Bonnet, Louis Marin (28 results)

Schönes original Kupferstich-Portrait von ca. 1750. -- Blattformat: ca.25x18 cm. Platte: ca. 15 x 11 cm. -- gut erhalten. || Original copper engraved portrait from c. 1750. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Schönes original Kupferstich-Portrait von ca. 1750. -- Blattformat: ca.25x18 cm. Platte: ca. 15 x 11 cm. -- gut erhalten. || Original copper engraved portrait from c. 1750. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Original Kupferstich-Portrait mit schöner Barock-Umrahmung. -- Bild-Maße: ca. 21,5 x 16,5 cm. -- gut erhalten. || Original engraved portrait with beautiful baroque framing. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

schönes Original Kupferstich-Portrait aus dem 18. Jahrhundert - Blatt-Format: ca. 15,5 x 25 cm | Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! - No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Couverture souple. Condition: Bon. Centre Georges Pompidou / Pandora Editions, 1983 - Grand in-8° broché, couv. cart., iconographie en noir, 274 pages, très légère trace du temps sinon bon état (présence d'un cachet "Offert par le Centre Georges Pompidou" au troisième plat de la couverture).

Media Piel De Época. Condition: Muy bien. Pierre Michel Alis - J. Ch. Le Blon - Louis Marin Bonnet - F. Cazenave - J. B. Chapuy - . (illustrator). 1ª Edición. 35 x 27 cm. 3 hojas y 48 láminas. Edición de 260 ejemplares (nº8).

1. farbige Lithographie in Crayonmanier auf rückseitig unbedrucktem Büttenblatt mit dekorativ abgesetztem Plattenrand von Bonnet nach Huet (in der Platte signiert), bildliche Darstellung ca. 13 x 17 cm, Blattgröße ca. 24 x 29 cm, im breiten Blattrand außerhalb der bildlichen Dartsellung leichte Spuren von Alterspatina, im Bild winzige altersbedingte Braunpunkte, ansonsten gut erhalten, selten 2100 gr.

1. farbige Lithographie in Crayonmanier auf rückseitig unbedrucktem Büttenblatt mit dekorativ abgesetztem Plattenrand von Bonnet nach Huet (in der Platte signiert), bildliche Darstellung ca. 13 x 17 cm, Blattgröße ca. 24 x 29 cm, im breiten Blattrand außerhalb der bildlichen Dartsellung leichte Spuren von Alterspatina, im Bild winzige altersbedingte Braunpunkte, ansonsten gut erhalten, selten 2100 gr.

Large quarto. (11 1/2 x 8 1/4 inches). Half-title, title with wood-engraved vignette, letterpress dedication with engraved armorial headpiece printed in colours. 11 engraved plates (10 folding) printed in colours "en mani?re de pastel" by Louis-Marin Bonnet "premier Graveur en ce genre", each plate hinged to the upper margin of the relevant caption leaf, as issued. Contemporary tree calf, covers bordered in gilt, flat spine divided in compartments with gilt roll tools, red morocco lettering piece in the second, the others with a repeat decoration in gilt, marbled endpapers The first edition of a work of great importance to the history of the development of colour printing. One of the most successful eighteenth-century experiments in colour-printing, this is the only book illustrated by Bonnet, the inventor of pastel manner engraving, or "gravure en maniere de pastel." The crayon manner technique for reproducing chalk drawings in three-colour prints had been invented by Jean-Charles Fran?ois in 1757, and Bonnet was his pupil. Bonnet extended the technique to suggest tone and printed additional colours, calling his new method the pastel manner. This technically demanding process allowed Bonnet to produce colour prints of the highest quality and paved the way for the great French illustrated works of the late-18th and early-19th century. The text is the work of the French military engineer Charles-Louis de Foss? and divides naturally into two sections. The first dealing with the strategies to be employed when attacking (or defending) a small military outpost manned by between 30 and 300 men; the second dealing with the correct use of colour when drawing military maps and plans (and touching on perspective drawing as applied to military plans). This second part is illustrated using Bonnet's plates. Apart from the colour printing, another unusual feature of this beautifully produced work is that the plates are all attached along the upper margin of the descriptive associated caption leaves: this allows for individual plans to be folded out whilst the relevant text in the body of the book is studied. Brunet II, 1354; cf. V. Carlson & J. Ittmann Regency to empire: French Printmaking 1715 - 1814 (Baltimore Museum of Art, 1984); Colorful Impressions: The Printmaking Revolution in Eighteenth-Century France. (Washington: National Gallery of Art, 2003-2004) no. 46; Jean F?rstenberg Das franz?sische Buch im 18 Jahrhundert p. 121; Graesse II:620; Jacques Herold Louis-Marin Bonnet, catalogue de l'Oeuvre grav. (Paris: 1935) p.28; Joseph Marie Qu?rard La France litt?raire, ou Dictionnaire bibliographique des savants (Paris: 1829) III, p.173 ('ouvrage estim?').

Single Sheet. Condition: Near Fine. Original Antique Engraving. Original Antique Color Stipple Etching, On Laid Paper. Text At Bottom Left "Peint A La Gouache Par Vangorp", At Bottom Right "Grave Par Malles [Sic] Sous La Direction De Bonnet", With Title "Le Dejeuner De Fanfan" Below In Large Script. Plate Mark 35.5 X 28 Cm. , Overall 18 3/8" X 12 5/8". Jean-Baptiste Mallet (1759-1835) , Was A French Painter. Pupil Of Simon Julien In Toulon , Then Of Pierre-Paul Prud'hon In Paris (It Is Also Said Pupil Of Mérimée ), Mallet Made Small Gouaches And Watercolors Which Constitute A True Chronicle Of The Society Of Directory And The First Empire . As A Genre Painter, He Also Created Troubadour Paintings ( Geneviève De Brabant , La Salle De Bains ) And Gallant Works ( L'heure De Rendez-Vous ). The Work Of Jean-Baptiste Mallet Was Influenced By Greuze , Fragonard , Born Like Him In Grasse, And Louis-Léopold Boilly .

Single Sheet. Condition: Near Fine. Original Antique Engraving. Original Antique Color Stipple Etching, On Laid Paper. Text At Bottom Left "Peint A La Gouache Par Vangorp", At Bottom Right "Grave Par Malles [Sic] Sous La Direction De Bonnet", With Title "Le Dejeuner De Fanfan" Below In Large Script. Plate Mark 35.5 X 28 Cm. , Overall 18 3/8" X 12 5/8". Jean-Baptiste Mallet (1759-1835) , Was A French Painter. Pupil Of Simon Julien In Toulon , Then Of Pierre-Paul Prud'hon In Paris (It Is Also Said Pupil Of Mérimée ), Mallet Made Small Gouaches And Watercolors Which Constitute A True Chronicle Of The Society Of Directory And The First Empire . As A Genre Painter, He Also Created Troubadour Paintings ( Geneviève De Brabant , La Salle De Bains ) And Gallant Works ( L'heure De Rendez-Vous ). The Work Of Jean-Baptiste Mallet Was Influenced By Greuze , Fragonard , Born Like Him In Grasse, And Louis-Léopold Boilly .

L'un des 100 premiers exemplaires numérotés et signés par le photographe. [17369].

Single Sheet. Condition: Near Fine. Original Antique Engraving. Original Antique Color Engraving, On Laid Paper. 18 1/2" X 12 1/2" Text At Bottom Left "Peint A La Gouache Par Vangorp", At Bottom Right "Grave Par Malles" [Sic], With Title "Ah Qu'il Est Joli" Below In Large Script. This State Is Before The Addition Of The Line Indicating The Print Was Made Under The Direction Of Bonnet. Jean-Baptiste Mallet (1759-1835) , Was A French Painter. Pupil Of Simon Julien In Toulon , Then Of Pierre-Paul Prud'hon In Paris (It Is Also Said Pupil Of Mérimée ), Mallet Made Small Gouaches And Watercolors Which Constitute A True Chronicle Of The Society Of Directory And The First Empire . As A Genre Painter, He Also Created Troubadour Paintings ( Geneviève De Brabant , La Salle De Bains ) And Gallant Works ( L'heure De Rendez-Vous ). The Work Of Jean-Baptiste Mallet Was Influenced By Greuze , Fragonard , Born Like Him In Grasse, And Louis-Léopold Boilly .

Single Sheet. Condition: Near Fine. Original Antique Engraving. Original Antique Color Engraving, On Laid Paper. 18 1/2" X 12 1/2" Text At Bottom Left "Peint A La Gouache Par Vangorp", At Bottom Right "Grave Par Malles" [Sic], With Title "Ah Qu'il Est Joli" Below In Large Script. This State Is Before The Addition Of The Line Indicating The Print Was Made Under The Direction Of Bonnet. Jean-Baptiste Mallet (1759-1835) , Was A French Painter. Pupil Of Simon Julien In Toulon , Then Of Pierre-Paul Prud'hon In Paris (It Is Also Said Pupil Of Mérimée ), Mallet Made Small Gouaches And Watercolors Which Constitute A True Chronicle Of The Society Of Directory And The First Empire . As A Genre Painter, He Also Created Troubadour Paintings ( Geneviève De Brabant , La Salle De Bains ) And Gallant Works ( L'heure De Rendez-Vous ). The Work Of Jean-Baptiste Mallet Was Influenced By Greuze , Fragonard , Born Like Him In Grasse, And Louis-Léopold Boilly .

Plate Height: 29cm. Width: 19.7cm large margin. deckle edge.Light foxing in edge.

Condition: Good. Engraving on laid paper. 25.5 x 19.5 cm. Good with edge repairs. En Francais.

Paris, 1935. XII,428 pp. Ills on plts. Softcover. (Publ. de la Société pour l'étude de la gravure française).

Condition: ACEPTABLE. Estampa antigua original de Louis-Marin Bonnet (París, 1736 - Saint-Mandé, 1793), grabador y editor. Bouquet de Reoses, A Paris, chez Bonnet, rue St. Jacques, au coin de celle de la Parcheminerie. [Carle delin.] ; [Duruisseau Sc. Bonnet direx.] . Formato (cm): 32x25.

Condition: ACEPTABLE. Estampa antigua original de Louis-Marin Bonnet (París, 1736 - Saint-Mandé, 1793), grabador y editor. A Paris, chez Bonnet, rue St. Jacques, au coin de celle de la Parcheminerie. [Carle delin.] ; [Duruisseau Sc. Bonnet direx.] . Formato (cm): 32x25.

Condition: Très bon. Gravé par Malles sous la direction de Bonnet, d'après Henri-Nicolas Van GORP (1756 - 1819). Belles épreuves de l'état définitif. Cadres modernes. 38 x 40 (avec cadre).

Colour-printed mixed method engraving. Printed on laid paper. In excellent condition with the exception of being trimmed within the platemark. Small tear in lower left corner, and another small tear on bottom margin. Image size: 10 9/16 x 8 1/4 inches. A lovely impression of this famous print by Louis-Marin Bonnet, one of the most celebrated masters of French colour-printing. The son of a Parisian stocking manufacturer, Louis-Marin Bonnet (1736-1793) trained with the engravers Louis-Claude LeGrand and Jean-Charles François, the latter the inventor of the chalk-manner technique of printmaking. Throughout his career Bonnet developed Francois's printing technique producing some of the most beautiful prints of the period. Bonnet's chalk-manner prints became immensely popular with collectors seeking images that imitated the subtle effects of drawing, but he also experimented with various forms of colour printing as seen in this charming print of a young lady playing the guitar. During the late 1770s and 1780s, Bonnet's success as a color printmaker was unrivaled and hence he counted among his patrons the wealthiest Parisian collectors of the time. This spectacular print exemplifies the single plate colour printing technique developed in England, but quickly adopted by French engravers. The effect is achieved by inking a single plate with several different colours by using a rag stump, this process is known as a la poupée. These English colour prints became very popular in Paris and threatened to affect the market for French prints. In an effort to capitalize on this vogue for English prints, a few clever French engravers printed their own colour prints with London addresses. This charming image is just such a print; Bonnet published it with F. Vivares's address in London, although it was probably published in Paris. He also uses a different variation on his name and lists himself as L. Marin instead of Louis-Marin Bonnet. This is not only an exquisite image, from one of the most renowned French engravers, but a fascinating glimpse at the practices of the print market in France. Le Blanc, Manuel de L'Amateur D'Estampes No. 386.

Schöne Darstellung des Liebesabenteuers des Jupiter mit Danae aus den Metamorphosen des Ovid. Jupiter nähert sich der als liegender Akt dargestellten Danae in zweifacher Gestalt, verwandelt als Goldregen und in Form des Adlers, seines Herrschaftsattributes. - Der Pariser Stecher und Kupferstichhändler Louis Marin Bonnet entwickelte ein Verfahren mit dem er Pastellzeichnungen - wie das hier vorliegende Pastell von Francois Boucher - faksimiletreu reproduzieren konnte. - Tadellos. *** *** Copyright: Matthaeus TRUPPE Buchhandlung & Antiquariat - Stubenberggasse 7 - A-8010 Graz - ++43 (0)316 - 829552 *** *** Sprache: Deutsch Gewicht in Gramm: 700 Ca. 32,5 cm x 42 cm (Platte), 37,5 cm x 46 cm (ganze Blatt).

Condition: guter Zustand. Punktierstich in mehreren Farben gedruckt, 1793, auf festem Bütten mit Fragment eines Wasserzeichens. 33,6:25,6 cm. Mit Verlags-Adresse: A Paris chez Bonnet, rue St. Jacques au coin de celle de la Parcheminiere, No. 961 (rechts oben). - Mit Passlöchlein in den Ecken, vollrandig, kleiner Einriss im linken und Knickfalte im unteren Rand, etwas fleckig. Provenienz: Verso Sammlerparaphe in Bleistift: Guillaume S. Literatur: Hérold/Rousseau 353.

Finissima incisione realizzata nella bottega del celebre incisore Louis Marin Bonnet (1736-1793) realizzata alla "Maniere de crayon" un processo di incisione inventato da Bonnet stesso che utilizzava il lavaggio e la matita al fine di imitare il pastello originale. La tecnica inizialmente era molto laboriosa e costosa, venivano utilizzate fino a otto lastre per ogni stampa e relativamente fragile (la durata delle lastre era davvero minima). Operò da solo poi nella sua bottega di Parigi a partire dal 1772. Ampi margini, forte impressione su spessa carta vergellata. Autore: Louis Marin Bonnet su disegno di Carlo Data: 1770/80 circa Tecnica: Acquaforte e acquatinta Dimensione del foglio: 360x267 mm Dimensione incisione: 255x190 cm Condizioni: Buone. Fioriture. Piccoli strappi marginali.Very fine engraving realized in the shop of the famous engraver Louis Marin Bonnet (1736-1793) realized with "Maniere de crayon" a process of engraving invented by Bonnet itself which used the technique of washing and pencil to reproduce the original pencil. The technique was expensive and long. For each print the author used and average of 8 matrix that were so weak. He worked alone then in his shop in Paris from 1772. Wide margins, strong impression on wide phyligree paper. Autore: Louis Marin Bonnet after Carlo Date: 1770/80 circa Technique: Etching and aquatinte Leaf Dimension: 360x267 mm Engraving Dimension: 255x190 cm Conditions: Good conditions. Occasional foxing. Little tears in the margins.

Condition: guter Zustand. Punktierstich in mehreren Farben gedruckt, 1793, nach Jean-Baptist Huet (1745-1811), auf festem Bütten mit Fragment eines Wasserzeichens. 33,6:25,6 cm. Mit Verlags-Adresse: A Paris chez Bonnet, rue St. Jacques au coin de celle de la Parcheminiere, No. 961 (rechts oben). - Auf die Plattenkante geschnitten, insgesamt mit Altersspuren. Provenienz: Sammlung Naudet, Louvre-Paris, 1789, Lugt 1938. Literatur: Hérold/Rousseau 353.

Leather Bound. Condition: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1758. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: : - 294, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 294 294.

[An der rechten unteren Ecke eine Fehlstelle, Randläsuren, etwas fleckig (vgl. Abbildung)]. Mit der Nummer 19 in der Platte oben rechts. ------------------------------------------------------------------------------------------------------- ------------------------------------------------------------ --------------------------------------------------------- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland.

[Im weißen Rand ganz unten rechts ein kleines Loch, Randläsuren, etwas fleckig (vgl. Abbildung)]. Mit der Nummer 391 in der Platte oben rechts. ------------------------------------------------------------------------------------------------ ------------------------------------------------------------ ------------------------------------------------------------ ---- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland.