Writing Performative Shakespeares: New Forms for Performance Criticism

Conkie, Rob

ISBN 10: 1107421306 / ISBN 13: 9781107421301

Published by Cambridge University Press, 2019

About this Item

Firm, square and tight, just showing a few very mild rubs. Hence a non-text page is stamped 'damaged'. Despite such this book looks and feels unread and is actually in nearly new condition. Thus the contents are crisp and fresh. Now offered for sale at a special bargain price.

Seller Inventory # 119456

Bibliographic Details

• Title: Writing Performative Shakespeares: New Forms for Performance Criticism
• Publisher: Cambridge University Press
• Publication Date: 2019
• Language: English
• ISBN 10: 1107421306
• ISBN 13: 9781107421301
• Binding: Paperback
• Edition: First Edition.
• Condition: Like New
• Weight: 12 ounces
• Seller catalogs:
  • Literature, Fiction, Poetry

About this title

Synopsis

This innovative study offers a genuinely groundbreaking approach to Shakespeare in performance. Six chapters work like case studies, each highly creative in terms of visual form and structure - including puzzles, comics and pinboards - inviting the reader into playful engagement with the performative dimensions of Shakespearean production. The case studies include discussion of training and rehearsal processes; the materiality of the performance event and its various embodiments; the intertextual citations through which productions make meaning; and, in response to all of this, the multiplicity and variety of audience perspectives and interpretations. Conkie's production choices range from original practices to politicised adaptations, small-scale workshops to multimedia spectacles, offering inventive analyses of what Shakespeare might mean, or can be made to mean, at particular times and in specific places, at the start of the twenty-first century.

About the Author

Rob Conkie is Senior Lecturer of Theatre and Drama at La Trobe University, Victoria. His research integrates practical and theoretical approaches to Shakespeare in performance. He is the author of The Globe Theatre Project: Shakespeare and Authenticity (2006) and has published articles in journals including Shakespeare, Shakespeare Bulletin and Shakespeare Survey.