From one of America’s greatest living novelists, an epic story of science, society, sex, and survival; a deep-dive into human behavior and the question of our future
It is 1994, and in the desert near Tillman, Arizona, forty miles from Tucson, a grand experiment involving the future of humanity is underway. As climate change threatens the earth, eight scientists, four men and four women dubbed the "Terranauts," have been selected to live under glass in E2, a prototype of a possible off-earth colony with five biomes—rainforest, savanna, desert, ocean, and marsh.
Closely monitored by an all-seeing Mission Control, this New Eden is both scientific project and momentous publicity stunt for ecovisionary Jeremiah Reed, aka G.C.—"God the Creator.” In addition to their roles as medics, farmers, biologists, and survivalists, his young, strapping Terranauts must impress watchful visitors and a skeptical media curious to see if E2’s environment will somehow be compromised. As the Terranauts face increased scrutiny and a host of disasters, both natural and of their own making, their mantra, “Nothing in, nothing out," becomes a dangerously ferocious rallying cry.
Told through three distinct narrators—Dawn Chapman, the mission’s pretty, young ecologist; Linda Ryu, her bitter, scheming best friend passed over for E2; and Ramsay Roothoorp, E2’s sexually irrepressible wildman—The Terranauts brings to life an electrifying, pressured world in which connected lives are uncontrollably pushed to the breaking point. With characteristic humor and acerbic wit, T.C. Boyle indelibly inhabits the perspectives of the various players in this survivalist game, probing their motivations and illuminating their integrity and fragility to illustrate the inherent fallibility of human nature itself.
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T.C. Boyle is an American novelist and short-story writer. Since the mid-1970s, he has published eighteen novels and twelve collections of short stories. He won the PEN/Faulkner Award in 1988 for his third novel, World’s End, and the Prix Médicis étranger (France) in 1995 for The Tortilla Curtain. His novel Drop City was a finalist for the 2003 National Book Award. Most recently, he has been the recipient of the Mark Twain American Voice in Literature Award, the Henry David Thoreau Prize, and the Jonathan Swift Prize for satire. He is a Distinguished Professor of English Emeritus at the University of Southern California and lives in Santa Barbara.
An epic story of science, society, sex, and survival from one of the greatest american novelists today.
It is 1994, and in the desert near Tillman, Arizona, forty miles from Tucson, a grand experiment involving the future of humanity is under way. As climate change threatens the earth, eight scientists, four men and four women dubbed the “Terranauts,” have been selected to live under glass in E2, a prototype of a possible off-earth colony with five biomes—rainforest, savanna, desert, ocean, and marsh.
Closely monitored by an all-seeing Mission Control, this New Eden is both scientific project and momentous publicity stunt for ecovisionary Jeremiah Reed, aka G.C.—“God the Creator.” In addition to their roles as medics, farmers, biologists, and survivalists, his young, strapping Terranauts must impress watchful visitors and a skeptical media curious to see if E2’s environment will somehow be compromised. As the Terranauts face increased scrutiny and a host of disasters, both natural and of their own making, their mantra—“Nothing in, nothing out”—becomes a dangerously ferocious rallying cry.
Told through three distinct narrators—Dawn Chapman, the mission’s pretty, young ecologist; Linda Ryu, her bitter, scheming best friend passed over for E2; and Ramsay Roothoorp, E2’s sexually irrepressible wildman—The Terranauts brings to life an electrifying, pressured world in which connected lives are uncontrollably pushed to the breaking point. With characteristic humor and acerbic wit, T.C. Boyle indelibly inhabits the perspectives of the various players in this survivalist game, probing their motivations and illuminating their integrity and fragility to illustrate the inherent fallibility of human nature itself.
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