The Abstract Edge was the name of a major exhibition of Davidson's work that opened at the University of British Columbia's Museum of Anthropology and toured across Canada, concluding with the National Gallery of Canada in Ottawa. This piece is excerpted from the catalogue, which accompanied the show. I'm at a crossroads right now where I've recycled the ideas of my teachers, of the old pieces, of the old examples I've been studying. My challenge is to go beyond those recycled ideas and create a new vocabulary for myself. The vocabulary I've been working with has come from the old pieces by Charles Edenshaw and other masters, it has come from my dad's teachings, from my grandfather's teachings, from Bill Reid's teachings. I'm continually challenging myself to expand from that knowledge. At first I thought I was pushing the art form. But I feel that's presumptuous – it's not up to me to say I'm doing that. I have years and years of experience in the art form, and now I'm experimenting to see how far I can push my own understanding. I feel that every artist reaches a point in their creative lifetime where they want to have their own story, their own signature. It took many years before I was able to actually feel that I was creating my own style. I still remember a spoon I engraved in 1974, where I felt for the first time I was creating something from my own experience. Once I learned the vocabulary of the art, it became my privilege and responsibility to create within those boundaries and to challenge them within the language. I would rather stay within those confines than step out of them.
"synopsis" may belong to another edition of this title.
Seller: The Paper Hound Bookshop, Vancouver, BC, Canada
Soft cover. Condition: Near Fine. Quarto. Museum of Anthropology four-panel brochure laid-in. Seller Inventory # 222378
Quantity: 1 available
Seller: Harry Alter, Sylva, NC, U.S.A.
paperback, Condition: Very Good, Museum of Anthropology at the University of British Columbia in association with the National Gallery of Canada, c.2004, 8"x10", paperbk., 64ppp., many color illusts., NF $. Seller Inventory # 106677
Seller: The People's Co-op Bookstore, Vancouver, BC, Canada
Soft cover. Condition: Near Fine. 8" x 10", 64pp incl. front matter. Printed on coated stock and bound in glued signatures in matte laminated printed card stock cover. Light shelf wear to cover. Binding is square and tight. Previous owner's name in ink on half title page. Pages are clean and unmarked. Seller Inventory # 005668
Quantity: 1 available
Seller: Augustine Funnell Books, Fredericton, NB, Canada
Stiff Card Wraps. Condition: Very Good. First Edition. A catalogue published "to accompany an exhibition held at the Museum of Anthropology at the University of British Columbia from June 22, 2004, to January 30, 2005, and touring from 2005 to 2007." Foreword by Michael M. Ames, with essays by Karen Duffek and Robert Houle. 64 pages (including notes, list of works in the exhibition, and artist biography). Some scuffing, scratches/impressions, light edgewear. Size: Small quarto. Book. Seller Inventory # 018400
Quantity: 1 available
Seller: Pulpfiction Books, Vancouver, BC, Canada
Soft cover. Condition: Fine. 1st Edition. Fine trade paperback, a clean copy. Upper right corner of FFEP clipped, no other damage noted. Photocopy of exhibition review from Vancouver's Georgia Straight laid in at rear. Seller Inventory # 005478
Quantity: 1 available
Seller: Pulpfiction Books, Vancouver, BC, Canada
Soft cover. Condition: Near Fine. 1st Edition. Near Fine trade paperback, a clean attractive copy. Seller Inventory # 003574
Quantity: 1 available
Seller: Joseph Burridge Books, Dagenham, United Kingdom
Soft cover. Condition: Fine. 1st Edition. 64 pages : illustrations (chiefly color) ; 26 cm. ephemera (greeting card designed by the artist) loosely inserted. Summary:"The Abstract Edge brings together thirty works by Robert Davidson with five 19th century Northwest Coast artifacts. Many of the contemporary works belong to Davidson and have been created specifically for this exhibition; some are on loan from public and private collections. The contemporary works include several paintings on canvas, paper, and stretched deerskin drums; carved and painted red-cedar panels; epoxy-coated aluminum sculptures; and sketchbooks. The historical objects (including painted bentwood dishes and a painted canoe paddle) are drawn from the Museum and other collections. MOA Curator of Art Karen Duffek curated the exhibition and wrote the catalogue, to which Robert Houle also contributed an essay."--Provided by publisher Contents: Foreword / Michael M. Ames Acknowledgements The Present Moment: Conversations with Guud san glans, Robert Davidson / Karen Duffek A Context for Haida Abstractions / Robert Houle List of Works in Exhibitions Artist's Biography. Seller Inventory # 16jk08
Quantity: 1 available
Seller: Pulpfiction Books, Vancouver, BC, Canada
Soft cover. Condition: Near Fine. 1st Edition. First edition, first printing. Corners lightly bumped. A clean, attractive copy. Seller Inventory # 002537
Quantity: 1 available