Forgoing the narratives of the sea that prevailed in his earlier works, Melville’s later fiction contains some of the finest and many of his keenest and bleakest observations of life, not on the high seas, but at home in America. With the publication of this Library of America volume, the third of three volumes, all Melville’s fiction has now been restored to print for the first time.
Pierre; or, The Ambiguities, published in 1852 (the year after Moby-Dick), moves between the idyllic Berkshire countryside and the nightmare landscape of early New York City. Its hero, a young American patrician trying to redeem the secret sins of his father, elopes to the city, discovers Bohemian life, attempts a literary epic, and struggles his way through incest, murder, and madness. Long a controversial work, it is Melville’s darkest satire of American life and letters and one of his most powerful books.
A pivotal work, both for Melville’s career and for American literature, Pierre was followed by Israel Potter, the story of a veteran of the Revolution, victim of a thousand mischances, and a long-suffering exile in England. Along the way are memorable episodes of war and intrigue, with personal portraits of Benjamin Franklin, John Paul Jones, and George III. In the exploits of this touchingly optimistic soldier, Melville offers a scathing image of the collapse of revolutionary hopes.
The Piazza Tales demonstrates Melville’s dazzling mastery of many styles, including “The Encantadas,” about nature’s two faces—enchanting and horrific; the famous “Bartleby the Scrivener,” about a Wall Street copyist who “would prefer not to”; and the enigmatic “Benito Cereno,” about a credulous Yankee sea captain who stumbles into an intricately plotted mutiny aboard a disabled slave ship.
The Confidence-Man, Melville’s last published novel, is in many ways a forerunner of modernist American fiction. An extended meditation on faith, hope, and charity as these are manifested on board a Mississippi riverboat one April Fools’ Day, it presents a menagerie of Americans buying and selling, borrowing and lending, believing and mistrusting, as they are carried toward the auction blocks of New Orleans.
Many pieces never before collected are also included: the “Authentic Anecdotes of Old Zack” (burlesque sketches of Zachary Taylor’s Mexican campaign), “Fragments from a Writing-Desk” (Melville’s earliest surviving prose), reviews of Hawthorne, Parkman, and Cooper, and all the tales Melville published in magazines during the 1850s.
Finally, there is the posthumously published masterpiece Billy Budd, Sailor, the haunting story of a beautiful, innocent sailor who is pressed into naval service, slandered, provoked to murder, and sacrificed to military justice. While encouraging questions for which there are no answers, it invites us to meditate on the conflicts central to all Melville’s work: between freedom and fate, innocence and civilized corruption.
LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
"synopsis" may belong to another edition of this title.
Herman Melville (1819-1891) sailed as an ordinary seaman in the Pacific as a young man, turning these experiences into a series of romances that launched his literary career. By 1850 he was married, had acquired a farm near Pittsfield, Massachussetts, and was hard at work on his masterpiece Moby-Dick. Literary success soon faded, his complexity increasingly alienating readers. After a visit to the Holy Land in January 1857, he turned from writing prose fiction to poetry. In 1863, during the Civil War, he moved back to New York City, where from 1866-1885 he was a deputy inspector in the Custom House, and where, in 1891, he died. A draft of a final prose work, Billy Budd, Sailor, was left unfinished and unknown until its rediscovery and publication in 1924.
"About this title" may belong to another edition of this title.
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0940450240I3N01
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 5019750-6
Seller: Russ States, Oil City, PA, U.S.A.
Cloth. Condition: Very Good. No Jacket. (1984), 1478pp, blue cloth, decorative eps, slipcase, 'The Library of America, No. 24', light spotting to cover, slight wrinkling to front flyleaf (printing error), no dj (as issued), some rubbing & slight shelfwear to slipcase, contents clean & unamrked. Size: 8vo - over 7¾" - 9¾" tall. Seller Inventory # 23-1296
Seller: Arundel Books, Seattle, WA, U.S.A.
Hardcover. Condition: Very Good. In Very Good condition in the original blue cloth with slight shelf wear. Seller Inventory # 005514033
Seller: EdmondDantes Bookseller, Minneapolis, MN, U.S.A.
Hardcover. Condition: Very Good. Slip-Case edition. Hardcover (NO Dust Jacket) with only minor reading wear; book is clean, unmarked. In stock. Ships from MN, USA. Seller Inventory # 2.3.0529fic
Seller: Possum Books, Charlottesville, VA, U.S.A.
Hardcover. Condition: As New. 1st Edition. First printing, deluxe subscriber edition. Blue cloth, gilt lettering, silk ribbon marker. In fine slipcase. Seller Inventory # 006413
Seller: ThriftBooksVintage, Tukwila, WA, U.S.A.
Hardcover. Condition: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Slipcase has light edge wear with scuffing and smudging as well as bumping. Boards have light shelf rubbing with scuffing and smudging as well as bumping. Secure packaging for safe delivery. Seller Inventory # 1668001703
Seller: Old Village Books, Mt. Pleasant, SC, U.S.A.
Hardcover. Condition: Very Good. 1st Edition. First printing. Very clean. No markings. Ribbon bookmark. Book is in a very good slipcase. Pictures on request. Seller Inventory # 033824
Seller: ThriftBooksVintage, Tukwila, WA, U.S.A.
Hardcover. Condition: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Slipcase has light shelf rubbing with scuffing and smudging with bumping. Secure packaging for safe delivery. Seller Inventory # 1658899123
Seller: Basically SF Books, Salem, OR, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. first edition. First printing (stated). Very good book in like dust jacket. Dust jacket has faint signs of use; now in new removable protective cover. Blue cloth covered boards, with gold print on spine. Library of America end papers. Bound-in blue satin ribbon bookmark. Pages are clean and unmarked; acid free paper. An errata sheet is present (author's name misspelled on title page). Library of America hard cover with dust jacket, 1984 first printing (stated), ISBN: 9780940450240, 1478 pages. 8vo (5" x 8"). Seller Inventory # 050122019780940450240cvr