Excerpt from The Art of England: Lectures Given in Oxford
Those who are acquainted with my former writings must be aware that I use the word 'romantic' always in a noble sense meaning the habit of regarding the external and real world as a Slnger of Romaunts would have regarded it in the middle ages, and as Scott, Burns, Byron, and Tennyson have regarded it in our own times. But, as Rossetti' s colour was based on the for mer art Of illumination, so his romance was based on traditions of earlier and more sacred origin than those which have inspired our highest modern romantic literature. That literature has in all cases remained strongest in dealing with contemporary fact. The genius of Tennyson is at its highest in the poems of.' Maud,' 'ia Memoriam,' and the 'northern Farmer but that of Ros sr as of his greatest disciple, is seen only when on pilgrimage in Palestine.
I trust that Mr. Holman Hunt will not think thatin speak ing of him as Rossetti's disciple I derogate from the respect due to his Ovm noble and determined genius. In all living schools it chances often that the disciple is greater than his master and it is always the first sign Of a dominant and Splendid intellect, that it knows of whom to learn. Rossetti's great poetical genius justified my claiming for him total, and, I believe, earliest, originality in the sternly materialistic, though deeply reverent veracity, with which alone, of all schools of painters, this brotherhood of Englishmen has conceived the circumstances of the life of Christ. And if I had to choose one picture which represented in purity and completeness, this manner of their thought, it would be Rossetti's 'virgin in the House of St. John.'
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Paperback. Condition: New. Print on Demand. This book explores the dynamic world of English painting in the latter half of the 19th century. The author takes readers on a journey through various artistic movements and schools, highlighting the distinct approaches to representation and the profound influence of religious and social ideas on artistic expression. The book delves into the rise of the Pre-Raphaelite Brotherhood, emphasizing its commitment to realism and its reinterpretation of Christian narratives. The author contrasts the work of Gabriel Rossetti and William Holman Hunt, examining their respective styles and their individual approaches to depicting faith. The book further explores the artistic contributions of Edward Burne-Jones, analyzing his distinctive use of myth and symbolism as a means of conveying spiritual truths. The author delves into the significance of mythological imagery as a powerful tool for artists to express complex ideas and moral lessons. The author also examines the broader social and intellectual context of the period, exploring the influence of scientific thought and the changing role of religion in society. This book provides a rich and engaging exploration of the artistic landscape of 19th-century England, revealing the interplay between realism, myth, and religious conviction in the development of a vibrant and influential artistic movement. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Seller Inventory # 9781330684740_0
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # LW-9781330684740
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