Typomundus, Used (10 results)

Magazine. 108p., 9x12 inches, articles, reviews, news, interviews, illustrations, inserts, ads, very good printing arts magazine in pictorial wraps.

cloth, dust jacket. Printing (illustrator). 4to. cloth, dust jacket. xliv, followed by over 500 illustrations. Reprint edition. Fine in near fine jacket. The ICTA's jurors selected the most significant typography of the century from entries submitted. The first part of the book was examples of the works of the jurors. Next followed 545 illustrations with the artist, country and year designed.

Hardcover. Condition: Good. Dust Jacket Condition: Fair. 1st Edition. Presumed first edition in good used condition. Not a former library book. Jacket a bit worn but interior pages are in nice shape. The Friends of the Bridgeport Public Library use these funds to promote literacy in the community and in the Bridgeport public schools.

Hardcover. Condition: Fine condition. Dust Jacket Condition: Good+ dust jacket. First Edition. New York: Reinhold Publishing Corporation, 1966. Fine condition in a bright and shiny Good+ dust jacket. NOT a library discard. NO owner's name or bookplate. Sharp corners. Pages are clean and unmarked. Front matter is in English, French and German. Profusely illustrated with the best examples of typography in various categories, as selected by a jury of printers, designers, and other graphic art experts (including Hermann Zapf, Horst Erich Wolter, Olle Eskell, Hans Neuburg, Anton Stankowski, Louis Dorsfman, Carl Dair, Piet Zwart, Roger Excoffon, Hiroum Hara, Max Caflisch, Oldrich Hlavsa). Includes books, dust jackets, magazines, posters, advertisements, packaging, record covers, signs, etc. Bound in the original eggshell white cloth, stamped in bright gold. Oversize Hardcover. 9" wide by 11.25" tall. This large, heavy book will require extra postage for Priority and International shipments, but only the standard charge for media mail. Complete with dust jacket. First Edition. Oversize Hardcover. Fine condition/Good+ dust jacket. Unpaged (approx. 300 pages?). Great Packaging, Fast Shipping.

Hardcover. Condition: Good+. Dust Jacket Condition: Good+. First edition, hardcover, slight lean, light bumps to spine ends, edges of boards tanned, light soiling to cloth and page edges, internally clean and solid, a Good+ copy in likke dustjacket which is soiled and worn and with some shallow chips and closed tears.

Couverture souple. Condition: bon. R260186712: 1965. In-Folio. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. DE 361 A 452 pages augmentées de nombreuses illustrations en couleur et noir et blanc dans et hors texte - Texte sur plusieurs colonnes. . . . Classification Dewey : 720-Architecture.

Condition: DISCRETO USATO. INTERLINGUE Volume rilegato con titoli in oro al piatto anteriore e al dorso, coperta naturalmente imbrunita e con irregolarità da fattore tempo. Tagli regolari e leggermente imbruniti, pagine ben salde alla costa e con modesta imbrunitura. Libro completamente fruibile, pubblicato in concomitanza con la prima mostra di tipografia mondiale giudicata a livello internazionale (Membri giuria: Horst Erich Wolter, Olle Eksell, Hans Neuburg, Anton Stankowski, Lou Dorfsman, Carl Dair, Piet Zwart, Roger Excoffon, Hiromu Hara, Max Caflisch, Oldrich Hlavsa e Hermann Zapf). Note di Paul Rand (Presidente Onorario Typomundus 20), Aaron Burns (Direttore di ICTA) e Marilyn Hoffner (ICTA Pubblicitaria), traduzioni di Gilles Roberts (in francese) e di Klaus Schmidt (in tedesco), presenti 545 illustrazioni in bianco e nero (che rappresentano una selezione significativa di pubblicità, imballaggi, poster, libri, marchi e altro dal 1900), lingue: inglese, francese e tedesco, numero pagine XLIV seguite da pagine non numerate; da segnalare: il volume potrebbe contenere timbri, il materiale è stato regolarmente acquisito dalla nostra Libreria.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. i - xliv pp., section of half-tone reproductions of book designs plus index runs approx. 200 pages. 4to; white cloth lettered in gilt in white dust jacket. Bump to lower leading front corner; jacket with minor age toning to extremities. Exhibition held at Toronto in 1964. Text in English, French, and German.

cloth, dust jacket. 4to. cloth, dust jacket. xliv, followed by over 500 illustrations. First edition. Minor wear along edges of dust jacket, with very mild soiling to dust jacket. Else a near fine copy. A very scarce book, especially in the dust jacket. The ICTA's jurors selected the most significant typography of the century from entries submitted. The first part of the book was examples of the works of the jurors. Next followed 545 illustrations with the artist, country and year designed.

Hardcover. Condition: Used. The purpose of this one was to gather, preserve, and document as complete a collection as possible of the most significant typography of the twentieth century (circa 1966). But the entire project went far beyond this idea alone. Typomundus 20 became the first internationally judged exhibition of world typography. The exhibition was planned by the International Center for the Typographic Arts and began with a Call for Entries which was sent to 200,000 people in all fields of graphic design. Over 10,000 entries were received at assembly points in Australia, Canada, Czechoslovakia, England, Germany, Japan, and the United States. From these collection points the entries were forwarded to Toronto, where they were arranged for judging by the Society of Typographic Designers of Canada. The jury, consisting of twelve world-renowned designers, devoted an entire week to the prodigious task of judging. The members of this jury were not only eminent but each of them, through their creative achievements, had contributed significantly to the development of the day's typography. Are you still reading? Because this one has over 500 works representing a cross-section of graphic communication since 1900: advertising, packaging, posters, books, trade marks, etc. It just keeps going without a dog in the bunch. (We just flipped through again and saw no dogs depicted.) From the library of Toshi Katayama. The book itself is very good. The jacket is rough around the edges, but we'll put it in mylar tomorrow and suspect it will look amazing. 907.