After I B (24 results)

Single Sheet Engraving. Condition: Very Good. No Jacket. First Edition. AN ORIGINAL ANTIQUE ENGRAVING. MOUNTED AND READY TO FRAME. VERY GOOD CONDITION . SHOWS THE MORNING OF THE VALENTINE, A ROMANTIC SCENE AFTER THE PAINTING BY W.I. MOSSES, AN ORIGINAL ANTIQUE , ENGRAVED IN 1881 , sHOWS THE SQUIRE'S SON GIVING A ROSE TO A GIRL AT THE INN, TOO LARGE TO MOUNT - DISPATCHED ROLLED IN A STRONG TUBE .

Single Sheet Engraving. Condition: Very Good. No Jacket. First Edition. AN ORIGINAL ANTIQUE ENGRAVING. MOUNTED AND READY TO FRAME. VERY GOOD CONDITION . SHOWS A BOY WRITING A VALENTINE AFTER THE PAINTING BY W HUNT, , AN ORIGINAL ANTIQUE ENGRAVED PORTRAIT, PRINTED IN 1874. , A TOUCHING SCENE - WOULD MAKE A VERY GOOD VALENTINE DAY GIFT . OFDISRAELI .E.

Single Sheet Engraving. Condition: Very Good. No Jacket. First Edition. IRISH TROUBLES, SCENE IN THE MAGISTRATE'S COURT AFTER A PAINTING BY A. O'KELLY, AN ANTIQUE ENGRAVING, ENGRAVED IN 1881, AN ANTIQUE ENGRAVING, ENGRAVED IN 1881, TOO LARGE TO SEND MOUNTED SO DISPATCHED ROLLED IN A STRONG TUBE IMPRESSIVE COURT ROOM SCENE - WOULD LOOK SPLENDID FRAMED IN A SOLICITOR'S OFFICE.

Single Sheet Engraving. Condition: Very Good. No Jacket. First Edition. WAITING FOR THE FERRY, A FINE ENGRAVING AFTER THE PAINTING BY G. CLAUSEN, , AN ANTIQUE ENGRAVING, ENGRAVED IN 1881, AN ANTIQUE ENGRAVING, ENGRAVED IN 188, AN ANTIQUE ENGRAVING, ENGRAVED IN 1881, TOO LARGE TO SEND MOUNTED SO DISPATCHED ROLLED IN A STRONG TUBE . ROMANTIC RIVERSIDE SCENE.

Single Sheet Engraving. Condition: Very Good. No Jacket. First Edition. IRISH TROUBLES, VISIT FROM 'RORY OF THE HILLS' . ROMANTIC ENGRAVING AFTER A PAINTING BY R CALON WOODVILLE, AN ANTIQUE ENGRAVING, ENGRAVED IN 1881, TOO LARGE TO SEND MOUNTED SO DISPATCHED ROLLED IN A STRONG TUBE.

Single Sheet Engraving. Condition: Very Good. No Jacket. T Hearne F.S.A. (illustrator). First Edition. ROCHESTER CATHEDRAL, A FINE ENGRAVING AFTER THE DRAWING BY HEARNE, ENGRAVED IN 1804, 12 X 8.5 INCHES, 30 X 22 CMS IMAGE AVAILABLE ON REQUEST, VERY REASONABLY PRICED, DISPATCHED MOUNTED AND READY TO FRAME , VERY WELL PACKED .

Single Sheet. Condition: Very Good. No Jacket. Edward Corbould (illustrator). First Edition. original antique engraving printed circa 1840. Mounted and ready to frame. A fine opportunity to purchase an attractive and decorative engraving . ANTIQUE ENGRAVING ENTITLED ' THE EMBASSY OF THE FLOWER' , YOUNG LADY IN EASTERN SETTING AFTER A PAINTING BY F.P. STEPHANOFF, ENGRAVING AFTER A PAINTING , CIRCA 1850.

Single Sheet. Condition: Very Good. No Jacket. Sir WILLIAM C ROSS (illustrator). First Edition. original antique engraving printed circa 1840. Mounted and ready to frame. A fine opportunity to purchase an attractive and decorative engraving . ANTIQUE ENGRAVING ENTITLED ' DRESSED FOR THE BALL', AFTER A PAINTING BY SIR WILLIAM ROSS ENGRAVING AFTER A PAINTING , CIRCA 1850 - YOUNG LADY DRESSED READY TO GO TO THE BALL.

Single Sheet Engraving. Condition: Very Good. No Jacket. Luke CLENNEL (illustrator). First Edition. BATTLE OF WATERLOO, THE CHARGE OF THE LIFE GUARDS, AFTER THE PAINTING BY LUKE CHENNEL, , IMPRESSIVE ENGRAVING AN ANTIQUE ENGRAVING, ENGRAVED IN 1874 . VERY IMPRESSIVE BATTLE SCENE . TOO LARGE TO SEND MOUNTED, MEASURES 20 X 15 INCHES, 51 X 38 CMS, SO DISPATCHED ROLLED IN A STRONG TUBE.

Single Sheet. Condition: Very Good. No Jacket. J SMITH (illustrator). First Edition. LLANERCOST PRIORY, A FINE ETCHING BY MOSES GRIFFITH AFTER THE PAINTING BY J SMITH, ETCHED IN 1801 VERY GOOD CONDITION, MEASURES 4.25 X 2.75 INCHES, INCHES, MOUNTED AND READY TO FRAME, WE PACK VERY WELL, SPLENDID VALUE.

Single Sheet. Condition: Very Good. No Jacket. F.L.T. FRANCIA (illustrator). First Edition. FISHING CRAFT , AN ETCHING BY W HARBUTT AFTER THE PAINTING BY F.L.T. FRANCIA [ 1772-1809] ETCHED IN 1877 VERY GOOD CONDITION, MEASURES 7 X 5 INCHES, 18 X 13 CMS, INCHES, MOUNTED AND READY TO FRAME, WE PACK VERY WELL, SPLENDID VALUE.

Single Sheet. Condition: Very Good. No Jacket. Luke CLENNELL (illustrator). First Edition. THE SAWPIT [PIT SAWING ], ETCHED BY W. JONES AFTER THE PAINTING BY LUKE CLENNELL [ 1781-1840] IN 1877 VERY GOOD CONDITION, MEASURES 7 X 5 INCHES, 18 X 13 CMS, INCHES, MOUNTED AND READY TO FRAME, WE PACK VERY WELL, SPLENDID VALUE.

Single Sheet Engraving. Condition: Very Good. No Jacket. William HAMILTON (illustrator). First Edition. ADELAIDE AND FONROSE AFTER THE PAINTING BY WILLIAM HAMILTON, ENGRAVED BY R. MARCUARD, A PUPIL OF BARTOLOZZI, IN 1785 FINE ENGRAVING , DISPATCHED MOUNTED AND READY TO FRAME, EXCELLENT CONDITION, IMPRESSIVE VIEW ,

Hard Cover. No Jacket. HB NODJ, No date EArly. NEW EDTION, BeAutiful THICK blue & B/W DEcorated HARDCOVER cloth cover With Gold Gilt Title of Officer in Uniform at Top of Stairs with Sword & wear Hat. Book Condition: GOOD+/VG-,AS-IS. NODust Jacket . Illustrated blue covers with gilt titles. Covers with moderate wear and bumping. Pages clean with edge tanning. Decorated endpapers with prize plate dated 1903. Binding good .318 pages + ADS Thru Ida Vane. Interior nice tight Clean light Wear Fox. 5 1/4 X 7 1/2 IN. Light small spots back cvr, few tiny blank margin edge tears.

Unframed Print. Condition: Very Good. A fold-out double sheet print, image area approx. 18 x 38 cms. A visual interpretation of Manchester' origins with classical symbolism and civic pride, reflecting Victorian historical imagination. The illustrations found in leading architectural journals of the nineteenth and early twentieth centuries, such as The Builder, Building News, and The Architect are masterpieces of visual craftsmanship. These illustrations capture the elegance, intricacy, and stylistic flair of the period's architecture. Rich in ornamental detail and atmospheric depth, they reflect not only the buildings themselves but the artistic sensibilities and design discourse of their age. THIS IS AN ORIGINAL PAGE FROM THE JOURNAL, PRINTED AT THE DATE SHOWN IN THE TITLE, NOT A REPRINT OR COPY. Category: Builder & Building News; Unframed Prints : Old; Roman History; PRINTS : Buildings & Places. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.

Condition: Good. Set of 4 color lithographic reproductions in printed folio envelope. 14 x 18"; image 10 x 14" in the margins. Titled and numbered in the margin (nos. 1418-18 to 1418-21) with copyright info; reproductions bear artist signature in the image.

Condition: Good. Engraving. 26 x 16 cm (sheet). Facsimile signature. Good, sheet aged, light specks of foxing throughout.

Hardcover. Condition: Very Good. From Original Water Color Drawings After Nature EAch Chromo Lithographic Plate Tissue Guarded, Ten Plates Per Original Title For A Total Of Forty, Five of the Plates In Volume I I Beautiful Ferns Have Two Illustrations Per Plate (illustrator). 1st Edition. First Edition Thus, Copyright Date: 1885, Quarto, Hardcover, Rebacked With New Blue Cloth Spines, Gray Boards And Gilt Lettered Spine, Two Volumes, Aeg, 1885, Unpaginated, Originally Published In Four Volumes As Beautiful Wild Flowers, Flowers Of The Field & Forest, Wayside Flowers & Ferns By Hervey And Beautiful Ferns By Eaton Descriptive Text Includes Extracted Material From Longfellow, Whittier, Bryant, Holmes And Others Former Ex. Library Book However The External Marking Have Been Eliminated With The New Backing, Embossed Stamp At Title Page And Plates, New End Papers Quarto, Hardcover, Rebacked With New Blue Cloth Spines, Gray Boards And Gilt Lettered Spine, Two Volumes, Aeg.

Album with the complete series of Collaert's views around Brussels, here in its first unnumbered state, published by Hans van Luyck in Antwerp. Hans I Collaert (ca. 1525/30 - 1585) was a painter-draughtsman who founded the influential Collaert dynasty of engravers and print publishers. The views show villages, castles and abbeys in the vicinity of Brussels, engraved in a very naturalistic way. The series includes a view of the cloister of Zevenborren (south of Sint-Genesius-Rode), views of Schaarbeek, Elsene, Etterbeek, Stal, Eggevoort and Bosvoorde, and views of the some castles, including those of Brussels, Coensborg (south of Laken) and Carloo. Some references attribute the drawing of the views to Hans Bol because of an inscription added to the first plate of the later Visscher edition, but the "related drawings are not consistent with Bol's style" (New Hollstein). Others name Jacob Grimmer as an alternative candidate for the artist who drew the views.With a 20th-century manuscript inscription on the first free endleaf, mistakenly identifying the series as the second state published by Visscher, which is however numbered in the plates in contrast to the present series in an unnumbered first state. Binding slightly worn around the edges, some slight marginal foxing, stains, browning and soiling, but overall a beautiful album, complete and therefore rare with all the plates of Collaert's views around Brussels, here in its first state.l Hollstein IV, 149-172; New Hollstein, The Collaert dynasty V, 1229-1252; cf. New Hollstein, The Collaert dynasty I, pp. xlix-liii. Modern red half cloth, marbled sides. Series of 24 engravings (plate size ca. 20 x 14 cm) with views of landscapes around Brussels, by Hans I Collaert possibly after Hans Bol or Jacob Grimmer, each with a caption in the plate (plates 8 and 20 also with Van Luyck and Collaert's monograms "H.V.L.EX[cudit]" and "H.C.F[ecit]"). Trimmed down to the plate edge and mounted on album leaves, numbered in pencil on the album leaves, next to the engravings. Pages: [24] ll.

Condition: Good. Engraving. 16.5 x 10.7 cm. Good with perforations at edges of sheet outside image. The Falls Of Foyers feed Loch Ness.Provenance: Ex Libris Oliver Collection.

Condition: Good. 12mo. 10 x 16cm. 58 plates with a table of contents., contemporary full marbled calf binding, ornate smooth spine, spotted edges, defects from use. 58 plates with explanations. A handwritten note reads: Figures from Knapton's Virgil. Expert : M. Philippe HENRY.OCLC Number / Unique Identifier:6583432; Graesse VI 2.342 .

Engravings, printed in colours and finished by hand, by Duthé, after 'Huet fils'. A beautifully composed image recalling the bounty that the Fall brings, after an original by one of the three sons of Jean-Baptiste Huet. The beautifully observed wicker-work basket bulges with the fruits of the harvest, their weight has made the container unsteady and some of the contents have spilled out onto the slate shelf on which this veritable cornucopia rests. A snail and a hornet investigate: apples, pears, grapes, chestnuts, cherries, tomatoes, white currents and a pomegranate are all available. This highly decorative image is from an original by 'Huet fils' (i.e. 'Huet son'). This narrows the field to three artists, all members of the highly talented French family whose members were active between about 1740 and 1830. Jean-Baptiste Huet (1745-1811) had three sons, all of whom are possible candidates: Nicolas Huet II, born in 1770, who flourished as an artist between about 1788 and 1827, François Huet, born 1772 and died in London in 1813 and finally, Jean-Baptiste Huet II who was born in Paris on 29 December 1772. Because of the use of 'fils' Jean-Baptiste the second is the most likely candidate. Until his father's death the easiest way to differentiate the two artists of the same name would have been to call the younger 'the son'.

No binding. Condition: Very Good. a drawing by I.B. Nattier after Peter Paul Rubens (illustrator). 'L' Accouchement de la Reine.'Original etching/engraving on hand laid paper. Sheet size: 45,8 x 61,8 cm. (18 x 24,3 inch). Image size: 34 x 50 cm. (13,4 x 19,7 inch).From: 'La Gallerie de Palais du Luxembourg ', published by Duchange in Paris 1710. This is the large series of engraving by Nattier after the famous series of paintings by Rubens, currently held in the Louvre, depicting the Marriage of Maria de' Medici with Henri IV. Reknown engravers contributed to this work which consists of a Title page, Advertisement page, an engraved portrait of Rubens and 24 large plates.Made by 'Benoit Audran I, the elder (1661-1721) was a French designer, etcher and engraver from Lyon. He was the brother of Jean Audran (1667-1756). He was taught the rudiments of engraving by his father (Germain Audran), and was later placed under the care of his' after 'a drawing by I.B. Nattier after Peter Paul Rubens'. Benoit Audran I, the elder (1661-1721) was a French designer, etcher and engraver from Lyon. He was the brother of Jean Audran (1667-1756). He was taught the rudiments of engraving by his father (Germain Audran), and was later placed under the care of his uncle Gerard Audran in Paris. Benoit Audran II was his nephew and the son of Jean Audran. He was appointed engraver to the king. He was active in Paris and his prints very well respected. Jean-Baptiste Nattier (1678-1726) was A French history painter from Paris. He was the eldest son of Marc Nattier the elder and Marie Courtois. Peter Paul Rubens (1577-1640) was a reknown Flemish Baroque painter, who ran a large studio in Antwerp.Condition: Very good, given age. Print attached to carrier. Edges reinforced on rear. Top left corner with some damage, but not nearly effecting image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: ACCOUCHEMENT-BIRTH LOUIS XIII-DE MEDICIRT-B1-15.

No binding. Condition: Very Good. a drawing by I.B. Nattier after Peter Paul Rubens (illustrator). 'L' Education de la Reine.'Original etching/engraving on hand laid paper. Sheet size: 43,9 x 60,1 cm. (17,3 x 23,7 inch). Image size: 33,6 x 49 cm. (13,2 x 19,3 inch).From: 'La Gallerie de Palais du Luxembourg ', published by Duchange in Paris 1710. This is the large series of engraving by Nattier after the famous series of paintings by Rubens, currently held in the Louvre, depicting the Marriage of Maria de' Medici with Henri IV. Reknown engravers contributed to this work which consists of a Title page, Advertisement page, an engraved portrait of Rubens and 24 large plates.Made by 'Loir' after 'a drawing by I.B. Nattier after Peter Paul Rubens'. Alexis Loir / Loyr (1640-1713) was a French engraver and metal engraver from Paris. He was a pupil and brother of Nicolas-Pierre Loir. Jean-Baptiste Nattier (1678-1726) was A French history painter from Paris. He was the eldest son of Marc Nattier the elder and Marie Courtois. Peter Paul Rubens (1577-1640) was a reknown Flemish Baroque painter, who ran a large studio in Antwerp.Condition: Very good, given age. Two very small tears in lower margin. Light foxing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: EDUCATION OF MARIA DE MEDICI-LUTERT-B1-08.