The Master and Margarita

Softcover

ISBN 10: 0679760806 ISBN 13: 9780679760801

Publisher: Vintage, 1996

The underground masterpiece of twentieth-century Russian fiction, this classic novel was written during Stalin’s regime and could not be published until many years after its author’s death.

When the devil arrives in 1930s Moscow, consorting with a retinue of odd associates—including a talking black cat, an assassin, and a beautiful naked witch—his antics wreak havoc among the literary elite of the world capital of atheism. Meanwhile, the Master, author of an unpublished novel about Jesus and Pontius Pilate, languishes in despair in a pyschiatric hospital, while his devoted lover, Margarita, decides to sell her soul to save him. As Bulgakov’s dazzlingly exuberant narrative weaves back and forth between Moscow and ancient Jerusalem, studded with scenes ranging from a giddy Satanic ball to the murder of Judas in Gethsemane, Margarita’s enduring love for the Master joins the strands of plot across space and time.

From the Publisher:

This is the first translation of the most complete text of Bulgakov's exuberant comic masterpiece, and the first annotated edition.

From the Inside Flap:

A literary sensation from its first publication, The Master and Margarita has become an astonishing publishing phenomenon in Russia and has been translated into more than twenty languages, and made into plays and films. Mikhail Bulgakov's novel is now considered one of the seminal works of twentieth-century Russian literature. In this imaginative extravaganza the devil, disguised as a magician, descends upon Moscow in the 1930s with his riotous band, which includes a talking cat and an expert assassin. Together they succeed in comically befuddling a population which denies the devil's existence, even as it is confronted with the diabolic resuits of a magic act gone wrong. This visit to the capital of world atheism has several aims, one of which concerns the fate of the Master, a writer who has written a novel about Pontius Pilate, and is now in a mental hospital. Margarita, the despairing and daring heroine, becomes a witch in an effort to save the Master, and agrees to become the devil's hostess at his annual spring ball.

By turns acidly satiric, fantastic, and ironically philosophical, this work constantly surprises and entertains, as the action switches back and forth between the Moscow of the 1930s and first-century Jerusalem. In a brilliant tour de force, Bulgakov provides a startlingly different version of Pontius Pilate's encounter with one Yeshua, a naive believer in the goodness of man. The interplay of these two narratives is part of the ingenious pleasure of this work which defies all genre classifications and expectations.

The commentary and afterword provide new insight into the mysterious subtexts of the novel, and here, for the first time, The Master and Margarita is revealed in all its complexity.

Diana Burgin is Professor of Russian at the University of Massachusetts, Boston, and Chairperson of the Modern Language Department. Her book, Sophia Parnok: The Life and Work of Russia's Sappho was published in 1996.