A Month in the Country (Penguin Essentials) - Softcover

Carr, J.L.

  • 4.08 out of 5 stars
    28,234 ratings by Goodreads
 
9780241972038: A Month in the Country (Penguin Essentials)

Synopsis

A haunting novel about art and its power to heal, J. L. Carr's A Month in the Country published as a Penguin Essential for the first time.

'That night, for the first time during many months, I slept like the dead and, next morning, awoke very early.'

One summer, just after the Great War, Tom Birkin, a demobbed soldier, arrives in the village of Oxgodby. He has been invited to uncover and restore a medieval wall painting in the local church. At the same time, Charles Moon - a fellow damaged survivor of the war - has been asked to locate the grave of a village ancestor. As these two outsiders go about their work of recovery, they form a bond, but they also stir up long dormant passions within the village. What Berkin discovers here will stay with him for the rest of his life . . .

"synopsis" may belong to another edition of this title.

Review

Any good reader has, well, had it with novels of healing. The culture of confession has given rise to novels that begin with an unspeakable act (graphically described) and end in redemption (this part is usually more vague). That's not how it works in J.L. Carr's quiet, brief, dreamy A Month in the Country. Writing in 1978, Carr's narrator, Tom Birkin, recalls the summer of 1920. A veteran of the Great War and a cuckold, Tom arrives in Oxgodby to restore a medieval mural in the church. His single season in this town in the north of England passes quickly: he sleeps in the belfry, makes a friend or two, falls secretly in love with the vicar's wife, and, chipping away at plaster and dirt, uncovers a lost masterpiece. These events seem to melt past Tom in the heat of the perfect, fleeting English summer: "The front gardens of cottages were crammed with marjoram and roses, marguerites, sweet William, at night heavy with the scent of stocks. The Vale was heavy with leaves, motionless in the early morning, black caves of shadow in the midday heat, blurring the sound of trains hammering north and south."

Carr devotes many fewer words to Tom's time in the war. The vicar's wife tries to ask him about it. "'What about hell on earth?' she said. I told her I'd seen it and lived there and that, mercifully, they usually left an exit open." His healing consists of not talking about his past--perhaps a revolutionary notion these days. A Month in the Country, with its paean to a lost, good place, oddly recalls Alain-Fournier's Le Grand Meaulnes. But where that novel was elliptical, Carr's work values clarity and simplicity above all. These are rare enough qualities, but to find them in a novel of romance and healing is a rarer pleasure still. --Claire Dederer

About the Author

James Lloyd Carr was born in 1912 and attended the village school at Carlton Miniott in Yorkshire. A head teacher, publisher, and novelist, his books include A Day in Summer (1964); A Season in Sinji (1967); The Harpole Report (1972); How Steeple Sinderby Wanderers Won the FA Cup (1975); A Month in the Country (1980), which won the Guardian Fiction Prize and was shortlisted for the Booker Prize; The Battle of Pollock’s Crossing (1985), also shortlisted for the the Booker Prize; What Hetty Did(1988); and Harpole & Foxberrow General Publishers (1992). He died in Northhamptonshire in 1994.

Michael Holroyd is the author of acclaimed biographies of Lytton Strachey, Bernard Shaw, and Augustus John. He has also written a memoir, Basil Street Blues. He lives in London with his wife, the writer Margaret Drabble.

"About this title" may belong to another edition of this title.

Other Popular Editions of the Same Title