49 50 (23 results)

Soft cover. Condition: Very Good. 96 pages. 3 Catherine Eisner The House that looks like Hitler 4 Joseph Alien / Orly Orbach Seasons 7 Tim Vyner Drawing London 2012 14 Gina Wisker / Michael Foreman Whales and Crises 16 Julien Campredon, trans, by Rosemary Canavan / Mireille Fauchon Burning Punks for the Love of Elves 25 Douglas Thompson / Michael Foreman Icarus 28 Jenny Powell / Ken Cox Normandy 31 Paul Binding / Charles Shearer Extract from After Brock 34 Stuart Pickford Ana Mladic Remembers her Father 36 Robert Cole / Astrid Chesney Nero and his Mother 39 Matt Messana / Michael Foreman Gravity 45 Dorothy Fryd Mare Crisium 46 Jehane Markham / Charles Shearer The Appointment 49 Douglas Basford Piss-Poor Extempore 50 Rachel Burns Run 51 Michael Foreman Tidbits from the Bawdy Bard 55 Regi Claire / Ken Cox The Tasting 64 Miles Salter Birds 66 Deborah Sellers / Michael Foreman In What Was Shade 68 Reviews of Griffiths, Foley O'Donoghue, Schneider, Crocker, Dunmore, Moore, Riviere, Pusteria, Murphy 75 N S Thompson After Experience 77 Samuel Brookes Mutations 82 Thomas Land / Chris Pig Peace Conference 84 David Gaffney / Mike Foreman New Ultra Short Fiction 92 Alistair Heys Within Wood 94 Linda Rose Parkes The Girl Who Wants to Kiss Him Again 96 Ron Sandford Portrait of Alistair Heys.

Encuadernación de tapa blanda. Condition: Bueno. México, Artes de México, 1964. Año XI.Características: Pasta rústica en cartoncillo plastificado. En buen estado general. Contiene gran variedad de ilustraciones. Introducción y selección Miguel Salas Anzures. Viñetas de Myra Landau. LXVI p. + un extenso apéndice con ilustraciones y fotografías. (32 x 23). Peso: 850 grs.

34,0 x 44,0 cm. Tafel 1. Senkrechter Mittelfalz. Kleine hinterlegte Randeinrisse. Die Portokosten betragen im Inland 5,00 Euro und in der EU 12,00 Euro. Nebenstehende Abbildung zeigt nicht immer den vollen Rand, dieser ist jedoch im Original vorhanden.

Condition: new. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

107 s. Häftad. Förlagsnytt exemplar. Sigmund Freud, Aris Fioretos, Spencer Finch, Hugo von Hofmannsthal, W Hartenau, Parmenides, Sven-Olov Wallenstein, Hans Ruin, Kristian Petri, Franz Anton Mesmer, Edgar Allan Poe, Nicolas Abraham.

29,5x19,5 cm. 608 s. Häftad. Ett gästspel ingår i form av ett nummer av tidskriften Pequod.

Couverture souple. Condition: Bon. Revista portuguesa de historia do livro, n°49-50. Marcel Conche filosofo (1922-2022), por occasia da sua morte. Aspecto da correspondencia a ele dirigida : I-2002-2013 [entre Marcel Conche e M. Cadafaz de Matos]. + N° IV centenario do nascimento de Molière (1622-1673). Lisboa, 2022, fort vol. in-8°, br., couv. ill. à rabats, ill. in-t., envoi en page de garde.

Couverture souple. Condition: bon. RO10002645: 14 décembre 1947. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur bon état. Non Renseigné. . . . Classification Dewey : 630-Agriculture et techniques connexes.

A very good copy in original publishers cloth with " Bespoke" dustwrapper ie.home-made from images of the author, but no ownership marks Royal 8vo.viii.2-115pps Ninety one annotated games.

196 S. Einige historische Abbildungen. Fakten aus dem Leben eines Handwerkers, Deutschland Mitte 19. Jhdt. Interessant! Gelesen. Rücken teils lädiert, etwas nachgebräunt.

Condition: Very Good / Muy bien. Madrid: Revista de la Universidad de Madrid [Edita], 1964.- 295 p., [1 h.]; 4º (23,5 x 16 cm); Fínamente encuadernado en Media Piel Nueva, lomo dorado, conserva la cubierta anterior original.- CONTIENE: Unamuno y elprofesor francés Jacques Chevalier, por M. García Blanco; Unamuno et les philosophes, por F. Meyer; La inseguridad ontológica, clavedel mundo unamuniano, por C. París; L'itineraire agonique d'Unamuno , por Alain Guy; Unamuno y el existencialismo de Soren Kierkegaard, por J. A. Collado; La relación sociedad-individuo, en Unamuno, por L. Gonzalez Seara; Teatro del alma, por Ricardo Gullón; Estructura y significado de "Niebla", por G. Ribbans; Camilo Castelo Branco frente a Eça de Queiros. Dos actitudes unamunianas, por J. Garcia Morejón; Algo sobre Unamuno y Rusia, por G. Aniama. Excelente estado. Libro en español LITERATURA Y FILOSOFÍA ESPAÑOLAS DE LOS SIGLOS XIX-XXI Y SU HISTORIA EN GENERAL.

Condition: Assez bon. POINTS ET CONTREPOINTS (illustrator).

Magazine. Forty three issues of the magazine, a complete run for the period between November 1970 and June 1976. Issues present are Numbers 45 to 89. Various pagination, all 8.25 x 12 inches, all with worn and soiled wraps, some toning and stains, front wrap of Number 47 creased, Number 65 with previous owner's name on front wrap, Numbers 69 and 73 with price stamped in ink on front wrap, Number 71 with price written in pen on front wrap, else generally good condition. Contributors include Tony Cliff, Hal Draper, Paul Foot, Duncan Hallas, Alex Callinicos, and Ken Coates.

Engraved title and 49 numbered full-page plates (numbered 2-50), complete. (illustrator). Engraved title and 49 numbered full-page plates (numbered 2-50), complete. First edition. Latin text engraved beneath each image. Later quarter calf over marbled boards; spine with red morocco label titled Urbis Romae. Marbled endpapers. 50 plates (title included). (c. 270 × 190 mm). Rare complete copy of Dosio's celebrated 1569 architectural suite of ancient Rome, etched by Cavalieri and praised by Fowler for its sober fidelity and avoidance of archaeological fantasy. First edition of this important early corpus of Roman architectural views, drawn by Giovanni Antonio Dosio and engraved by Giovanni Battista Cavalieri. The sequence depicts surviving ancient monuments in the city of Rome as they appeared in the mid-sixteenth century, rendered without imaginative reconstruction. The etched views include the Colosseum, Arch of Titus, Palatine Hill, Temple of Vesta, Pantheon, Tiber Island, and other landmarks, often shown amid vegetation or with figures for scale. Dedicated to Cosimo de' Medici, the title-page is framed by a triumphal arch flanked by Egyptian caryatids and the Medici palle. The work was reissued in 1640 by De Rossi, but the present edition retains the original engraved title and sequence. The series is archaeologically significant for its fidelity to the visual state of Rome's ruins before modern excavations. Of over 110 original drawings by Dosio for this project, only 28 survive today (14 in Berlin, 14 in the Uffizi). Complete with all 50 plates. References: Fowler, Architecture, 117 ("One of the most important of the sixteenth-century collections of views of Rome, being free from the fantastic reconstructions so dear to the archaeologists of the period"); Lukomski, Architettura Classica, pp.?412-415. . Light browning; title-page with small tear at lower edge; occasional spotting and marginal dampmarks. Plates 46 and 47 misbound out of sequence. Plates otherwise clean and well-preserved. Later quarter calf over marbled boards; spine with red morocco label titled Urbis Romae. Marbled endpapers First edition. Latin text engraved beneath each image.

Hardcover. Condition: Fine. SECOND ALDINE EDITION. A lovely, unsophisticated copy in contemporary limp vellum (binding lightly soiled, remains of ties, small splits on spine). Very fresh and bright, with generous margins and only some very minor ink marks or the occasional blemish. Title lightly soiled and with early note deleted in ink. An early reader (possibly two) has made comments, offered alternate readings, and supplied the occasional line in the longer poems Cat. 61. (Epithalamium), Cat. 63 (Attis), Cat. 64 (the epyllion, printed here under the title "Argonautica"), and 68A. ("Quod mihi fortuna"); as well as in a few of the shorter poems. The important second Aldine edition of the poems of Catullus, Tibullus and Propertius, co-edited by Girolamo Avanzi (fl. 1500.) and Aldus. The first Aldine Catullus, one of the first of the "libri portatiles", the handy ("forma enchiridii") octavo-sized format that Aldus popularized, appeared in 1502. In his epistle to the reader, Aldus informs us that Avanzi has made further improvements upon the text for this edition. "Avantius was younger by a generation than all of his Catullan predecessors, and a more careful textual critic than any-with the obvious exception of Poliziano. He was to become a professional editor of Latin poetry, principally for the Venetian printers Johannes Tacuinus and Aldo Manuzio, preparing, inter alia, editions of Catullus, Tibullus, and Propertius (Tacuino, 1500), Lucretius (Aldine, 1500), and the first and second Aldine editions of Catullus (1502; 1515). "Because Avanzi was more systematic, thorough, and knowledgeable than his predecessors -and because he had the whole printed tradition to work with- he was able to make an enormous contribution to the text of Catullus in the 'Emendationes'. In addition to a large number of emendations, he made dozens of corrections both to the printed tradition as a whole and to the recent base text of Calfurnio and Partenio. He also made some improvements in the 'dispositio carminum', although this was becoming increasingly difficult, since the easy corrections had already been made." (Gaisser, Catullus and His Renaissance Readers. p.52 ff. ) "Avantius is principally interested in textual and metrical problems and only occasionally in interpretation. His emendations are based on the collation of his texts, the work of other scholars, and his own observations of Catullus' stylistic and metrical practice. He depends much less on parallels from other Latin and Greek authors, which he cites sparingly and selectively "The 'Emendationes' were [first] published without a text of Catullus, but the second edition, published in 1500, appeared in a volume that included not only Catullus but also Tibullus and Propertius. [.] Avantius used this edition as the basis for his important first Aldine edition of Catullus (1502), and its influence is apparent in his second Aldine (1515)." (Gaisser, 'Catullus' in 'Catalogus Translationum et Commentariorum' Vol. VII) Catullus: "Catullus' name and poetry are traditionally associated with the 'neoteric revolution'; indeed, they are the most important document of it. It is a revolution in literary taste but also a revolution in ethics. While at a time of acute crisis for the Republic the old moral and political values of the 'civitas' are crumbling, personal 'otium' becomes the attractive alternative to communal life, the space in which to devote oneself to culture, poetry, friendship, and love. The small universe of the individual, with its joys and dramas, is identified with the very horizon of existence, and literary activity no longer turns towards epic and tragedy, the genres that speak for the state and its values, but rather toward lyric, towards personal poetry, which is introverted and suitable for embracing and expressing the small events of private life." "[Catullus' poetry] achieved a vast and immediate success among cultivated Latin readers. In particular, it exercised a profound influence upon the Augustan poets (with the exception of Horace). Not only the elegists, who regard Catullus as one of their most important literary ancestors, but also the Vergil of the 'Eclogues' and the Dido episode slip irresistibly into the language of Catullus when they combine erotic passion with refined diction and baroque style." Propertius: "Propertius has the reputation of being a difficult, sometimes obscure poet. In contrast to the crystalline naturalness of Tibullus, his style is characterized by concentration, density of metaphor, and constant experimentation with new expressive possibilities. The Callimachean inheritance, which is evident in his mythological learning and sophisticated literary consciousness, also manifests itself in the careful pursuit of unusual, often audacious 'iuncturae' and of a complex syntactic structure, which is strained and often forced to the point of obscurity. [.] This is the most typical feature of Propertius' style: abrupt beginning, proceeding by unpredictable movements, by leaps, through images and concepts, not making connections explicit but following a hidden, inner logic. In this form of expression, which mingles irony and pathos, in its harsh elegance, and also in the complexity of the psychological attitudes it portrays, lie the principal reasons for the fascination that Propertius' poetry has exercised upon the taste of modern readers." Tibullus: "[Tibullus'] style reveals at every point, and with extraordinary regularity, the effort made towards a writing of extreme care, in which simplicity itself is the laborious result of an artistic choice, or rather the visible sign of a trust in words and their expressive force, without the need for distortions or pathetic intensifications of the discourse. The limpidity of expression seems to be the product of immediacy; the effort of composition remains hidden beneath the smooth surface of an apparently spontaneous writing. [.] The rhythm has a certain light, singable quality, a regular cadence, which often approaches t.

Hardcover. Condition: Fine. With three divisional title pages, all featuring the Aldine dolphin and anchor device. Bound in contemporary blind-tooled pigskin (lightly soiled, corners bumped, small hole in pigskin at head of spine, wear at extremities), signed "A.S.K." and dated 1562 on the upper board. Title page lightly soiled, intermittent mild foxing, light marginal staining in places. A few manuscript notes and underscores. The binding: decorated with blind-stamped images of Apollo (with harp)and the Muses: Caliope (with zither), Thalia (with lute), Euterpe (with horn), Terpsichore (with viola). The Euterpe stamp is signed "S.N.", that of Terpsichore is dated "1549". The binding is probably the work of the Wittenberg binder Conrad Neidel (active 1542-15602), see Haebler, Vol. I, p. 308. This edition marks the second appearance of the celebrated commentary of Marc Antoine Muret, "the most important commentary on Catullus since that of Parthenius in 1485."(Gaiser). Muret, who had fled France to avoid trial for homosexuality, prepared his commentary while taking refuge in Italy with Paul Manutius. Muret was the first commentator to pair Sappho's Greek poem "Phainetai moi kênos îsos theoisin"(Sappho 31) with Catullus' poem 51, "Ille mi par esse deo videtur", which Catullus based on Sappho's poem. "In 1552 Muret lectured on Catullus and other Latin poets in Paris, perhaps at the College du Cardinal Lemoine or the College de Boncourt. Included in his large and enthusiastic audiences were several poets of the Pléiade -most notably Ronsard, his friend and near contemporary. Muret's lectures created a fashion for Catullan poetry. His own neo-Latin collection, Juvenilia (1552), contains several Catullan imitations, but Catullus is still more important in the poetry of the Pléiade, much of which appeared close on the heels of his lectures."(Gaiser) Late in 1553 Muret was forced to leave Paris, where he was persecuted for being a homosexual. Earlier in the year he had been accused of "unnatural vice" and imprisoned at the fortress of Châtelet "and would have died of starvation had his friends not intervened to secure his release. Disgraced at Paris and reduced to poverty, he fled to Toulouse, where he eked out a living by giving lessons in law. He was accused a second time of having committed sodomy, in this instance with a young man named L. Memmius Frémiot, and on the advice of a councilor he absconded once more. He was sentenced to death in absentia and burned in effigy with Frémiot in the Place Saint-Georges as a Huguenot and sodomite. He crossed the Alps in disguise and was warmly received for a time in Venice, while in France his memory was ceaselessly vilified." (Warren Johansson) Soon after arriving in Venice, in May 1554, Muret was befriended by Paul Manutius, who, learning of his enthusiasm for Catullus, persuaded him to produce a commentary. Muret went to work and completed the task in a little less than three months, as he says in the dedication, dated October 15, 1554. "Since Muret had been in Venice only a few months, his commentary on Catullus was no doubt largely drawn from the Paris lectures. His notes display a combination of learning and poetic sophistication that would have appealed to the Pléiade. More than any of his predecessors except Valerianus, he discusses the artistic qualities of Catullus' work and the details of vocabulary and meter that work together to secure an effect. He appends a poem of his own in galliambics to his discussion of the meter in Cat. 63, discusses the appropriateness of the similes in Cat. 68 (which he regards as perhaps the most beautiful elegy in Latin) and discourses on the delight of studying Catullus' 'translations' in close conjunctions with their Greek models. He is the first commentator to print Sappho's poem with Cat. 51 (see folio 57), and he laments the loss of Callimachus' 'lock of Berenice' in the discussion of Cat. 66 and prints all the fragments of that poem known to him. "Muret is interested in the text, but he is cautious about emendations and adamant in refusing to admit modern conjectures and supplements, no matter how apposite. Muret's commentary was the first to be published since that of Guarinus in 1521 and the most important since that of Parthenius in 1485." (Gaisser, "Catullus", CTC Vol. VII, pp. 260-261) "Previous writers, Parthenius, Palladius, Avancius, Guarinus, had concerned themselves only with the elucidation of textual and grammatical difficulties. Muret pays far more attention to the literary and aesthetic side of Catullus' poems than any other commentator of the period. It is clear that he is professionally interested, as a poet himself and the teacher of poets, in Catullus' mastery of his art. He makes quite a number of literary and aesthetic judgements and these, sporadic and unsystematic though they are, form precious evidence of the sixteenth century attitude to Catullus "On Catullus LI, the translation of Sappho's ode, Muret remarks: 'What man is there, at least amongst those who have some feeling for literature and culture, who does not derive the keenest pleasure in comparing the lines of that woman who far surpasses all men in this genre, and those of the most voluptuous of all the Latin poets?' ("poetae Latinorum omnium mollissimi.") Similarly on Catullus' Coma Berenices (LXVI) he bewails the loss of Callimachus' elegy on the same theme, which deprives posterity of the pleasure of comparing the great Greek poet with Catullus 'Latinorum poetarum sine controversia politissmus'." (Fitzgerald, Catullus and the Reader, the Erotics of Poetry). SECOND EDITION WITH MURET'S COMMENTARY (1st 1554).

Hardcover. Condition: Fine. [Bound with]: Statius, Publius Papinius (b. ca. 45-50 ? d. ca. 96) Statii Achilleida cum comm. Ioannis Britannici Brescia: per Iacobum Brtitannicum, 21 May 1485 Folio: 29 x 19.6 cm. Two works bound as one. I. [158] lvs. (the last leaf blank). Collation: a-c8, d-e6, f-s8, t-x6. II. [28] lvs. (the first leaf blank). Collation: A4, a-d6. Bound in attractive 18th c. blonde calf, spine richly gilt with floral tools and morocco label; board edges also gilt (light wear, corners bumped). Fine, crisp copies with minor blemishes as follows: I. Title lightly soiled, marginal dampstain to the first three lvs., leaf l1, leaf g6, and a few lvs. in gathering h; 4 lvs. in gathering e and bifolium f1/8 lightly browned (f1/8 with light ink stain). II. Light dampstain blank margin. Both books with woodcut initials. First work with Octavian Scotus? printer?s device on the final leaf. From the library of the French poet and journalist Frédéric Plessis (1851-1942), with his label ?ex-libris Fridericus Plessis? on the front fly-leaf. This volume comprises two incunabula. The first is the 1491 edition of the Roman elegiac poets, Catullus, Propertius and Tibullus, with the commentaries of (respectively) Antonio Partenio (1456-1506), Filippo Beroaldo the Elder (1453-1505) and Berardino Cillenio (b. ca. 1450) of Verona. The second is the 1485 Brescia edition of Statius?s ?Achilleid?, an unfinished epic poem on the life of Achilles, with the commentary of the humanist Giovanni Britannico (fl. 1470-1518). Catullus and Parthenius: The commentary of Parthenius on Catullus is particularly important. His work was ?not only the first but also the most important of the fifteenth-century commentaries on Catullus. He made significant improvements to the text and explained Catullan style and usage with parallels from a wide range of ancient authors, both Greek and Latin, including among others, Cicero, Vergil, Martial, Pliny Ovid, Lucretius, Donatus, Homer, and Sappho. He was also interested in interpreting the poems and successfully emended and explained several that had previously seemed pointless. The commentary was hailed in verse by several of Parthenius? fellow citizens and other contemporaries, including Iacobus Iuliarius and Hieronymus Bononius.? (Gaiser) Statius? Interrupted Epic: ?Any judgment upon [the ?Achilleid?] is difficult, since the text we have (interrupted by the author's death) deals only with episodes of the young Achilles on Scyros. The plan of narrating all of Achilles' life (1.4 ff.) suggests large literary ambitions. Statius, had he been able to continue, would have found himself facing Homer. And beginning with its title the work seems, even more than Statius? ?Thebaid?, to be heading towards a perilous confrontation with the ghost of its father Virgil.?(Conte).

Hardcover. Condition: Fine. TWO SEPARATE PUBLICATIONS. Bound in contemporary alum-tawed pigskin over wooden boards, lacking clasps but with the brass catches, with acorn tools and rolls of 3 of the Muses: Terpsichore, Euterpe (signed N.C.), and Calliope (signed M.A.). First title dusty, damp-stain in the first part of the Martial. Intermittent annotations in the margins of both works and some underscoring in the Tibullus. The three most famous Roman elegiac poets together with the great Roman satirist.

Soft cover. Condition: Very Good. Tables, Text Figures (illustrator). Copyright Date: 1959 Sm Quarto, Various As Listed January 1959 Thru November 2001, Varioius Pagination, An Impressive Run Of This Important Journal of Taxonomy priced to Sell! Additional Shipping Quoted Upon Request for three large boxes Volumes 8 No.1, Volume 9 no.7,8, Volume 10 No.3, 6-9, Volume 11 No.1-5, 7, 9, Volume 13 No.5, 9, Volume 14 no.1,2,6, 8, Volume 15, No.1-9, Volumes 16 Complete Thru Volume 50 No.4 except Volume 49 No.3 Missing.

Octavo, seven issues, covers and interior illustrations by Frank Hoban, pictorial wrappers. Pulp magazine. Complete seven part serial "Tarzan at the Earth's Core." All issues feature a Tarzan cover painting. [Reference: Zeuscher, Edgar Rice Burroughs: The Bibliography, pp. 401. ]. Some mild edge rubbing, some reading creases, a generally very good to nearly fine set. (20862).

Oprawa wydawnicza broszurowa. Nr 41/42 i 48 zdobil Wojciech Tadeusz Jastrzebowski; nr 43, 47 i 50 zdobil Jan Polinski; nr 44/45 zdobila Krystyna Dydynska-Henneberg; nr 46 zdobil W. A.; nr 49 i 51 zdobil W. Machan (illustrator). @ Cover design and illustrations / Projekt okladki i ilustracje: Nr 41/42 i 48 zdobil Wojciech Tadeusz Jastrzebowski; nr 43, 47 i 50 zdobil Jan Polinski; nr 44/45 zdobila Krystyna Dydynska-Henneberg; nr 46 zdobil W. A.; nr 49 i 51 zdobil W. Machan; @ Blurb / Notka wydawnicza: London: Polska YMCA w W. Brytanii, 1944; @ Size of the book block / Wymiar bloku: 26 cm; @ Circulation / Naklad: -; @ Comments/ Uwagi: Literatura: Jagielska 1996 poz. 994, Kowalik poz. 2446. // Czasopismo ilustrowane wydawane w latach 1941-1945 w Perth = R. 1 (1941) nr 1/2 (styczen 1941) - R. 5 (1945) nr 64 (grudzien 1945); poczatkowo dwutygodnik nr 1-8/9 z 1941, nastepnie miesiecznik. Tytul kontynuowany przez: Poradnik Swietlicowy. Wydawnictwo Polskiej YMCA w W. Brytanii - miesiecznik wydawany w latach 1946-1950. // Zawiera dwa numery podwojne oraz numery tematyczne: Nr 44/45: "Muzyka"; Nr 46: "A.P.W."; Nr 48: Krakow; Nr 49: Kosciuszko; Nr 51: "Wychodzctwo Polskie"; @ Weight / Waga: 630; @ Pages / Strony: nr po 32s.; @ Thematic categories / Kategorie tematyczne: czasopisma polskie polskie emigracyjne, historia Polski emigracja, Polonia, zeslanie - h. Polski II wojna swiatowa - h. Polski kultura - h. Polski wojskowosc - h. Polski, ilustratorzy graficy Dydynska-Henneberg Krystyna* Jastrzebowski Wojciech Tadeusz* Machan W.* Polinski Jan*, nauka oswiata pedagogika, varia druki emigracyjne, okres wydania 1901-1944 / 45 / magazines Polish, history of Poland emmigration World War II culture military, , science education pedagogy, general emmigration editions / prints, period of edition 1901-1944 / 45 / Zeitschriften polnische, Geschichte Polens Emigration 2. Weltkrieg Kultur Militärwesen, , Wissenschaft Bildungswesen Pädagogik, Allgemein Emigration, Erscheinungsperioden 1901?1944 / 45; Numery 44/45, 50, 51 bez wad, nr 41/42, 43, 47, 49 nieznacznie poplamione lub uszkodzone; nr 48 ze sladem po starym zlozeniu, zagiety rog, nieco poplamiona okladka, blok czysty, brak nr 52 (nr 12 Grudzien). Pozycja w dosc ladnym stanie.

vespa mod. 49 50 catalogo catalogue pieces de rechange. piaggio .

1952-1953. Journals, North America, South America, etc. very good monographs bound in ex-library binding 147p., 111p., 126p. & 114p.