Stump, David (212 results)

Paperback. Condition: Good. With the shift from film to digital, a new view of the future of cinematography has emerged. Today?s successful cinematographer must be equal parts artist, technician, and business-person. The cinematographer needs to master the arts of lighting, composition, framing and other aesthetic considerations, as well as the technology of digital cameras, recorders, and workflows, and must know how to choose the right tools (within their budget) to get the job done. David Stump?s Digital Cinematography focusses primarily on the tools and technology of the trade, looking at how digital cameras work, the ramifications of choosing one camera versus another, and how those choices help creative cinematographers to tell a story. This book empowers you to both correctly choose the right camera and workflow for your project from today?s incredibly varied options, as well as understand the ins and outs of implementing those options. Stump sheds a light on the confusing advantages and disadvantages of shooting theatrical features using digital technology and what it can or can?t do. Topics covered include: * Detailed coverage of Arriflex, Blackmagic, Canon, Ikonoskop, Panasonic, Panavision, Phantom, Red, Silicon Imaging, Sony, and Weisscam digital motion picture cameras* Coverage of a wide variety of lenses, including Angenieux, Canon, Cooke, Fujinon, Hawk, Leica, Panavision, Red, Schneider, Sony, UniqOptics, Vantage, and Zeiss* Coverage of recorders, displays, and look management tools * Exposure theory tips ? learn how to correctly expose digital cameras* Focusing tips ? learn how to focus digital cameras correctly* Checklists to help design digital workflows * Practical tips on preparation ? prepare for shooting a digital motion picture like a professional* Camera set-up and operation, color management, digital intermediates, 3D stereo cinematography, future trends, and much more If you aspire to be a successful cinematographer in this new digital age, or if you already are a working cinematographer in need of a resource to help you stay on top of your game, this is a must-read book.…

Paperback. Condition: Very Good. With the shift from film to digital, a new view of the future of cinematography has emerged. Today?s successful cinematographer must be equal parts artist, technician, and business-person. The cinematographer needs to master the arts of lighting, composition, framing and other aesthetic considerations, as well as the technology of digital cameras, recorders, and workflows, and must know how to choose the right tools (within their budget) to get the job done. David Stump?s Digital Cinematography focusses primarily on the tools and technology of the trade, looking at how digital cameras work, the ramifications of choosing one camera versus another, and how those choices help creative cinematographers to tell a story. This book empowers you to both correctly choose the right camera and workflow for your project from today?s incredibly varied options, as well as understand the ins and outs of implementing those options. Stump sheds a light on the confusing advantages and disadvantages of shooting theatrical features using digital technology and what it can or can?t do. Topics covered include: * Detailed coverage of Arriflex, Blackmagic, Canon, Ikonoskop, Panasonic, Panavision, Phantom, Red, Silicon Imaging, Sony, and Weisscam digital motion picture cameras* Coverage of a wide variety of lenses, including Angenieux, Canon, Cooke, Fujinon, Hawk, Leica, Panavision, Red, Schneider, Sony, UniqOptics, Vantage, and Zeiss* Coverage of recorders, displays, and look management tools * Exposure theory tips ? learn how to correctly expose digital cameras* Focusing tips ? learn how to focus digital cameras correctly* Checklists to help design digital workflows * Practical tips on preparation ? prepare for shooting a digital motion picture like a professional* Camera set-up and operation, color management, digital intermediates, 3D stereo cinematography, future trends, and much more If you aspire to be a successful cinematographer in this new digital age, or if you already are a working cinematographer in need of a resource to help you stay on top of your game, this is a must-read book.…

Paperback. Condition: Very Good. With the shift from film to digital, a new view of the future of cinematography has emerged. Today?s successful cinematographer must be equal parts artist, technician, and business-person. The cinematographer needs to master the arts of lighting, composition, framing and other aesthetic considerations, as well as the technology of digital cameras, recorders, and workflows, and must know how to choose the right tools (within their budget) to get the job done. David Stump?s Digital Cinematography focusses primarily on the tools and technology of the trade, looking at how digital cameras work, the ramifications of choosing one camera versus another, and how those choices help creative cinematographers to tell a story. This book empowers you to both correctly choose the right camera and workflow for your project from today?s incredibly varied options, as well as understand the ins and outs of implementing those options. Stump sheds a light on the confusing advantages and disadvantages of shooting theatrical features using digital technology and what it can or can?t do. Topics covered include: * Detailed coverage of Arriflex, Blackmagic, Canon, Ikonoskop, Panasonic, Panavision, Phantom, Red, Silicon Imaging, Sony, and Weisscam digital motion picture cameras* Coverage of a wide variety of lenses, including Angenieux, Canon, Cooke, Fujinon, Hawk, Leica, Panavision, Red, Schneider, Sony, UniqOptics, Vantage, and Zeiss* Coverage of recorders, displays, and look management tools * Exposure theory tips ? learn how to correctly expose digital cameras* Focusing tips ? learn how to focus digital cameras correctly* Checklists to help design digital workflows * Practical tips on preparation ? prepare for shooting a digital motion picture like a professional* Camera set-up and operation, color management, digital intermediates, 3D stereo cinematography, future trends, and much more If you aspire to be a successful cinematographer in this new digital age, or if you already are a working cinematographer in need of a resource to help you stay on top of your game, this is a must-read book.…

Paperback. Condition: Good. With the shift from film to digital, a new view of the future of cinematography has emerged. Today?s successful cinematographer must be equal parts artist, technician, and business-person. The cinematographer needs to master the arts of lighting, composition, framing and other aesthetic considerations, as well as the technology of digital cameras, recorders, and workflows, and must know how to choose the right tools (within their budget) to get the job done. David Stump?s Digital Cinematography focusses primarily on the tools and technology of the trade, looking at how digital cameras work, the ramifications of choosing one camera versus another, and how those choices help creative cinematographers to tell a story. This book empowers you to both correctly choose the right camera and workflow for your project from today?s incredibly varied options, as well as understand the ins and outs of implementing those options. Stump sheds a light on the confusing advantages and disadvantages of shooting theatrical features using digital technology and what it can or can?t do. Topics covered include: * Detailed coverage of Arriflex, Blackmagic, Canon, Ikonoskop, Panasonic, Panavision, Phantom, Red, Silicon Imaging, Sony, and Weisscam digital motion picture cameras* Coverage of a wide variety of lenses, including Angenieux, Canon, Cooke, Fujinon, Hawk, Leica, Panavision, Red, Schneider, Sony, UniqOptics, Vantage, and Zeiss* Coverage of recorders, displays, and look management tools * Exposure theory tips ? learn how to correctly expose digital cameras* Focusing tips ? learn how to focus digital cameras correctly* Checklists to help design digital workflows * Practical tips on preparation ? prepare for shooting a digital motion picture like a professional* Camera set-up and operation, color management, digital intermediates, 3D stereo cinematography, future trends, and much more If you aspire to be a successful cinematographer in this new digital age, or if you already are a working cinematographer in need of a resource to help you stay on top of your game, this is a must-read book.…

Condition: acceptable. Book shows noticeable wear from use. May include writing, highlighting, or other markings, but not excessive. Cover or edges may have visible wear. The book remains complete and fully readable.

Paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Fine. 1st Edition. Hardcover, with dust jacket. 568 pgs. Fine in near fine dj.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. First Edition. Binding is tight, sturdy, and square; boards and text also very good. Top edge of text block has spotting, otherwise exterior looks very nice. No dust jacket, as issued. NOT an ex-library copy, NO remainder mark, NOT a book club. Ships from Dinkytown in Minneapolis, Minnesota. ISSN 1057-0608.…

Condition: New.

Hardcover. Condition: Very Good +. No Jacket. First Edition. Covers the milestones in thrombolytic research, offers a guide to the "acronym" trials and how to use the compendium, and is primarily filled with abstracts as a reference guide to thrombolytic research. Book.

Soft cover. Condition: Good. No Jacket. Good condition soft cover book. Shelf wear and creasing to covers and spine. Light smudging to pages, mainly bottom edge of text block. All books are individually inspected and described. Never X-Library unless specifically described as such.

Paperback. Condition: Very Good +. URBAN HIPSTER #1 with comics by David Lasky and Greg Stump. 32 pages, paper with stiff, color cover. Inside black and white. 10 1/8" x 6 1/2". very good + condition. David Lasky; Greg Stump (illustrator).

Paperback. Condition: New. Thirty-six of the most interesting writers in the Pacific Northwest came together for a week-long marathon of writing live on stage. The result? Hotel Angeline, a truly inventive novel that surprises at every turn of the page.Something is amiss at the Hotel Angeline, a rickety former mortuary perched atop Capitol Hill in rain-soaked Seattle. Fourteen-year-old Alexis Austin is fixing the plumbing, the tea, and all the problems of the world, it seems, in her landlady mother's absence.The quirky tenants-a hilarious mix of misfits and rabble-rousers from days gone by-rely on Alexis all the more when they discover a plot to sell the Hotel. Can Alexis save their home? Find her real father? Deal with her surrogate dad's dicey past? Find true love? Perhaps only their feisty pet crow, Habib, truly knows.Provoking interesting questions about the creative process, this novel is by turns funny, scary, witty, suspenseful, beautiful, thrilling, and unexpected.…

1st Printing. 32pp., with semi-glossy color covers, and b/w interior. Stories include: Lost in Space. August. Out of Africa. Slob. So Sick of Everything. December. Post-Grunge. Saddle-stapled wraps. Light shelfwear; small crease near spine. Very good.

Soft cover. Condition: Very Good. trade paperback in very good + condition.

Soft cover. Condition: New. 1st Edition. Comic Book. Standard format and size. With color illustrated covers and black/white interior art. NEW. All corners pointed. Binding firm, without stress creasing and square. Without tears, creases, bumps or chips. Not marked and very bright and clean. All items carefully wrapped and sent boxed.…

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Softcover. Condition: Very Good. Minor wear only. The pages are clean and crisp with no highlighting or writing detected. Ships from Canada. Satisfaction guaranteed with 30-day return policy.; 7.5 X 1 X 9.5 inches; 494 pages; R0 1m/1m s0.

Soft cover. Condition: Fine. 2nd Edition. No scuffs. No creasing. Tight and clean pages. It has been over a decade since the first edition of The Cambridge Companion to Augustine was published. In that time, reflection on Augustine's life and labors has continued to bear much fruit: significant new studies into major aspects of his thinking have appeared, as well as studies of his life and times and new translations of his work. This new edition of the Companion, which replaces the earlier volume, has eleven new chapters, revised versions of others, and a comprehensive updated bibliography. It will furnish students and scholars of Augustine with a rich resource on a philosopher whose work continues to inspire discussion and debate.…

Condition: New. In English.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: As New. Unread book in perfect condition.

Condition: New.

PAPERBACK. Condition: Very Good. No DJ. 1st Edition. 1st Edition. Paperback. 4to with 459 pages. The book is signed by David Stump (the author) on the title page. The book is in very good condition with slight shelfwear and bumping to the edges and spine. The interior is clean and tight. The spine is black with white and green text. Size: 4to. Signed. Paperback.…

Softcover/Paperback. Condition: Fine. 1st Edition. It has been over a decade since the first edition of The Cambridge Companion to Augustine was published. In that time reflection on Augustine's life and labors has continued to bear much fruit: significant new studies into major aspects of his thinking have appeared as well as studies of his life and times and new translations of his work. This new edition of the Companion which replaces the earlier volume has eleven new chapters revised versions of others and a comprehensive updated bibliography. It will furnish students and scholars of Augustine with a rich resource on a philosopher whose work continues to inspire discussion and debate. | Pages: 0.…

Paperback. Condition: New. Is science unified or disunified? Over the last century, the question has raised the interest (and hackles) of scientists, philosophers, historians, and sociologists of science, for at stake is how science and society fit together. Recent years have seen a turn largely against the rhetoric of unity, ranging from the please of condensed matter physicists for disciplinary autonomy all the way to discussions in the humanities and social sciences that involve local history, feminism, multiculturalism, postmodernism, scientific relativism and realism, and social constructivism. Many of these varied aspects of the debate over the disunity of science are reflected in this volume, which brings together a number of scholars studying science who otherwise have had little to say to each other: feminist theorists, philosophers of science, sociologists of science. How does the context of discover shape knowledge? What are the philosophical consequences of a disunified science? Does, for example, an antirealism, a realism, or an arealism become defensible within a picture of local scientific knowledge? What politics lies behind and follows from a picture of the world of science more like a quilt than a pyramid? Who gains and loses if representation of science has standards that vary from place to place, field to field, and practitioner to practitioner.…

1st edn. 8vo. Original silver lettered black cloth (boards lightly bowed - otherwise VG), dustwrapper (VG in protective cover). Pp. xiv + 567 (no inscriptions).