Ackermann James (22 results)

Condition: Muy bueno. : The Sea es una colección de nuevas escrituras de varios autores, publicada por Granta Books. Esta edición en rústica contiene 256 páginas y presenta una variedad de estilos y perspectivas literarias. EAN: 9780903141161 Tipo: Libros Categoría: Literatura y Ficción Título: The Sea Autor: John Biguenet| Philip Marsden| Charles Nicholl| Julia Blackburn| James Hamilton-Paterson| Ian Jack| Stephen Gill| Jean Gaumy| Haruki Murakami| Robert Drewe| Paul Theroux| Neal Ascherson| Michael Ackermann| George Rosie| Justin Webster| William Scammell| Orhan Pamuk Idioma: en Páginas: 256 Formato: tapa blanda.

Condition: very_good. Roberto Appiani; Michael Bainbridge; Modris Baum; Dan Behnke; Joe Budd; Thomas Calligaro; Jeff Scovill; William B. Simmons; Joachim Zang; Gary Zito; Berthold Ottens; Ed Raines; Stefan Weiss; Herwig Pelckmans; George F. Kunz; Gilla Simon; John Smolski (illustrator). Item may have minor cosmetic defects marks, wears, cuts, bends, crushes on the cover, spine, pages or dust cover. Shrink wrap, dust covers, or boxed set case may be missing. Item may contain remainder marks on outside edges, which should be noted in Product Details. Item may be missing bundled media.

Hardback. Hardback. "A Selection Of Plates From Rudolph Ackermann's A History Of The University of Oxford, Its Colleges, Halls, And Public Buildings 1814 And James Ingram's Memorials Of Oxford 1837." 34pp.+16 colour plates. Lots of within text black and white illustrations. King Penguin No.69. Illustrated boards, showing buildings of Oxford, with matching dust jacket. Small area of damage to eh head of the spine. Dust jacket is also crushed and frayed to the head of teh spine with a short tear to the front and a more significant tear to the back. Very good copy in chipped and torn dust jacket Very good copy in chipped and torn dust jacket.

2 vol. : 1 vol. 207 pp. ; 1 vol. 175 pp.; 2 vol. : 30.5 x 21.5 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with show held November 6, 1999 - March 26, 2000. Essays by Richard Armstrong, Madeleine Grynsztejn, Jonathan Crary, Jean Fisher, Saskia Sassen, Slavoj ?i?ek, and Alyson Baker. Artists include Franz Ackermann, Matthew Barney, Janet Cardiff, John Currin, Hanne Darboven, Thomas Demand, Mark Dion, Willie Doherty, Olafur Eliasson, Kendell Geers, Felix Gonzalez-Torres, Ann Hamilton, José Antonio Hernández-Diez, Pierre Huyghe, Alex Katz, William Kentridge, Bodys Isek Kingelez, Suchan Kinoshita, Martin Kippenberger, Kerry James Marshall, Takashi Murakami, Shirin Neshat, Ernesto Neto, Chris Ofili, Gabriel Orozco, Markéta Othová, Laura Owens, Edward Ruscha, Gregor Schneider, Ann-Sofi Sidén, Roman Signer, Sarah Sze, Sam Taylor-Wood, Nahum Tevet, Diana Thater, Luc Tuymans, Kara Walker, Jeff Wall, Jane & Louise Wilson and Chen Zhen. Includes biographies, bibliographies, contributor biographies, and a checklist of the exhibition. Fine. Due to large size and weight additional shipping charges may be required for international orders.

Hardback. Hardback. "A Selection Of Plates From Rudolph Ackermann's A History Of The University of Oxford, Its Colleges, Halls, And Public Buildings 1814 And James Ingram's Memorials Of Oxford 1837." 34pp.+16 colour plates. Lots of within text black and white illustrations. King Penguin No.69. Illustrated boards, showing buildings of Oxford, with matching dust jacket. Very clean, bright and neat. Very good copy in like dust jacket Very good copy in like dust jacket.

Soft cover. Condition: Fine. Roberto Appiani; Michael Bainbridge; Modris Baum; Dan Behnke; Joe Budd; Thomas Calligaro; Jeff Scovill; William B. Simmons; Joachim Zang; Gary Zito; Berthold Ottens; Ed Raines; Stefan Weiss; Herwig Pelckmans; George F. Kunz; Gilla Simon; John Smolski (illustrator). Used, minor damage to upper right corner, does not inhibit quality of the pages. Great condition otherwise. Book is filled with information on the subject of Garnet and the related minerals that it is found with in relation to its locality. Stunningly beautiful photographs of Garnet in its crystalline forms and garnets prized for their unique formations and famous attributions through history.

First edition. DW. 16 colour plates. Slight foxing to end papers. Wrapper slightly browned to edges o/w a very nice copy in decorated boards and wrapper that is very slightly sunned to spine. VG/VG.

Condition: Good. Lithoprint. Image 17.5 x 28 cm. Very Good. In mylar protective sleeve.

hardcover. Condition: Very Good. First Edition.

HARDCOVER. Condition: As New. 1st Edition. Landscape 4to in thick boards, 63pp on stiff art paper, colour plates, etc. Dual text in English and German . [CONDITION: A well preserved AS NEW unmarked copy (merest hint of tanning to leaves) ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condition: New.

Paperback. Condition: Brand New. reprint edition. 488 pages. 9.60x6.70x1.10 inches. In Stock.

Hardcover-Großformat. Condition: Gut. 205 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Text in ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 955.

1st edition hardback with dust jacket Fine lge. 8vo. 156pp., b/w pls., fldg. plans, First Volume : Text & Plates.

Softcover. Condition: Gut bis sehr gut. 2. Auflage. Broschur 8°, Sprache Deutsch, zahlreiche SW Abbildungen, Anzahl Seiten 170, sehr guter Zustand.

170 S. mit 113 Abbildungen. Orig. - Broschur. Handschriftl. Eintrag auf dem Vortitel. Gut erhalten.

21 x 17 cm, Broschur. 170 S. mit Abb. Einband berieben und bestoßen. Innen sauber. Sprache: Deutsch Gewicht in Gramm: 550.

Couverture souple. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Annali di Architettura Volume 22 ( 2010 ) Contiene articoli in lingua inglese di Douglas Lewis/James S.Ackerman/Scotto Schiamberg /Tracy E.Coopere articoli in lingua italiana di Howard Burns/Renato Cevese/Sergio Bettini Francesca Mattei/Marta Carusi Paola Zampa e Franco Barbieri. Codice dellla Libreria 010702 - Language : English & Italian text Size: 240 x 300 mm.

Erste deutsche Ausgabe nach der engl. Ausgabe von 1977. OB1-89 Sprache: Deutsch Gewicht in Gramm: 2000.

MCIAN, R.R.; ACKERMANN, Rudolph (illustrator). First Edition. The Clans of the Scottish Highland MCIAN, R.R., [illustrator]. ACKERMANN, Rudolph. LOGAN, James. The Clans of the Scottish Highlands, Illustrated by appropriate figures, displaying their dress, tartans, arms, armorial insignia, and social occupations, from original sketches, by R.R. McIan, Esq. With accompanying description and historical memoranda of character, mode of life, &c. &c. by James Logan, Esq. London: Willis and Sotheran, 1857. Full Description: [McIAN, Robert Ronald, illustrator]. LOGAN, James. The Clans of the Scottish Highlands, Illustrated by appropriate figures, displaying their dress, tartans, arms, armorial insignia, and social occupations, from original sketches, by Robert Ronald McIan. With accompanying description and historical memoranda of character, mode of life, &c. &c. by James Logan.London: Willis and Sotheran, 1857. Second edition (first published by Ackermann and Co. in 1845-1847). Two folio volumes (14 3/8 x 10 1/4 inches; 365 x 260 mm.). [2], 4, xii, [170]; [iii]-xiv, [180] pp. Two hand-colored lithographed frontispiece depicting the arms of the clans, by Mary Filmore, School of Design, and Mrs. O'Hea, School of Design, after J. Logan, and seventy-two hand-colored lithographed plates by Louis Dickinson, W. Kinnebrook, and others, after McIan. Text separately numbered for each clan. Bound without the lithographed dedication leaf in Volume I. Publisher's full red morocco, elaborately stamped and lettered in gilt with the Scottish royal arms in gilt as a central device. All edges gilt. Spines stamped and lettered in gilt. Spines darkened. Repairs to outer hinges. A few plates with minor soiling. Two with light damptaining to bottom margin (Drummond & Macpherson). Some plates with evidence of removal and mounting, with adhesive residue to blank rectos. A few leaves and plates with a small bit of marginal worming, but hole never touches illustration. Overall, a very good set. The artist, Robert Ronald (1803-1856) belonged to a clan illustrated here, the McIans or Macdonalds of Glencoe, Argyllshire. and the Logans, respectively. Abbey, Life, 426 (describing the first edition in parts). Colas 1892. Hiler, p. 550. Lipperheide 1032. Tooley 323. HBS 69563. $4,000.

MCIAN, R.R.; ACKERMANN, Rudolph (illustrator). First Edition. Complete with Twenty-four Hand-Colored Lithographic Plates MCIAN, R.R., [illustrator]. ACKERMANN, Rudolph. LOGAN, James. Picturesque Gatherings of the Scottish Highlanders at Home, on the Heath, the. River, and the Loch. A series of highly interesting plates, representing picturesque groups engaged in their social employment, their sports, and pastimes. From original paintings made expressly for this work. London: Ackermann and Co., 1848. Full Description: MCIAN, R.R., [illustrator]. LOGAN, James. Picturesque Gatherings of the Scottish Highlanders at Home, on the Heath, the River, and the Loch. A series of highly interesting plates, representing picturesque groups engaged in their social employment, their sports, and pastimes. From original paintings made expressly for this work. London: Ackermann and Co., 1848. First edition. Folio (19 1/2 x 12 7/8 inches; 490 x 326 mm). viii, 48 pp. Complete with twenty-four highly finished hand-colored lithograph plates, heightened with gum arabic. Tissue guards. Plate 23 and it's accompanying text leaf bound at the end, after plate 24 and it's text leaf. Beautifully bound by Bayntun-Riviere in full green morocco. Boards double ruled in gilt. With gilt corner devices of thistles, with purple morocco onlay. Spine stamped and lettered in gilt with the same thistle motif and purple onlay. Gilt dentelles. All edges gilt. Top edge gilt. Marbled endpapers. Previous owner's bookplate on front free endpaper. Title-page and final text leaf with reinforcement along inner margin. Some plates trimmed close at fore-edge, sometime just barely touching imprint. A very minor amount of foxing to a few text leaves and tissue guards, but plates very clean. A very good copy in a beautiful binding. "Born around 1803, [McIan] was an actor, artist and theatrical costume designer, who emerged from relative obscurity in the 1840s as an authority on Highland costumes and customs, and in the process achieved a remarkable degree of social and cultural success. The apex of his career coincided with an upsurge in enthusiasm amongst British social and cultural elites for 'a new image of the Scottish Highlands, one far removed from the realities of rural crisis and economic collapse, a fusion of blood sports and wild romance.' Along with his collaborator, James Logan, McIan contributed to this trend with their major work, 'Clans of the Scottish Highlands'. Through the then novel medium of lithography, this depicted in dramatic and romanticised fashion, costumes and tartans associated with particular Highland clans. McIan's final major literary project was a further collaboration with James Logan. This was intended to build upon the previous success of 'Clans of the Scottish Highlands,' but was aimed at a more popular, although still affluent readership. A folio, it was a significantly smaller book and did not stretch to multiple volumes. It consists of a substantial text by Logan upon the subject of traditional lifestyles and customs to be found in the Scottish Highlands, which the author correctly asserted were being eroded by contact with cultural and technological change in the wider British world. McIan's twenty-[four] illustrations showed groups of Highlanders taking part in past-times which a wider audience would have found 'picturesque' such as spearing salmon, fording rivers, carding wool and butchering the carcass of a stag. Rather than depictions of actual scenes drawn from life, they are in fact cultural productions with a very specific ideological intent. They were intended to show a vision of Highlanders as a people, who through their enforced remoteness were able to symbolise ideas about more authentic modes of existence." (RRMcIan dot com). HBS 69385. $4,500.

Condition: New. PRINT ON DEMAND pp. XVI + 471.