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Synopsis
Excerpt from The Swedish Art Exhibition by Christian Brinton: Official Catalogue
HE art of the Scandinavian countries is the youngest, in the matter of actual date, in all Europe. It is but a scant century since Sweden, Denmark, and Norway could boast what may be termed a native school. The comparative re moteness of the Peninsula from the Continent, the barrier of unfamiliar language, and kindred causes conspired for a considerable period to keep these nations isolated from the main cultural cur rents of the age. It was the Swedes who, through the restless lust of conquest, first came into con tact with the outside world, and it is Swedish art which, in point of priority as well as general im portance, claims initial consideration from the student of Scandinavian aesthetic development. Just as it was a German, Holbein, who may be said to have founded English painting, so it was the Hamburger Ehrenstrahl who has been rightly called the father of painting in Sweden. It was in re sponse to the desire for magnificence following the pillage and plunder of the Thirty Years War that such men as the architect Tessin and the portrait and decorative painter Ehrenstrahl placed their respective talents at the service of king and court. The art of the day was regal and pompous. The impressive royal palace and the baroque likenessesof the three Swedish monarchs whom Ehrenstrahl limned alike reflect the pretence of late Renaissance standards of taste. They eloquently typify that militant pride which had been inflated by brilliant Victories upon foreign battle-field.
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- PublisherForgotten Books
- Publication date2020
- ISBN 10 0331250225
- ISBN 13 9780331250220
- BindingPaperback
- LanguageEnglish
- Number of pages79
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The Swedish Art Exhibition by Christian Brinton: Official Catalogue
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Paperback. Condition: New. Print on Demand. This book thoroughly investigates the evolution of Swedish art, from its humble beginnings as an aristocratic pursuit to its current status as a diverse and accessible expression of the Swedish national identity. The author provides valuable insights into the key figures, themes, and influences that have shaped the country's artistic landscape over the centuries. The book traces the emergence of Swedish art in the 17th century, when it was heavily influenced by foreign trends. As the nation developed its own unique cultural identity, its art began to reflect the country's traditions, values, and natural beauty. The author explores the impact of the Romantic and Impressionist movements on Swedish art, as well as the rise of modernism in the early 20th century. Throughout the book, the author emphasizes the close relationship between Swedish art and the country's social and political history. By examining the works of major Swedish artists, such as Johan Tobias Sergel, Carl Larsson, and Anders Zorn, the book reveals how art has both reflected and shaped Swedish society. This book is essential reading for anyone interested in the history of Swedish art and its significance within the broader context of European art. The author's insightful analysis and rich illustrations provide a comprehensive and engaging introduction to this vibrant and diverse artistic tradition. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Seller Inventory # 9780331250220_0
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The Swedish Art Exhibition by Christian Brinton: Official Catalogue (Classic Reprint)
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # LW-9780331250220
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The Swedish Art Exhibition by Christian Brinton: Official Catalogue (Classic Reprint)
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # LW-9780331250220
Quantity: 15 available