Excerpt from Exercises in Harmony, Simple and Advanced: Supplementary to the Treatise on Harmony by G. W. Chadwick, and Designed, Also, as Additional Material for Any Figured Bass Method
The object of this work is stated by its title. A few words of explanation seem, however, to be necessary. The brevity of many of the exercises, and their comparative fewness in some instances, as, for example, in the altered chords, only three or four under a heading - are due to the following reasons. Experience teaches that in cases where a special progression is in question, the learner often masters his task most satisfactorily, when a few short exercises pointing directly and specifically to the progression in question are transposed a goodly number of times. If those who have won the mastery in these matters will consider their own experience, they will find that familiarity with a progression - dne to repeated writing, or due, oftentimes, to the correction of many exercises is the road over which they have passed to this mastery. In the study of harmony the learner is made acquainted with each chord and its possibilities, after a certain order, and with more or less detail; quite as an apprentice learns the purpose and handling of the tools in his tool chest. And it is only when considerable material - in other words, considerable skill - has been got together that the learner is allowed to make anything, to construct. The work of the learner may be called, then, a process of comprehending and of assimilating, for ready use, the technicalities which underlie the conventional connection of chords. As has just been said, these conventionalities - we call them progressions are most readily made one's property through that familiarity which comes from their frequent use. It is hoped, then, that the comparative paucity of material in certain parts of this work will be understood aright.
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Seller: Forgotten Books, London, United Kingdom
Paperback. Condition: New. Print on Demand. This book is a supplemental collection of exercises that provides foundational material for any figured bass method. Drawing from 19th-century European harmony, the author guides advanced students through techniques such as altered chords, deceptive resolutions, and diminished seventh inversions. The exercises are designed to aid in the development of part writing, melodic composition, and the comprehension of harmony's technicalities. The book's unique approach and historical context provides a comprehensive learning experience, helping students master this valuable aspect of music theory and composition. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Seller Inventory # 9781527600560_0
Quantity: Over 20 available
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # LX-9781527600560
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # LX-9781527600560
Quantity: 15 available