Synopsis
Andy Warhol's silk screens, Gerhard Richter's blurred images, Vija Celmins' hyperrealism: some of the most influential developments in the history of contemporary art hinge on the use of photographs as source material. Beginning in the early 60s, with seminal works by the aforementioned artists, The Painting of Modern Life charts the 45-year evolution of the translation of photographic images to paint--revealing an extraordinary breadth of stylistic and thematic diversity. This volume features 22 painters whose sources range from snapshots to commercial media, among them Richard Artschwager, Robert Bechtle, Celmins, Peter Doig, Marlene Dumas, Thomas Eggerer, Judith Eisler, Franz Gertsch, Richard Hamilton, Eberhard Havekost, David Hockney, Johannes Kahrs, Johanna Kandl, Martin Kippenberger, Liu Xiaodong, Malcolm Morley, Elizabeth Peyton, Michelangelo Pistoletto, Richter, Wilhelm Sasnal, Luc Tuymans and Warhol. Essays by curator Carolyn Christov-Bakargiev, writer and critic Martin
About the Author
Martin Herbert is a writer and critic. He writes regularly for Artforum and Frieze, and is also European Editor of Modern Painters. Barry Schwabsky is an American art critic and poet living in London. He writes regularly for Art Forum, The Nation, Map, and other publications, and is the author of The Widening Circle: Consequences of Modernism in Contemporary Art (Cambridge University Press), Vitamin P: New Perspectives in Painting (Phaidon Press). Kaja Silverman teaches at the Department of Rhetoric and the Program in Film Studies, University of California, Berkeley. Carolyn Christov-Bakargiev is Chief Curator at Castello di Rivoli, Museum of Contemporary Art, Italy. Ralph Rugoff is Director of The Hayward, London.
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