A SIGHT FOR SORE EYES

Rendell (Ruth)

ISBN 10: 009180101X / ISBN 13: 9780091801014

Published by Hutchinson, London, 1988

About this Item

SIGNED COPY. (viii), 352 pp, pages clean and crisp, black endpapers, title page signed by the author, dark grey cloth, gilt spine lettering, some one or two splash marks to boards and traces of damp staining to bottom margins near spine, NB no damp within, unclipped dust jacket, light wear to edges, traces of damp staining to inner bottom margin, near spine, not visible from the exterior. Size: 8vo.

Seller Inventory # 019031

Bibliographic Details

• Title: A SIGHT FOR SORE EYES
• Publisher: Hutchinson, London
• Publication Date: 1988
• Language: English
• ISBN 10: 009180101X
• ISBN 13: 9780091801014
• Binding: Dark Grey Cloth
• Edition: First Edition.
• Condition: Good/Very Good
• Dust Jacket Condition: Good/Very Good
• Signed: By Author
• Book Type: Fiction

About this title

Synopsis

Hardcover with Dustjacket. 352 pages. A Psychological Suspense Thriller about two Damaged People who are brought together by Death.

Review

Nobody does North London squalor better than Ruth Rendell. Describing in vivid detail the cultural sewer in which a monster named Teddy Brex grows up, she uses hideous furniture, slovenly housekeeping habits, even his mother's diet while pregnant to root us in the setting's hopeless ugliness. In contrast, Rendell introduces people and places of stunning beauty: Francine, a mentally fragile girl who became mute after witnessing her mother's murder; and Orcadia Cottage, scene of a famous painting that is at the center of much of the story's anguish. "It was far and away the most beautiful place he had ever seen," Rendell writes when Teddy--a gifted woodcrafter--first views the cottage. "The proportions of this hall, this room... the windows, the walls, the carpets, the flowers, the furniture, the paintings, all of it dazzled him."

Teddy is another of Rendell's frightening moral cripples, a seemingly ordinary person capable of the vilest crimes. When he becomes obsessed with Francine after meeting her at art school, we know to expect murder--we just aren't sure when, or who will be the victim. Equally vile is Julia, Francine's stepmother, a psychologist of such immense and malevolent ineptness that we would swear she couldn't possibly exist if real life hadn't taught us otherwise. Other important characters are Harriet, a faded beauty who connects the past to the present; Teddy's uncle Keith, who first recognizes the boy's madness; and a bright red, lovingly restored Edsel, which becomes a hearse.

Like all of her books, Rendell's latest is really about the secret acts of insanity that occur behind closed doors. Among her best books available in paperback are From Doon with Death, A Guilty Thing Surprised, The Keys to the Street, and, from the excellent Inspector Wexford series, Kissing the Gunner's Daughter, Road Rage, and Simisola. --Dick Adler