Items related to Winter
Synopsis
"What Smith has achieved in her cycle so far is exactly what we need artists to do in disorienting times: make sense of events, console us, show us how we got here, help us believe that we will find our way through. Often, that's what we lean on the classics for, finding answers in metaphor. But in "Winter," as in "Autumn," Smith gives us a potent, necessary source of sustenance that speaks directly to our age." - The Boston Globe
“There are few writers on the world stage who are producing fiction this offbeat and alluring.” – The New York Times
The dazzling second novel in Ali Smith's essential Seasonal Quartet--from the Baileys Prize-winning, Man Booker-shortlisted author of Autumn and How to be both
Shortlisted for the 2018 Orwell Prize for Political Writing
Winter. Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. And now Art's mother is seeing things.
Come to think of it, Art's seeing things himself.
When four people, strangers and family, converge on a 15 bedroom house in Cornwall for Christmas, will there be enough room for everyone?
Winter. It makes things visible. In Ali Smith's Winter, life-force matches up to the toughest of the seasons. In this second novel in her Seasonal cycle, the follow-up to her sensational Autumn, Smith's shapeshifting novel casts a warm, wise, merry and uncompromising eye over a post-truth era in a story rooted in history and memory and with a taproot deep in the evergreens, art and love.
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About the Author
ALI SMITH is the author of many works of fiction, including the novel Hotel World, which was short-listed for both the Orange Prize and the Man Booker Prize and won the Encore Award and the Scottish Arts Council Book of the Year Award; The Accidental, which won the Whitbread Award and was short-listed for the Man Booker Prize and the Orange Prize for Fiction; and How to be both, a Man Booker Prize finalist and winner of the Baileys Women's Prize for Fiction, the Goldsmiths Prize, the Costa Novel Award, and the Saltire Society Scottish Fiction Book of the Year Award. Born in Inverness, Scotland, Smith lives in Cambridge, England.
Excerpt. © Reprinted by permission. All rights reserved.
God was dead: to begin with.
And romance was dead. Chivalry was dead.
Poetry, the novel, painting, they were all dead, and art was dead. Theatre and cinema were both dead. Literature was dead. The book was dead. Modernism, postmodernism, realism and surrealism were all dead. Jazz was dead, pop music, disco, rap, classical music, dead. Culture was dead. Decency, society, family values were dead. The past was dead. History was dead. The welfare state was dead. Politics was dead. Democracy was dead. Communism, fascism, neoliberalism, capitalism, all dead, and marxism, dead, feminism, also dead. Political correctness, dead. Racism was dead. Religion was dead. Thought was dead. Hope was dead. Truth and fiction were both dead. The media was dead. The internet was dead. Twitter, instagram, facebook, google, dead.
Love was dead.
Death was dead.
A great many things were dead.
Some, though, weren’t, or weren’t dead yet.
Life wasn’t yet dead. Revolution wasn’t dead. Racial equality wasn’t dead. Hatred wasn’t dead.
But the computer? Dead. TV? Dead. Radio? Dead. Mobiles were dead. Batteries were dead. Marriages were dead, sex lives were dead, conversation was dead. Leaves were dead. Flowers were dead, dead in their water.
Imagine being haunted by the ghosts of all these dead things. Imagine being haunted by the ghost of a flower. No, imagine being haunted (if there were such a thing as being haunted, rather than just neurosis or psychosis) by the ghost (if there were such a thing as ghosts, rather than just imagination) of a flower.
Ghosts themselves weren’t dead, not exactly. Instead, the following questions came up:
are ghosts dead
are ghosts dead or alive
are ghosts deadly
but in any case forget ghosts, put them out of your mind because this isn’t a ghost story, though it’s the dead of winter when it happens, a bright sunny post-millennial global-warming Christmas Eve morning (Christmas, too, dead), and it’s about real things really happening in the real world involving real people in real time on the real earth (uh huh, earth, also dead):
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