Humour and Folly in Secular and Profane Prints of Northern Europe, 1430-1540

GROSSINGER, Christa

ISBN 10: 1872501095 / ISBN 13: 9781872501093

Published by London Harvey Miller 2002, 2002

About this Item

FIRST EDITION 4to. dark blue cloth hardback, gilt, in unclipped dust jacket. 227pp., Indexed, profusely illustrated in b/w. A clean copy with no previous owners' markings or inscriptions. A VERY GOOD COPY in VERY GOOD DUST JACKET. (Shelf 8) ISBN: 9781872501093 PLEASE NOTE: Heavy BOOK (1.3 kg+) Postage rates vary according to destination, weight and speed. For an accurate overseas quote PLEASE either call or email us before ordering. [AbeBooks shipping quote is based on items weighing up to 1 kilo only]. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.

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Bibliographic Details

• Title: Humour and Folly in Secular and Profane Prints of Northern Europe, 1430-1540
• Publisher: London Harvey Miller 2002
• Publication Date: 2002
• Language: English
• ISBN 10: 1872501095
• ISBN 13: 9781872501093
• Binding: Hardcover
• Edition: 1st Edition
• Dust Jacket Condition: Dust Jacket Included

About this title

Synopsis

This book highlights the importance of secular and profane prints for the reconstruction and understanding of themes popular in the late Middle Ages and early Renaissance, and examines their function as patterns for the other arts, and as sources for moral teaching and entertainment. As successors to the marginal illuminations of medieval manuscripts these prints represent the 'low' arts, and as such have licence for subversion and comedy. They are lower both in medium and subject matter than paintings, concentrating on foolish and sinful behaviour, on world-upside-down situations and on base human passions, all to be discussed as a mirror of human folly and depravity. Indeed, some images cross the barriers of decency, resulting in scatological and grotesque representations. The medieval Church was much exercised by the sin of lust, and women since the Fall were seen as temptresses incarnate, represented on prints as subjugating men, deceiving them and, generally, making fools of them. Peasants, equally lecherous but stupid are depicted carousing at Peasant Festivals, rather than working. Other popular themes are of Wild People, who live in harmony with nature, and protect the procreation of human families, and outcasts, such as beggars, cripples and quacks. Prints also illustrate the historical concerns of the period, such as the Peasants' War in Germany, and the wars in Italy, represented by images of vain soldiers and death. Overall, the picture gained from secular and profane prints is one of humanity abandoning itself to the sins of the flesh and, therefore, folly; real life is in details only, to serve in the interest of a satirical, yet convincing, illustration of the world, often with a didactic aim.