Language: English
Published by Middlebury College Museum of Art, 2013
ISBN 10: 1928825095 ISBN 13: 9781928825098
Seller: Aeon Bookstore, New York, NY, U.S.A.
First Edition Signed
Soft cover. Condition: Very Good. 1st Edition. Inscribed by Acconci to insert invitation for gallery talk at Middlebury College accompanying the publication. Well-bound and internally unmarked. Slight wear to corners and edges. Inscribed by Author(s).
Language: English
Published by Milwaukee Art Museum, Milwaukee, WI, 2001
ISBN 10: 0944110878 ISBN 13: 9780944110874
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition Signed
First Edition. First edition. Softcover. 97 pages. Catalog for a traveling exhibition. Features a foreword by Russell Bowman, acknowledgements, introduction and an essay by Dean Sobel and with additional texts by Acconci. Includes numerous illustrations, a checklist, biographical information, list of previous exhibitionslist of selected built public projects, writings by Acconci, and a bibliography. A very near fine copy in wrappers. Signed by Acconci on the title page in 2003. Uncommon as such. Signed.
Seller: Marcus Campbell Art Books, London, United Kingdom
First Edition Signed
US$ 89.86
Quantity: 1 available
Add to basketPaperback. Condition: Near fine in wraps. First Edition. 25 x 29cm 160pp near fine paperback signed by Vito Acconci on the title page. Vito Acconci was an influential American performance, video and installation artist, whose diverse practice eventually included sculpture, architectural design, and landscape design. His foundational performance and video art was characterised by "existential unease," exhibitionism, discomfort, transgression and provocation, as well as wit and audacity,and often involved crossing boundaries such as public private, consensual nonconsensual, and real world art world. With colour plus black and white reproductions.
Language: English
Published by The MIT Press, Cambridge, MA, 2006
ISBN 10: 0262012243 ISBN 13: 9780262012249
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition Signed
First Edition. First edition. Hardcover. First printing. 411 pages. Anthology of performance artist Acconci's early writings edited by Craig Dworkin. A near fine copy in paper covered boards with cloth spine with some minor rubbing and slight wear. No dust jacket as issued. Signed by Acconci on the front free endpaper and dated in the year of publication. Uncommon signed. Signed.
Language: English
Published by Museum of Contemporary Art, Chicago, IL, 1980
ISBN 10: 0933856032 ISBN 13: 9780933856035
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition Signed
First Edition. First edition. Softcover. 48 pages. Exhibition catalog for a show that ran March 21 through Mary 18, 1980. Brief introduction by John Hallmark Neff. Essay by Judith Russi Kirschner. Includes numerous black and white illustrations. A close to near fine copy in stapled wrappers with some very minor wear. Signed by Aconcci on the front free endpaper and uncommon as such. Signed.
Published by Museum of Contemporary Art, Chicago, 1980
Seller: Brian Cassidy Books at Type Punch Matrix, Silver Spring, MD, U.S.A.
First Edition Signed
Condition: Near fine. First edition. Signed first printing of this exhibition catalogue for the first US retrospective of Acconci's work. Includes a brief introduction by museum director John Hallmark Neff and an essay on Acconci's work by curator Judith Kirshner. Includes photographs of the artist's early work in various forms, capturing his important contributions to more ephemeral and participatory art movements, particularly in performance, installation and conceptual art. Acconci's signature is uncommon. 12'' x 9''. Publisher's black printed wraps. 48 pages, with many black-and-white illustrations. Signed by Acconti on the front free endpaper. Minor shelfwear. Interior bright and fresh. Signed.
Published by Chicago: Museum of Contemporary Art, 1980., 1980
Seller: Joe Maynard, Nashville, TN, U.S.A.
Signed
Soft cover. Condition: Good. Slim quarto, 48pp, half-tone illustrations, publisher's black wrappers with white lettering (general wear especially to corners, good or better). [With]: Autograph note to art critic Donald Kuspit signed "Vin" with photo-copied support materials of descriptions of Acconci's art and philosophy titled Notes on Language (2 pp, corner-stapled), Home-Bodies (An Introduction to my work 1984-5) (4pp, corner stapled, each page with a title in this group), A Possible Model for Fairy Tales (one page with ink corrections), Television, Furniture, & Sculpture: The Room with The American View, 1984 (9pp, corner-stapled), in all 16 photo-copied pages of his writings. Signed by Author(s).
Published by Milano. Edizioni Charta, 2006 0, 2006
Seller: Antiquariat CoBrA, Oberrohrbach, Austria
Signed
Milano. Edizioni Charta, 2006 394 S. Oktn 4°. Auf dem Vorsatz von Acconci handschriftlich signiert und datiert (Feb. 25 07). Texte in englischer Sprache. ORIGINALEINBAND - ORIGINAL PUBLISHERS WRAPPERS "WE ARE WELLKNOWN FOR BOOKS ONLY IN BEST CONDITION & FOR A SOLID PACKAGE AND POSTAGE!" Von Acconci handschriftlich signiert und datiert (Feb. 25 07). Originally SIGNED by Acconi, dated Feb. 25 07! *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.
Published by Edition Hossmann, 1973
Seller: Antiquariat UEBUE, Zürich, Switzerland
Signed
US$ 5,481.38
Quantity: 1 available
Add to basketHardcover. Condition: Gut bis sehr gut. Limitierte Ausgabe. B . Number 159/250 , Signed by Acconci. Photographically illustrated artist's book with 80 small original mounted black and white photographs interspersed throughout the text. About half the images are of New York and constitute, however inadvertently, a wonderful document of Manhattan in the early 70s; not to mention a rumination on surveillance and its ramifications. The text itself is reproduced in Acconci's hand (printed), with typed quotations pasted in the front of the book. Signatur des Verfassers.