 5. A handsome and scarce edition, especially with an ALS from the editor H.Buston Forman to Shelley scholar Neville Rogers.Note: The Neville Rogers papers at Ohio University span from 1861 to 1985 and document Rogers's personal and professional life. The bulk relates to his research and authorship of the Oxford English Texts The Complete Poetical Works of Shelley. Buxton Forman's letter to Neville Rogers appears below. 46 Marlborough HillLondon N.W 23 May 1911Dearest Rogers, Am I indiscreet in asking whether we shall soon have a complete Lysistrata with text and comment? Your "free translation" is one of my most constant companions; and I have alway supposed that you would find a way out for some of the omitted parts. I was not able to go last autumn and see the work produced by Miss Gertrude Kingeton at "the little Theatre"; but I have now got Housemans paraphrase-only just printed-and I have been reading it alongside of your and Hickie (Bohn, 1870). Hickie is dreadful, on the whole; but between the three versions I somehow get the notion that Lysistrata, not-withstanding certain things that from our point of view are marked by levity and scurrility, is in truth a creation of great dignity. That I am not scholar enough to get from the Greek original is light on Aristophanes true attitude towards such a woman as Lysistrata. Did he think her and mean her to be what a woman ought to be to command our respect and admiration? Personally, I have no difficulty in swallowing the details of her administered oath, her instructions to Myrrhina, or even her lesson on the correct way of introducing the "Spartian gitties" who came to trial for peace. But I am out of my depth, and earnestly wanting the assistance of your work in its final form will give me. As to the Housman paraphrase, I feel sure you would be interested in it; and if you have not seen it, I would like to send it to you. Most sincerely yours, H. Buxton Forman (Underscored).

Full Calf. Condition: Fine. First Edition thus. First Strype Edition, best and most desirable edition of Stow's magisterial studythe "starting point of all inquiry into the subject of Elizabethan London." Complete in two folio volumes; each of the six 'books,' introduced by a drop-head title, with its own pagination: [4], xii, xlii, [2], 308, 208, 285, [1]; [2], 120, 459, [1], 93, [3], 143, [1], 26, [2]pp, with 70 plates, plans and maps (31 double-page or folding), including those of London, Westminster and Southwark. Title pages in red and black. Superbly bound in handsome contemporary paneled calf sewn on six raised bands, very skillfully rebacked with the original lettering pieces laid down. A crisp, clean, fresh copy, with only occasional minor soiling, the copper-engraved plates in deep, rich impressions. Provenance: On the verso of the title pages, the engraved armorial bookplate of Jacob Bouverie, 1st Viscount Folkestone (bapt. 14 October 1694 - 17 February 1761), English Politician and first elected president of the Royal Society for the encouragement of Arts, Manufactures & Commerce, whose members included Benjamin Franklin, Karl Marx, Adam Smith, William Hogarth and Charles Dickens. Maslen & Lancaster. Bowyer ledgers, 584. Lowndes V, 2526. Gibson's Library, p. 258. ESTC Citation No. T48975. This edition of Stow's Survey was the first to contain a series of ward maps: "Many of these maps are excellent. Their clarity and accuracy fulfill the requirements of the student of London history" (Hyde). Fifth and Best Edition.Titlepage in red and black. Each of the 6 'books' has its own pagination, and is introduced by a drop-head title. Adams London Illustrated 25; Lowndes III, 2526; Upcott II, pp, 605-617; Darlington and Howgego 16, 8 (London maps). "Fifth and grandest edition. John Strype was already collecting materials for the text by 1703, and an ambitious reprint 'with very great Additions throughout, and illustrated with about 100 large Copper Cutts . requiring much Time and Great expence' was advertised as early as 1708. The advertisement was on the title verso of Hatton's New View of London, a smaller and cheaper book whose popularity actually caused the postponement of Strype's more monumental work. His two folio volumes cost six guineas and the print run was probably at least 500 copies. He included what he believed to be Stow's entire original text, which had become conflated with the 1618 and 1633 editions of Anthony Munday, clearly identifying his own additions in the margins. John Kip, who had been responsible for the views of London buildings in volume I of Mortier's Nouveau theatre de la Grande Bertagne (1707), is credited with about half the 28 engraved views of 'eminent places'. In addition there are two folding general maps of London, one showing the city as it was in Queen Elizabeth's time, 17 ward maps (bks. II-III) and 20 parish maps (bks. IV and VI). The only map to be signed is the Parish of St. Mary Rotherhithe revised by John Pullen and engraved by John Harris. (2)" Christies. John Stow's Survey of London, first published in 1598, brims with amusing descriptions and anecdotes as well as highly detailed accounts of the buildings, social conditions and customs of the time, based on a wide range of classical and medieval historical literature, public and civic records, and Stow's own intimate knowledge of the city where he spent his life. "The reader of A Survey travels with Stow through each of the city's wards and the adjoining city of Westminster, learns about the wall, bridges, gates, and parish churches . . . [Stow] also records the negative aspects of urban growth, in the shape of unsightly sprawl, filth, the destruction of ancient monuments, and above all poverty. His book approaches the thoroughness of an encyclopaedia . . . It is noteworthy that while Camden's Britannia was written in Latin for the educated élite, Stow's Survey was composed in the language of his fellow countrymen." This edition, of 1720, greatly expanded with interpolated amendments by John Strype, is considered the best and most desirable. "Throughout his life at Low Leyton, Strype crossed the River Lea into London each week to meet and converse with his antiquarian friends and to call on his contacts in the book trade. . . . The Survey had been repeatedly revised and enlarged in order to keep up with the changing aspect of the post-fire city, now much expanded and altered in its religion and other ways. . . . Although Strype had arranged most of the work by 1707, and the engravings had been prepared, it was set aside after the publication of Edward Hatton's New View of London in 1708, which seemed to cover much the same ground and was considerably smaller and cheaper. . . . Finally, once the defects of Hatton's book were acknowledged another agreement in November 1716 led to the Survey's publication at the end of 1720. . . . The print run was probably more than 500 copies . . . To quote Merritt, 'By this stage the Survey has a multiple personality, switching with little warning from nostalgic Elizabethan antiquary [Stow] . . . to diligent post-Restoration recorder of events [Strype] and back again' (Merritt, 87)." (ODNB) N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable mylar sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.).

12mo. xii, 372 pp. A presentation copy, with a gilt-stamped leather label, "Presented to R. Johns / by / Mrs. Jane Deakins," mounted to the upper board; contemporary inscription on the title page "remember [the] one thing / needful. J. Deakins." ESTC T181075. Contemporary polished olive calf, boards framed with a double ornamental border, flat spine with embossed ornamental rules, marbled endpapers. Top edge trimmed closely in binding, taking a number of running titles and parts of others. With the defect noted, a very good copy.