Trobar, First Edition (30 results)

Encuadernación de tapa blanda. Condition: Bien. Autoayuda (illustrator). 1ª Edición. Col. Ramon Llull Panorama, 57 Todos nuestros libros son de segunda mano.

Condition: New. Gil Capeta, Àgata (illustrator). 2026. 1st Edition. paperback. . . . . .

Encuadernación de tapa blanda. Condition: Bien. Novel·la (illustrator). 1ª Edición. Todos nuestros libros son de segunda mano.

Condition: New. 2025. 001st Edition. mass_market. . . . . .

Condition: New. Losantos, Cristina (illustrator). 2022. 1st Edition. hardcover. . . . . .

Condition: New. Guerrero, Laia (illustrator). 2025. 1st Edition. hardcover. . . . . .

Encuadernación de tapa blanda. Condition: Muy bien. 1ª Edición. (Literatura anglesa, infantil. Ilustradores). Barcelona, Quaderns Crema, 1985. Col. Mínima de butxaca - 17. Cobertes originals en rústica il.lustrada. 158 p. 1 f. Il.lustracions b/n. 8è menor. Molt bon exemplar. Primera edició de la traducció. JL1451.

Condition: New. 2021. 1st Edition. paperback. . . . . .

Encuadernación de tapa blanda. Condition: Muy bien. 1ª Edición. Art nova de trobar. Autor: Francesc d'Olesa Biblioteca Marian Aguiló/10. A cura de Jaume Vidal i Alcover. ABADIA DE MONTSERRAT, 1986, Barcelona. Rústica. "Francesc d'Olesa i Santmartí (Palma, Mallorca?, ~1485 ? Palma, Mallorca, 1550). Poeta. Fill de Jaume d'Olesa i Sanglada. El 1534 Carles V el recompensà pels seus serveis durant les Germanies i el 1538 l'armà cavaller. Fou jurat de Mallorca el 1529 i el 1531 i jurat en cap el 1549. Publicà Obra del menyspreu del món (Palma 1540), en cobles d'art major, arran de la mort de la seva muller i cosina Beatriu Santmartí i de Verí. El poema comença amb una lamentació elegíaca, però el gruix de l'obra és una exhortació al menyspreu de les glòries mundanes davant la incertesa de l'hora de la mort. Se li han atribuït erròniament dues obres d'un autor anònim de la segona meitat del s. XVI, la Nova art de trobar i la Representació de la mort".

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. Excellent copy in price-clipped DJ.

Condition: New. Svoboda, Ángel (illustrator). . 1st Edition. hardcover. . . . . .

Soft cover. Condition: Very Good. 1st edition. VG. 8vo, 44pp, stapled wrappers. Final issue of this important little magazine, including work by LeRoi Jones, Charles Olson, Robert Duncan (Bertholf C158), et al. Unmarked copy, a bit of sunning and wear to wrappers. Not Signed.

Soft cover. Condition: Very Good. 1st Edition. First Edition, 1961. 28 pages. Book measures 5.5 x 8.75 inches. Stapled wrappers. Second issue of this Deep Image school poetry journal. Includes writing by George Economou, Paul Blackburn, Robert Creeley, Edward Dorn, Robert Duncan, LeRoi Jones, Rochelle Owens, Gary Snyder, Robert Kelly, Jerome Rothenberg, Armand Schwerner, Seymour Faust and George Hitchcock. Trobar was an early Post-war poetry magazine following on the trail of Black Mountain review and Origin. It ran 5 issues, and copies are somewhat uncommon. A very nice copy showing only minimal signs of rubbing. Very Good+ condition.

Barcelona, Editorial Empúries, 2001. Edició especial amb pròleg d'Albus Dumbledore. Traducció Sandra Vivet. 39p. 8è. Cartoné editorial il lustra un pèl gstatt. Molt bon exemplar. 1ª edició. 1st edition. Literatura anglesa. Literatura juvenil. Literatura fantàstica. Narrativa.

Hardcover. Condition: Very Good. No Jacket. Limited Edition. Please find another book of poetry published in the early decades of the twentieth century similar to many of the others I have listed of late; this one is titled: Trobar Clus by Ramon Guthrie. Trobar Clus apparently refers to an obscure type of poetry used by troubadours in the 12th Century. This copy has been SIGNED by Guthrie on the half-title and is a first edition limited to 250, with the number 9 on the copyright/limitation page. The book is Guthrie's first collection of poems. It was also the first book published by the S4N Society, which also published a magazine with the same name. According to Wikipedia which has a short note about them: The inspiration for the magazine's creation stemmed from a 1919 trip to Europe taken by Yale students: Norman Fitts, Thornton Wilder, Stephen Vincent Benet, Ramon Guthrie, Roger Sessions, Quincy Porter, Richard Bassett, Arthur Dallin, John Carter, and William Hanway. The group wanted to re-create the literary vibrancy they experienced in Europe back in America in the form of a magazine. The first incarnation of the magazine saw the original 10 contributors form the S4N Society and become the sole contributors "for much of its early life". Norman Fitts was the editor, designer, and printer of the magazine. It apparently became defunct in 1925. This medium-sized hard cover book (6 ? x 9 ? inches 102 pages) was published by Norman Fitts and the S4N Society. Please see the photo of the colophon from the last page of the book. It is bound in dark blue boards with red titles on the cover. Condition: This book is in very good condition. The hard covers show some very minor bumping to the corners and spine tips. The red titles on the cover may be a bit dust-dulled. Inside a former owner has left her name and date on the half-title page just below the Author s signature. That, however, is the only mark I found in the book whose pages are clean and bright throughout and without toning or foxing. Both hinges are intact, and the binding is tight and sound. This book is not ex-library or a remainder.

Softcover. First Edition. Octavo, 44 pages. In Very Good minus condition. Wraps have mild general sun-fading, scuffing, and rubbing wear and mild shelving wear along extremities. Text block edges mildly age toned. Shelved in Room B. First issue of Trobar, an American poetry journal which produced five volumes in Brooklyn, New York between 1960 and 1964. Albeit short-lived, Trobar's publication had an immense influence on the realm of deep image poetry, which centralized rhythm and movement. Editor George Economou would subsequently develop Trobar Books, his own small press. 1395151. Special Collections.

Condition: New. Alejo, Laura (illustrator). 2025. 1st Edition. hardcover. . . . . .

Softcover. Condition: Fine. Magazine. Octavo. Stapled wrappers. A touch of sunning, else fine. The fifth and final issue of this short-lived but influential magazine of deep image poetry. Contributors include Owens, Economou, Charles Olson, Robert Kelly, Robert Duncan, Paul Blackburn, Jerome Rothenberg, David Antin, John Wieners, Amiri Baraka, Anselm Hollo, Theodore Enslin, and others.

Condition: New. Riddell, Chris (illustrator). 2021. 1st Edition. hardcover. . . . . .

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition, Limited Edition. First printing. A fine copy in a very good, plain onionskin jacket. A copy with clean text. Comes with archival-quality jacket protector. Although not marked in any such way, this book came from the library of poet and literary critic J.D. McClatchy, from his estate in Stonington, Connecticut. This copy has been SIGNED by Guthrie on the half-title, a signed first edition limited to 250, though the number is absent from the copyright/limitation page. Guthrie's first collection of poems. The first book published by the S4N Society, which was created by Guthrie, Norman Fitts, Thornton Wilder, and other notable writers, all classmates at Yale. Signed by Author(s).

Softcover. Condition: Fine. Magazine. Octavo. Stapled wrappers. Fine. The third issue of this short-lived but influential magazine of deep image poetry. Contributors include Owens, Economou, Robert Kelly, Robert Duncan, Gary Snyder, Paul Blackburn, Edward Dorn, Jerome Rothenberg, Diane Wakoski, Clayton Eshleman, and others.

Softcover. Condition: Near Fine. Magazine. Octavo. Stapled wrappers. Touch of edge toning, else fine. The second issue of this short-lived but influential magazine of deep image poetry. Contributors include Owens, Economou, Robert Kelly, Robert Duncan, Gary Snyder, Paul Blackburn, Amiri Baraka (as Leroi Jones), Robert Creeley, Edward Dorn, Jerome Rothenberg, and others.

Soft cover. Condition: Very Good. 1st edition. VG. 8vo, 28pp, printed wrappers. First issue of this important little magazine, including work by David Antin, Robert Duncan (Bertholf C99), editor Robert Kelly, et al. A couple of period phone numbers to back cover, else an unmarked copy with a bit of soil and wear to wrappers. Not Signed.

Softcover. Condition: Fine. Magazine. Octavo. Stapled wrappers. Fine. Signed by contributor Rochelle Owens, who was also the wife of Trobar co-founder George Economou. The fifth and final issue of this short-lived but influential magazine of deep image poetry. Contributors include Owens, Economou, Charles Olson, Robert Kelly, Robert Duncan, Paul Blackburn, Jerome Rothenberg, David Antin, John Wieners, Amiri Baraka, Anselm Hollo, Theodore Enslin, and others.

Softcover. Condition: Fine. Magazine. Octavo. Stapled wrappers. Fine. Signed by contributor Rochelle Owens, who was also the wife of Trobar co-founder George Economou. The third issue of this short-lived but influential magazine of deep image poetry. Contributors include Owens, Economou, Robert Kelly, Robert Duncan, Gary Snyder, Paul Blackburn, Edward Dorn, Jerome Rothenberg, Diane Wakoski, Clayton Eshleman, and others.

Softcover. Condition: Fine. Magazine. Octavo. Stapled wrappers. Fine. Signed by contributor Rochelle Owens, who was also the wife of Trobar co-founder George Economou. The fourth issue of this short-lived but influential magazine of deep image poetry. Contributors include Owens, Economou, Louis Zukofsky, Robert Kelly, Robert Duncan, Paul Blackburn, Jerome Rothenberg, Diane Wakoski, Jackson Mac Low, Amiri Baraka (as Leroi Jones), Joel Oppenheimer, and others.

Softcover. Condition: Near Fine. Magazine. Octavo. Stapled wrappers. Touch of edge toning, else fine. Signed by contributor Rochelle Owens, who was also the wife of Trobar co-founder George Economou. The second issue of this short-lived but influential magazine of deep image poetry. Contributors include Owens, Economou, Robert Kelly, Robert Duncan, Gary Snyder, Paul Blackburn, Amiri Baraka (as Leroi Jones), Robert Creeley, Edward Dorn, Jerome Rothenberg, and others.

S. l., «Il Critone» (Editrice Salentina, Lecce - Galatina), 1960 (20 febbraio), Edizione originale. Ottimo esemplare (minimi e normali segni del tempo), con il volume 1 n. 367 / 500, e i restanti volumi n. 378 / 500. Rarissimo, tanto più con il cofanetto editoriale conservato (lieve segno da urto all'angolo posteriore). Scarsamente conosciuto e capito, a lungo condannato alla marginalità all'interno del panorama del secondo Novecento letterario italiano, Vittorio Pagano è stato un poeta tenacemente fedele allo spirito ermetico in un tempo più facilmente segnato dall'adesione a diverse forme di neorealismo o dalla ricerca sperimentale "novissima" o neoavanguardista. Natio di Lecce, Pagano ha costruito la propria esistenza e il proprio immaginario poetico avendo come punti di riferimento e orizzonti ideali la terra d'origine e Parigi. Un'oscillazione testimoniata dall'impegno all'interno di esperienze e comunità intellettuali fortemente legate alla Puglia a cominciare dalla partecipazione all'Accademia Salentina di Girolamo Comi e alla presenza all'interno della redazione della rivista a essa collegata, «L'Albero» - insieme a quella, non meno importante, di traduttore degli amati "poète maudit", che Pagano avrebbe celebrato nella preziosa antologia da lui curata nel 1960 per le Edizioni dell'Albero. Schivo e disinteressato al riconoscimento ma ciononostante pubblicamente attivo, dal giugno del 1956 il poeta leccese diresse il supplemento letterario del periodico «Il Critone» dando vita, nel 1958, alla collana editoriale «I Quaderni del Critone» per cui uscirono, nell'arco di nove anni, diciotto volumetti tirati in poche centinaia di esemplari che ospitarono traduzioni o nuove versioni di poeti medievali francesi, raccolte d'ispirazione ermetica - come la silloge di Carlo Betocchi «Il vetturale di Cosenza» (1959) e opere di narrativa tra cui si segnalano, per sottolineare la feconda relazione di Pagano con grandi autori a lui contemporanei, «Una città» (1958) di Romano Bilenchi, «Il caso e il caos» (1961) di Piero Bigongiari o ancora «Trame» (1963) di Mario Luzi. Ed è proprio all'altezza del periodo stretto tra il 1958 e la metà degli anni Sessanta che è possibile collocare anche la fase più intensa della sua produzione personale, a cui appartiene il rarissimo «Il privilegio del povero» qui presentato. Pubblicati nel 1960 per i tipi di «Il Critone» nel caratteristico formato in 24° con tiratura limitata a cinquecento esemplari numerati, nei quattro volumi che compongono l'opera trovano spazio le suite «Mitologia del Sud», «In un astro crudele», «Trobar concluso» e «Residui di un album di guerra», componendo un paesaggio che in tutto dichiara l'attaccamento di Pagano alla cifra ermetica e al Sud come luogo non soltanto geografico. Un legame, quest'ultimo, pagato con l'incomprensione se si presta fede a ciò che Oreste Macrì - grande tessitore del legame tra il Salento e Firenze, culla dell'ermetismo - affermò in «Nuova poesia del Salento europeo», saggio apparso nel 1980 sulle pagine del numero 63-64 di «L'Albero»: «Vittorio Pagano rimase [nella sua terra] e la pagò cara con l'ipertrofia barocco-simbolista, il maledettismo provincializzato, l'ermetismo negativo e misticheggiante, le velleità populiste, la morte disperata per nulla consolata dalla sicura gloria futura. Giacché con ogni difetto, o forse anche per esso, la poesia di Pagano sarà scoperta e resterà». Scritto un anno dopo la morte del poeta, queste parole tratteggiano tanto l'ostinata e peculiare chiusura di Pagano rispetto a qualsivoglia concessione al gusto o alle seduzioni del tempo quanto la futura riscoperta anzi, "scoperta" che pure gli sarebbe stata riservata. Una scommessa, quella di Macrì nel 1980, che infine si sarebbe rivelata almeno parzialmente vinta, grazie all'interesse che la poesia e l'attività intellettuale ed editoriale di Pagano hanno ricevuto negli ultimissimi anni, a partire dall'antologia «Poesie» pubblicata nel 2020 da Musicaos con la curatela di Simone Giorgino. 4 voll., in 24° (143 mm altezza), brossura color crema stampata in nero e ocra, volumi conservati in cofanetto editoriale color ocra, pp. 184 [8]; 243 [9]; 239 [9]; 142 [9]. Edizione originale. Ottimo esemplare (minimi e normali segni del tempo), con il volume 1 n. 367 / 500, e i restanti volumi n. 378 / 500. Rarissimo, tanto più con il cofanetto editoriale conservato (lieve segno da urto all'angolo posteriore). brossura color crema stampata in nero e ocra, volumi conservati in cofanetto editoriale color ocra,

Softcover. Condition: Near Fine. Magazines. Octavos. First issue is perfectbound in wrappers, the others stapled as issued. Overall near fine or better with a touch of wear and some light age-toning. All from the personal collection of *Trobar* co-founder, George Economou and Signed by his wife, the poet and playwright Rochelle Owens, who was a contributor to all but one issue of the magazine. A complete run of this short-lived but influential magazine of deep image poetry published by Economou and Robert Kelly, and noted for its distinguished list of contributors, such as: Gary Snyder, Paul Blackburn, Amiri Baraka (as Leroi Jones), Robert Duncan, Robert Creeley, Edward Dorn, Jerome Rothenberg, Diane Wakoski, Clayton Eshleman, Louis Zukofsky, Jackson Mac Low, David Antin, Anselm Hollo, Charles Olson, and many others. Accompanied by a Trobar flyer promoting the three books in its Trobar Books imprint by Owens, Blackburn, and Rothenberg, and a new book by Zukofsky. A nice collection.

Couverture souple. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Publications de l'Association Internationale d'Etudes Occitanes (PAIEO 11) Daude de Pradas Per sen de trobar : l'opera lirica di Daude de Pradas S. Melani (ed.) 326 p., 156 x 234 mm, 2016 ISBN: 978-2-503-56833-1 Languages: Occitan, Italian Paperback The publication is available. Retail price: EUR 105,00 print Share/Save/Bookmark L'ouvre lyrique du troubadour Daude de Pradas a déjà fait l'objet d'une édition intégrale publiée par Alexander H. Schutz en 1933. Quatre-vingts ans après, une mise à jour et une révision des résultats présentés par le savant américain semblent nécessaires. Tenu par son premier éditeur pour un auteur tardif et peu original, Daude de Pradas est aujourd'hui à considérer comme un poète actif d'entre la fin du XIIe?et le début du XIIIe?siècle, presque contemporain de la génération dite «?classique?» des troubadours. Les contenus ainsi que la forme de son ouvre sont bien plus intéressant que ce que l'on croyait. Cette nouvelle édition vise à proposer un texte plus fiable que celui établi par M. Schutz. Elle tente de résoudre les conflits d'attribution de certains textes, de les rectifier à l'aide des études les plus récentes des hypothèses chronologiques et biographiques considérées désormais comme acquises. Enfin elle s'efforce d'expliquer, au moins en partie, à l'aide d'un apparat de notes interprétatives et à l'aide des traductions intégrales des textes, les nombreux vers obscurs et difficiles d'un auteur lu seulement de façon superficielle. Silvio Melani a étudié la Philologie romane aux Universités de Pise et de Florence et a été Lecteur de langue et littérature italiennes à l'Université de Stockholm. Parmi ses travaux, il a publié l'édition critique de Philippe de Novare (Guerra di Federico II in Oriente, Napoli 1994) et le recueil d'essais historiques Ospitalieri, monaci e guerrieri, Turku 2002. En ce moment, il termine son deuxième Doctorat à l'Université de Udine. Table of Contents I Introduction a) Hypothèses biographiques et chronologiques b) Etude des senhals employés par le poète c) Note sur l'emploi du langage juridico-féodal d) Note sur les caractéristiques de la tradition manuscrite e) Note sur la métrique de ce troubadour II Edition critique des textes d'attribution sure (19 textes) III Edition critique des textes d'attribution douteuse (1 texte) IV Glossaire complet et index des noms et des senhals. Language : Occitan and Italian text Size: 156 x234 mm.