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The Photoplay: A Psychological Study (Classic Reprint) - Softcover

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Excerpt from The Photoplay: A Psychological Study

It is arbitrary to say where the develop ment of the moving pictures began and it is impossible to foresee where it will lead. What invention marked the beginning? Was it the first device to introduce movement into the pictures on a screen? Or did the develop ment begin with the first photographing of various phases of moving objects? Or did it Start with the first presentation of suc cessive pictures at such a speed that the im pression of movement resulted? Or was the birthday of the new art when the experiment ers for the first time succeeded in projecting such rapidly passing pictures on a wall? If we think of the moving pictures as a source Of entertainment and esthetic enjoyment, we may see the germ in that camera Obscurawhich anémfea the glass slide to pass before another and thus showed the railway train on one Slide moving over the bridge on the other glass plate. They were popular half a century ago. On the other hand if the essential feature of the moving pictures is the combination of various 'views into one connected impression, we must look back to the days of the phenakistoscope which had scientific interest only; it is more than eighty years Since it was invented. In America, which in most recent times has become the classical land of the moving picture produc tion, the history may be said to begin with the days of the Chicago Exposition, 1893, when Edison exhibited his kinetoscope. The visitor dropped his nickel into a Slot, the lit tle motor started, and for half a minute he saw through the magnifying glass a girl danc ing or some street boys fighting. Less than a quarter of a century later twenty thousand theaters for moving pictures are open daily in the United States and the millions get for their nickel long hours of enjoyment. In Edison's small box into which only one at a time could peep through the hole, nothing but a few trite scenes were exhibited. In those.

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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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About the Author

"Hugo MUnsterberg" (1863-1916) was a professor of psychology at Harvard University. He was widely known for his work in the fields of the applications of psychology to law, business, industry, medicine, teaching, and sociology. He was also a leader in the field of behaviorism for his work, which defines attention in terms of the openness of the nerve paths to the muscles of adjustment. In 1898 he was elected president of the American Psychological Association. Among his works are "Psychology and Industrial Efficiency, Psychotherapy, On the Witness Stand, Psychology and Crime", and "The Eternal Values".

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  • PublisherForgotten Books
  • Publication date2018
  • ISBN 10 133033373X
  • ISBN 13 9781330333730
  • BindingPaperback
  • LanguageEnglish
  • Number of pages241
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Paperback. Condition: New. Print on Demand. This book takes a deep dive into the fascinating evolution of moving pictures, exploring the technology and artistry behind this revolutionary medium. The author guides us through a historical journey, tracing the development of moving pictures from their earliest forms to the establishment of the photoplay as a popular entertainment and artistic expression. We learn about the pioneering work of scientists and inventors like Muybridge and Marey, who meticulously captured movement through photography, laying the groundwork for the kinematograph. The book delves into the crucial psychological and artistic elements that define the photoplay, distinguishing it from theatrical performances. The author examines the photoplay's unique capacity to create a sense of depth and movement on a flat screen, exploring the ways in which we perceive and engage with this illusion of reality. We are introduced to the innovative techniques that set the photoplay apart, including close-ups, rapid scene changes, and special effects that push the boundaries of storytelling. Ultimately, this book offers a compelling argument for the photoplayââ â¢s independent status as a distinct art form, challenging the common perception of it as a mere imitation of theatre. Through a meticulous examination of the mediumââ â¢s technical and psychological elements, the author reveals the photoplayââ â¢s unique potential for artistic expression and invites us to appreciate its aesthetic qualities on its own terms. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Seller Inventory # 9781330333730_0

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