White Paper, Signed (32 results)

Condition: Used: Very Good. SIGNED by author. Inscribed.

Hardcover. Condition: Like New. Inscribed to a named person and then signed by Tony Van Hasselt on half-title page in black ink, later print, tight clean unmarked with bright white pages, boards clean and undamaged and show a little edge wear on bottom edge, no rips or tears in dust jacket and NO age toning anywhere, Near Fine/Very Good. Signed.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Hard Cover. Fine/Fine. First Edition. Signed by Author. 8vo - over 7¾" - 9¾" tall. ISBN:0965962806. Only 500 copies made. Signed by Author(s).

Paperback. Condition: Good. No Jacket. This could have light cosmetic flaws, but remains in good condition. No dust jacket included with this book. The book is signed by Author. Secure packaging for safe delivery. signed by author.

Paperback. Condition: Good. No Jacket. This could have light cosmetic flaws, but remains in good condition. No dust jacket included with this book. The book is signed by Author. Secure packaging for safe delivery. signed by author.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1ST. Excellent Copy - Signed By The Author On The Half-Title Page. A First Edition, First Printing. Book Is In Near Fine Condition. Boards Are Clean, No Real Shelf Wear. Interior Is Clean And Legible. Not Remaindered. Dust Jacket Is In Near Fine Condition. Not Chipped Or Crinkled. Not Price Clipped. Dust Jacket Is Covered By Mylar Brodart. Thanks, And Enjoy. Inscribed by Author(s). Book.

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. Inscribed by one of the authors, Richard E. Erway. Red leather like hardback. Book is in excellent condition. (PM) "E"rway. Inscribed by Author(s).

Condition: Near Fine. 8vo. Signed presentation copy to the poet Adrienne Rich: " For Adrienne. pg 14-20 are a small part of my large enduring admiration - affectionately. Sandy. 31.iii. 89." Fine condition in slightly creased else VG+ dust jacket. About fine. First Edition. Hardback. Dust Jacket.

No Binding. Condition: Good. No Jacket. G E GEIVETT (illustrator). Unframed Pen Ink Drawing on paper by GE Geivett "The Great White Throne" - Zion National Park UT 1983 with Condition Issues. Used condition with edgewear and wrong cut, yellowing to side, scuffs, dirt. Please view all the photos and please ask any questions prior to purchase when possible. Shipping with USPS Ground Advantage Mail. () Thank you for looking. Signed by Illustrator(s).

Hard Cover. Condition: Fine. Dust Jacket Condition: Very Good. Stated First Edition. ix, 332pp, endpaper maps. Red faux-leather in jacket. Small chip to front panel of jacket. SIGNED and inscribed by author opposite half-title. Historical fiction set in Italy during WWII. Most of what is described in the book is factual. Size: 8vo. Signed & Inscribed by the Author.

Paperback. Condition: Fine. paperback copy that is signed by the author, with best wishes and love, In excellent condition, No writing or highlighting, book is crisp and clean. inquire for photos or more details. 100% satisfaction guarantee. --- Black Marks on White Paper by Michelle Antoinette Nelson is a 2021 collection that brings together poetry and prose reflecting on identity, race, womanhood, and lived experience. Nelson, a writer and spoken word artist also known by the stage name Chocolate Mic Major, draws on her background in performance poetry to shape the rhythm and voice of the work. The volume continues themes explored across her broader catalog of literary and community-focused projects. Signed by Author.

Mrs Peregrine and the Yak. Illustrated by Eloise Wilkin. Decorated paper over new boards (Hardcover) with blue cloth spine (new bibliphil binding in original illustr. color. Paper). Illustrated charming endpapers. No marks except long dedication in old lettering on empty second frontpaper, no foxing, just a perfect beautiful book. Cute illustrations, inside pages clean and unmarked. Poem on the front and back endpapers by Hilaire Belloc. A bright and attractive copy. Black and white plus colour illustrations by Eloise Wilkin. Like new! I have never read a more charming book on Tibet!!! unpag. 51 S. Eloise Margaret Wilkin, born Eloise Margaret Burns (March 30, 1904 - October 4, 1987), was an award-winning American illustrator, best known as an illustrator of Little Golden Books. Wilkin often illustrated the titles of her sister, children's author Esther Burns Wilkin, who married Eloise's brother-in-law. Many of the picture books she illustrated have become classics of American children's literature. Jane Werner Watson, who edited and wrote hundreds of Golden Books, called Eloise Wilkin "the soul of Little Golden Books",[1] and Wilkin's books remain highly collectible. Her watercolor and colored pencil illustrations are known for their glowing depiction of babies, toddlers, and their parents in idyllic rural and domestic settings.She became a freelance illustrator after graduating from the Rochester Institute of Technology and a year later was in New York City, with Joan Esley, another graduate. Maybe that's why Joan's LGB, Play Street looks so much like and Eloise book. Her first day in New York she was given a book contract to illustrate for Century Publishing. Married, Sydney Wilkin, around 1935, they moved to Canandaigua to illustrate and raise a family. Eloise, illustrated her first book with her sister Esther Wilkin (married Sydney's brother), Mrs. Peregrine and the Yak, in 1939. They would collaborate on around 20 books. In 1943, George Duplaix, and editor for Simon & Schuster and one of the key people in the development of Little Golden Books asked her to come to New York and talk about a contract. She told him she couldn't because she hadn't a babysitter. Duplaix, would not take no and Eloise went to New York and signed a contract with the Little Golden Book people to do around four books a year. She illustrated, exclusively for Golden Books from 1943 to 1961. Her last book for Golden was published around the mid 80's.

Softback. 2.3 x 7.7cm white paper cut from letter stuck down on 6 x 15.5green sheet. Typed in mauve " Yours very faithfully ', then signed in neat black ink handwriting. Old handwriting on green sheet under " Earl of Northampton ". Slight browning else very clean & unchipped. VG.

Condition: Near Fine. First Edition. Signed first edition of Starbuck's second book,humorously inscribed by him to publisher and poet Alan DeLoach: "Alan Delouch's copy. / Watch it, bookfilcher: who / do you think you are, better / wiser more stylish or more of a / poet than he?" Paperback. 8vo. Light toning to wraps, sunning to spine. Else clean throughout, binding strong. Inscribed by Starbuck on half-title. A warm association. Cover by Milton Glaser. 67pp. Signed.

Hardcover. Condition: Good. Manaton edition publisher's quarter vellum over white paper covered boards Nice set octavo 250pp., illusts., Volumes I, II & III - The Forsythe Saga; Volume IV - Villa Rubein and other stories; Volume V - The Island Pharisees; Volume VI - The Country House; Volume VII - Fraternity; Volume VIII - The Patrician; Volume IX - The Freelands; Volume X - The Dark Flower; Volume XI - Beyond; Volume XII - Saint's Progress; Volume XIII - Five Tales; Volume XIV - Quality and Other Stories; Volume XV - Inn of Tranquility and other Impressions; Volume XVI - The Burning Spear and other Stories; Volume XVII - A Commentary and Other Essays; Volume XVIII, XIX, XX, XXI - Plays. Limited to 530 sets, this being No. 444. Volume one signed by John Galsworthy. Some wear to dust jackets, else good. Signed by Author.

Condition: Very good condition. Treaty Series No. 7, Sept 1904. Parliamentary documents possibly signed due to the desire for labor in South Africa. From 1904 to 1910 Britain was in dire need of cheap labor to work the gold mines of the Witwatersrand due to labor shortages following the Boer War. More than 63,000 Chinese miners were brought in through an indentured worker arrangement to dig for gold. This influx of Chinese workers stimulated the economy of South Africa, but the Chinese were sent home in 1910. 8vo, 8pp.

Silvie Turner collage titled 'Black Square, White Paper'. The print is formed of two sheets of paper with titles hand written in pencil by the artist. Signed and numbered 18/ 25 by the artist in pencil. FineSheet size 30 x 30cm NB Overseas postage will be reduced to cost.

First edition. iv, 175pp, [1]. Contemporary purple half-cloth, decorated paper boards, paper label with title in manuscript to upper board. Original publisher's printed cream wrappers bound in. Rubbed and marked, loss to head of sunned spine. Text-block detached from binding, marginal worming throughout, coloured pencil shelf-marks to title page. Presentation copy, inked inscription to upper wrapper: 'With best compliments'. A rare survival of Indian jurist, statesman, and prominent proponent of Indian independence Sir Tej Bahadur Sapru's (1875-1949) impassioned response to a white paper submitted to parliament by a joint select committee regarding reformations to the Indian constitution. The paper ultimately led directly to the implementation of the Government of India Act 1935. OCLC records copies at just two locations (BL, Chicago); COPAC adds one further (LSE). Size: 8vo.

Hardcover. Condition: Fine. First Edition. Folio, 14 original designs transferred to Phoenician handmade paper from India 8"x10" black and white images on 12" x 16" black border. Each titled, dated and initialed by the artist in pencil. Fine enclosed in black portfolio with ribbon ties. Fine.

Hardcover. Condition: Fine. Dust Jacket Included. 1st Edition. Text set in Matura; title-page in French Antique and Fat Face wood letter, Bodoni Ultra Bold and Figaro; half-title in Bodoni Ultra Bold. Number 55 of 75 copies, signed by Morris Cox, printed in black and various colours (the prints in black with chiaroscuro backgrounds in blue; text pages with monotype patterns in white on the yellow paper) on Japanese yellow Mingei and white Hosho handmade paper. Quarter vellum, printed in black, red and brown up the spine, with brown Ingres paper boards printed with a design in black. Black doubled endleaves; blue and brown patterned pastedown. Acetate dust-jacket. A fine copy. 'Magogmagog' is a book that speaks directly from the heart of Cox in its commendation of the clown and self-satire. Signed by Author(s).

Soft cover. Condition: Fine. Limited Edition. Heaney's poem was written in memory of his late friend and fellow Nobel Laureate, Joseph Brodsky, who had died in 1996. It references W.H. Auden s great elegy "In Memory of W.B. Yeats" published in 1940. One of the scarcest Heaney publications, with five striking woodcut illustrations by Max Neumann. [Brandes & Durkan A69]. Signed by Author(s).

Hardcover. Condition: Near Fine. 1st Edition. It Catches My Heart in Its Hands was produced by Jon and Louise Webb, founders of LouJon Press. It was printed on an old sheet-fed press and bound in their tiny apartment in New Orleans in 1963. Unlike the Bukowski chapbooks that came before, this was a true book and an incredible book at that. This incredibly beautiful book is every bit a piece of art as the poetry itself. It was hand-printed on thick paper stock of various colors, dispersed with tissues and hand-bound with a cork-lined cover. The detail, the printing methods, the craftsmanship, and the pure insanity it took to create the book was as unparalleled then and as it is today What actually makes this copy rare is the white, heavy stock page on which Bukowski has added a quotation. This page is absent in "regular" copies of the book. Instead, on the "regular" copies, Bukowski's signature and date appears on the first blank page, which is purple. Why Jon Webb stopped sending Bukowski the white pages for signing is unknown. Perhaps he couldn't afford the white paper stock for all copies and started sending him the purple pages to sign. On the white page on this copy, Bukowski has written: WEAK MEN ARGUE IN CROWDS; STRONG ME CRY IN THE DARK. Charles Bukowski 4-7-63 In this copy, Bukowski has also added his signature with another quotation on the purple page where just the signature and date would normally appear. This is dated 12-15-63, so Bukowski wrote this much later than the white page. At some point, the white and purple pages were inserted into the copy together: THE POETS WOULD BE MUCH WORSE THAN THEY ARE ONLY IT DOESN'T PAY ENOUGH. This copy has the orange/red color block over the title and the turquoise lines on the cork cover, but other colors were used on these copies as well. The wrap-around jacket underneath the cork is on yellow paper (some are white). I've heard from more than one person that the ones with the turquoise lines are also rarer, but that's not the case in my experience, so don't buy a copy just for that. This copy also comes with the uncommon letterpress sheet that is a facsimile of the letter he sent to the Webbs upon receiving the first copy of the book on November 23, 1963. The sheet measures 10.5" x 8" and is folded once, with the deckled edge sticking out above the portion of the sheet paper below it. The other three pages are blank. The letterpress sheet is in Fine condition. This copy also comes with a customer Clamshell Box. In addition to publishing two Bukowski books, Jon and Louise "Gypsy Lou" Webb published four issues of The Outsider magazine, which became the standard for poetry journals at the time. No other publication attracted nearly the talent that appeared in its pages and the production value of the magazine itself was unrivaled. Bukowski appeared in all four issues, with a large collection of poems in Outsider 1 (1961) and as the named "Outside of the Year" in Outsider 3 (1963), featuring Bukowski on the cover and a large center section. File Box 1 and Case 5. Signed by Author(s).

The drawings are in fine condition. The drawings are in fine condition For many years he (Cox) had practised shutting his eyes, concentrating, drawing. All sorts of effects were achieved in blind drawings, a whirling ballet in line on white. Each was signed, dated and given a BD stamp of affirmation in red". - Chambers, Franklin & Tucker 30, Gogmagog - Morris Cox & The Gogmagog Press (London: Private Libraries Association, 1991), pp.156-158. In a letter to collector Corrie Guyt, Cox confessed to "doing these [Blind Drawings] for many years as a test of visual memory concentration" never "intend(ing) them for anyone but (him)self. They are personal, autobiographical to some extent." Cox prepared four different sizes of original Blind Drawings, the smallest measuring 7 1/2 x 10 1/2 inches and the largest measuring almost 12 x 16 1/2 inches. Each set of drawings was signed and dated within a given period to show sequence in order to see how one drawing tends to lead to another. - Chambers, Franklin & Tucker, pp.87, 90-94 The drawings are in fine condition n y n Gogmagog Press 7500.00 1 23072 COX, Morris A collection of 126 original Blind Drawings of female figures, black ink on 11 3/4 x 16 3/8 inch sheets of white paper, each signed and dated by the artist and bearing the red BD "stamp of affirmation", with the artist's printed statement on a separate sheet, laid in a morocco-backed, illustrated Japanese paper over boards felt-lined folding box (London) 1971-1973 For many years he (Cox) had practiced shutting his eyes, concentrating, drawing. All sorts of effects were achieved in blind drawings, a whirling ballet in line on white. Each was signed, dated and given a BD stamp of affirmation in red". - Chambers, Franklin & Tucker 30, Gogmagog - Morris Cox & The Gogmagog Press (London: Private Libraries Association, 1991), pp.156-158. In a letter to collector Corrie Guyt, Cox confessed to "doing these [Blind Drawings] for many years as a test of visual memory concentration" never "intend(ing) them for anyone but (him)self. They are personal, autobiographical to some extent." Cox prepared four different sizes of original Blind Drawings, the smallest measuring 7 1/2 x 10 1/2 inches and the largest, offered here, measuring almost 12 x 16 1/2 inches. Each set of drawings was signed and dated within a given period to show sequence in order to see how one drawing tends to lead to another. - Chambers, Franklin & Tucker, pp. 87, 90-94. The present portfolio represents some of Cox's finest achievements using this idiosyncratic mode of drawing. Far from a mere curiosity, Cox's blind drawings clearly reflect a spiritual accomplishment of a high order; though the result of an unconventional discipline, the drawings are marked with the elegance of line and subtlety of feeling that come only from long submission to the constraint of technique.

Hardcover. Condition: Near Fine. Rare Copy of It Catches My Heart in Its Hands: Signed Twice by Bukowski with Two Drawings and One Quotation On Rare White Paper Stock. Signed by Author(s).

Softcover. Condition: Very good condition. First edition. Small Folio. 448 (4)pp. Original tan quarter cloth over tan stiff wraps with black lettering on cover. Signed T. Taylor on title page. With an original press photograph (5 x 6 3/4") dated Aug 01,1947 of Brigadier General Telford Taylor, Chief of the American Tribunal at Nuremberg, laid in. A documentation of the resistance at Buchenwald containing facsimiles of letters and documents of survivors of the camp. Some handwritten as well as a certain number of typewritten documents which were difficult to reproduce are accompanied by their typographical reproductions. "The Resistance cannot be content with showing its contempt for these campaigns and their authors; it must stand up to restore history and once again defeat the collaborators of the occupier of yesterday and its new recruits."Important documentry compilation concerning the french resistance to the narcist during world war II. The publication is structured into the chapters: I. Documents relating to the work of the French Interest Committee, II. Respect for France, III. Thousands of lives were saved, IV. United to hold everyone together, V. The heroic action of French doctors, VI. Fight and remain men, VII. The deportees freed themselves, VIII. The survivors unit was and remains essential, IX. The slanderers were never able to respond, X. In Buchenwald they had been resistance fighters. They had been deported as resistance fighters, XI. Additional testimonies and protests, XII. French brigade of liberating Buchenwald. Text in French. Light wear along edges of wraps. Few pencil marks in margins. Block lightly age-toned.

No Binding. Condition: Fine. Kimio Tsuchiya (illustrator). 1st Edition. Kimio Tsuchiya etching and collage. Printed in white ink on light buff coloured hand made paper with a thin cream coloured paper, acting as a frame surrounding the printed image. Signed and numbered 10/ 25 by the artist in pencil. Fine Sheet size 30 x 30cm (11.75 x 11.75 inches ) This was plate 108, as published in A Tribute to Birgit Skiold , 1983.Kimio Tsuchiya (Japanese 1955-) Sculptor and print maker. He studied at Nihon University, Department of Architecture, Tokyo, 1977 and later sculpture at Chelsea School of Art, London where he obtained his MA. Tsuchiya was an artist-in-residence at Bundanon, New South Wales, Australia, 1998, and received an Honorary Award from The London Institute, 1999. He completed the Sculpture Walk Project for the 2000 Olympic games in Sydney and in 2001 a Peace Monument in Yokoami Park, Tokyo. Signed by Author(s).

Soft cover. Condition: Very Good. 4to. 1 page (with integral leaf). Very good. To Mr. Don C. Seitz, c/o The World, New York City: "My dear Mr. Seitz: Mr Tumulty has handed me your letter of February seventh enclosing the letter to you from K.K. Kawakami. I shall take pleasure in calling the attention of the Attorney General to the matter at once and hope sincerely that it may be adjusted. Cordially yours." *John Patrick Tumulty was Wilson's longtime secretary and author of "Woodrow Wilson As I Knew Him." **K.K. Kawakami, Toyko born, author, journalist, came to America in 1901, lobbied for Japanese companies in Washington. Signed by Author(s).

No Binding. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. GRAY, Alasdair. Original screenprint titled Lanark Book Two . Glasgow: Glasgow Print Studio 2015. The author describes this screenprint as: a redrawing of the first great illustrated study of human anatomy Day Humani Corporis Fabrica, published by Andreas Vesalius in 1543. My only change was to put the Glasgow University s coat of arms into the medallion at the top, because when I was drawing it, I was writer in residence there. Printed in an edition of 60 copies in black, yellow, red, pink, blues and brown inks on Somerset Satin White 300gsm deckle-edged paper, this copy being a printer's proof, with handwritten in pencil beneath image left by the artist: 'PP Alasdair Gray . Glasgow Print Studio chop mark to bottom right corner. Image size: 58cm x 34cm; Paper size: 75cm x 54cm. Unframed. Fine condition. Note: This print is a revisited version of the Lanark artwork - and the lithographic prints made at Glasgow Print Studio in the early 1980s. This is an illustration to mark Book Two. Signed by Author(s).

No Binding. Condition: Fine. 1st Edition. GRAY, Alasdair. Original screenprint titled Inside . Glasgow: Glasgow Print Studio 2008. The image shows a bearded male figure with inset image of a naked female figure. Above the head of the male figure is a cityscape which includes the words 'LAW' and 'DUTY' and in front of his left leg is an image of buildings with the word 'COMMAND' and 'OBEY'. Text from a poem is written at the right of the illustration. One of an edition of 60 copies printed in black, purple and red on Somerset Satin White 300gsm deckle-edged paper, this copy being a printer s proof, with handwritten in pencil beneath image left to centre by the artist: 'Alasdair Gray 9.9.2008 Printer s Proof'. Glasgow Print Studio chop mark to bottom right corner. Image size: 59cm x 30cm; Paper size: 76cm x 57cm. Unframed. Fine condition. Check postage if not in UK. Note: The poem first published with slight variations under the title Inside the Box in Old Negatives, published by Jonathan Cape, 1989. Signed by Author(s).

No Binding. Condition: Very Good. A series of 13 emotionally tortured letters from Michel Saint-Denis [1897-1971] to the much younger English actress, Vera Lindsay [1911-1992]. Saint Denis was one of the foremost theatre practitioners of the twentieth century. He began his career as assistant to his uncle, Jacques Copeau, eventually taking over the leadership of The Quinze, Copeau's company of young actors. In 1931, Saint-Denis brought the troupe to London, where their physicality and fusion of Japanese Noh traditions and Commedia-style mask work caused a sensation. Returning to France, he found himself facing problems on many fronts: funding, infighting and professional jealousies. The contacts he had made with a rising generation of British actors, amongst them Laurence Olivier and Peggy Ashcroft, suggested a fertile ground for his ideas. During the 1930s, he produced several plays in England, making many converts to his philosophy of what a progressive non-Boulevard theatre might be. Among the younger actors who fell under his influence was Vera Lindsay, nee Poliakoff. Born in St Petersburg, she was brought to England by her parents after the Russian Revolution. Vera was a member of Saint Denis' acting company, both in France and in England, and played Olivia in his production of Twelfth Night in 1938. These letters demonstrate that their relationship went beyond the professional, something that no previous biographer of Saint-Denis appears to have noted. The correspondence runs from 1940, when Saint Denis was back in uniform in the French army, returning to England during the retreat from Dunkirk, through to 1944, when he was working with the BBC broadcasting to Occupied France. The letters, often several pages long, chart his tortured feelings for Vera, fourteen years his junior, clearly holding out the - eventually forlorn - hope that they might rekindle their pre-war relationship. Throughout the 1930s, Vera was married to an army officer, Major Basil Burton, and eventually divorced in 1940. She went on to marry the newspaper editor, Gerald Barry, in 1944. Saint Denis was also married. Marie Ostroga, who had remained in France and was involved with another woman, Marie-Madeleine Gautier, an actress. Towards the end of the correspondence, Saint Denis appears to be encouraging Vera to continue in the theatre, but Lindsay (now Barry) retired from the stage and became known as a promoter of the Arts in England. Post-war, Saint Denis founded an acting school at the Old Vic, before playing an important role in Canada, France and New York, where he was instrumental in developing the Juilliard School's drama division. While the letters clearly show a man struggling with intense emotional distress, they also reveal how his self-pity takes on an often unpleasant, bullying, harassing tone. A unique, insightful archive of letters from a man who played an outsize role in the post-war training of actors in Europe, England and the USA. All 13 letters have been rendered into English. Signed by Author(s).