Excerpt from A History of Painting, Vol. 4 of 8: The Renaissance in the North; And the Flemish Genius
From the middle eleven-hundreds to the middle twelve hundreds, the practice of the arts passed from the monks to the artists outside the monastery walls. The legends of Charlemagne, of King Arthur and his knights, and of the Niebelungen, created a Wide literature and as wide endeavour in painting. Knights in armour, the pomp and panoply of war, and the gallantries took form; and the native humour of the race uttered itself in grotesques and drolleries, as the Romanesque sculpture and the whimsical ities of the miniatures reveal. The months and their attributes brought the artists to the treatment of the daily life about them and animals and the chase burst into the studio, and the horn of the hunter and the flying of the hawk took shape in pictures. At once the Byzantine stiffness gave way to the human action of figures arrayed in the costume of the day. The achievement of this age is chicfly in the miniatures of Manuscripts.
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Paperback. Condition: New. Print on Demand. This book offers a comprehensive history of painting by tracing its progression from the Renaissance through the Baroque and Neoclassical periods to the era of the Impressionists. The author, a respected art scholar, provides a thorough examination of the artistic movements, techniques, and major figures that shaped the development of painting over several centuries. The book begins with a discussion of the early Renaissance in Italy, where artists such as Giotto, Masaccio, and Leonardo da Vinci revolutionized painting by incorporating elements of humanism and naturalism. It then explores the High Renaissance, marked by the grandeur and harmony of works by Michelangelo and Raphael, and the subsequent Mannerist movement, known for its elongated figures and artificiality. The book goes on to examine the Baroque period, characterized by the dynamic compositions and dramatic lighting of Caravaggio, Rubens, and Rembrandt. It also covers the Rococo style, with its emphasis on asymmetry and elaborate ornamentation, as seen in the works of Boucher and Fragonard. The concluding chapters focus on the Neoclassical movement, which sought to revive the ideals of ancient Greece and Rome, and the rise of Romanticism, which emphasized emotional expression and the depiction of nature. The book culminates with the Impressionists, who broke away from traditional techniques to capture the fleeting effects of light and atmosphere. Throughout the book, the author provides insightful analysis of the techniques, styles, and themes employed by the great masters of painting. This book serves as an essential resource for anyone interested in understanding the evolution of painting and its enduring impact on Western art. It offers a valuable journey through the history of this captivating art form, shedding light on the motivations, methods, and masterpieces that have shaped our visual heritage. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Seller Inventory # 9781334039188_0
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # LX-9781334039188
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