Excerpt from The Power of Sound
It is in this last point, in the convergence of my arguments to conclusions concerning the popular bearings and possibilities of Music, that my chief encouragement has lain throughout. It is to my growing conviction on that subject that I chiefly aim at winning others the conviction that this art, if its conditions were better understood, might do far more for numbers in all classes who at present feel themselves at sea in it, and get comparatively little out of it but more particularly that it has a unique message for the uncultivated and ignorant, for the publicans and sinners; and not in the millennium, but now; not after but before they cease to be uncultivated and ignorant. I may add, that if such phrases have here an ad captandum and exaggerated air, and suggest irrelevant rhetoric about the general soundness and impressibility for good of the popular heart, my support of them in the sequel, with restricted reference to this most isolated region of experience, will probably prove only too persistently plain and rigorous.
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Best known for his work on psychical research, from a young age Edmund Gurney wanted to be musician. In this 1880 work he applies a scientific method of enquiry to music, and it is regarded as one of the most important treatises on musical aesthetics of the nineteenth century.
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Paperback. Condition: New. Print on Demand. This book, from the late 19th century, explores the evolutionary development of our sensory functions. It argues that our sense of sight and hearing are fundamentally superior to our other senses, particularly in the diversity of stimuli they can process and their capacity for rapid discrimination. The author posits that our special visual sense for color and our ability to group sounds into forms sets us apart. Furthermore, the author suggests that our conceptualization of objects in the world is reinforced through the corresponding experiences we have through sight, touch, and movement. This book gives a thoughtful, in-depth look at the development of sensory perception and is foundational to our understanding of sensory aesthetics. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Seller Inventory # 9781332434916_0
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