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Some Account of the English Stage, From the Restoration in 1600 to 1830, Vol. 5 of 10 (Classic Reprint) - Softcover

 
9781330769867: Some Account of the English Stage, From the Restoration in 1600 to 1830, Vol. 5 of 10 (Classic Reprint)

Synopsis

Excerpt from Some Account of the English Stage, From the Restoration in 1600 to 1830, Vol. 5 of 10

Mallet wrote his poem on Verbal Criticism to pay court to Pope by attacking Theobald, who revenged himself by observing, that an anonymous writer, like a Scotch pedlar in wit, had unbraced his pack on the subject; of whom I may fairly say, as Fal staff does of Poins, Hang him baboon! His wit is as thick as Tewksbury mustard there is no more conceit in him than in a Mallet.'

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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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  • PublisherForgotten Books
  • Publication date2020
  • ISBN 10 1330769864
  • ISBN 13 9781330769867
  • BindingPaperback
  • LanguageEnglish
  • Number of pages640

Other Popular Editions of the Same Title

9780364198315: Some Account of the English Stage, From the Restoration in 1600 to 1830, Vol. 5 of 10 (Classic Reprint)

Featured Edition

ISBN 10:  0364198311 ISBN 13:  9780364198315
Publisher: Forgotten Books, 2018
Hardcover

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Paperback. Condition: New. Print on Demand. This book provides a comprehensive insight into the evolution of theatrical reform, focusing on the period from 1762 to 1768. The author traces the significant changes implemented by David Garrick and James Lacy at the Drury Lane Theatre, which had a profound impact on the development of British theatre. The reforms primarily aimed to enhance the audience's experience and the actors' working conditions. The book explores the motivations behind these changes and analyzes their long-term effects on the theatrical landscape. The author also examines the challenges faced by Garrick and Lacy in implementing their vision, including resistance from traditionalists and the complexities of managing a large and diverse company of actors. Through a detailed examination of playbills, newspaper accounts, and other historical sources, the book sheds light on the practical aspects of theatrical production during this period. It discusses the repertoire of plays performed, the casting decisions, and the evolving nature of stage design andæ¼"åºææ. The book's insights are not only valuable for theatre historians but also for anyone interested in the broader cultural and social context of 18th-century Britain. It offers a glimpse into the evolving tastes and expectations of audiences and the ways in which theatre both reflected and shaped the values of the time. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Seller Inventory # 9781330769867_0

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