Andre Cadere (49 results)

Softcover, unpaginated; in English and French; as new condition, clean and crisp; no internal marks. CD in pouch at rear. Foreign shipping may be extra.

Broché. Condition: Très bon. Didier Bay. Christian Boltanski. Daniel Buren. André Cadere. Pierre Dunoyer. Bernard Frize. Paul-Armand Gette. Micha Laury. Bertrand Lavier. Jean Le Gac. Annette Messager. Anne et Patrick Poirier. Sarkis. Niele Toroni. Jean-Luc Vilmouth (illustrator). Catalogue de cette exposition collective organisée du 14 décembre 1979 au 20 janvier 1980, dans le cadre du Festival d'Automne à Paris, et présentant des oeuvres de Didier Bay, Christian Boltanski, Daniel Buren - pages blanches -, André Cadere, Pierre Dunoyer, Bernard Frize, Paul-Armand Gette, Micha Laury, Bertrand Lavier, Jean Le Gac, Annette Messager, Anne et Patrick Poirier, Sarkis, Niele Toroni, Jean-Luc Vilmouth. 42 pp.

Condition: New.

Hardcover. Condition: new. Hardcover. We know of only three texts written by Andre Cadere, this is the only one that was not yet published. Between May and July 1978, in the weeks preceding his death, he wrote forty-three letters to his friend and gallery owner, Yvon Lambert. These letters a moving testimony to his thinking, his practice and his work are published here for the first time in their entirety, and constitute the artists third and last writing, after Presentation of a work. Use of a work (1974), and History of a work (1982). The edition is composed of a slipcase that gathers the book introduced by Bernard Marcelis specialist of Cadere, author of his catalogue raisonne? followed by the 43 letters commented, annotated and illustrated. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. We know of only three texts written by André Cadere, this is the only one that was not yet published. Between May and July 1978, in the weeks preceding his death, he wrote forty-three letters to his friend and gallery owner, Yvon Lambert. These letters - a moving testimony to his thinking, his practice and his work - are published here for the first time in their entirety, and constitute the artist's third and last writing, after Presentation of a work. Use of a work (1974), and History of a work (1982). The edition is composed of a slipcase that gathers the book introduced by Bernard Marcelis - specialist of Cadere, author of his catalogue raisonne? - followed by the 43 letters commented, annotated and illustrated.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. We know of only three texts written by André Cadere, this is the only one that was not yet published. Between May and July 1978, in the weeks preceding his death, he wrote forty-three letters to his friend and gallery owner, Yvon Lambert. These letters - a moving testimony to his thinking, his practice and his work - are published here for the first time in their entirety, and constitute the artist's third and last writing, after Presentation of a work. Use of a work (1974), and History of a work (1982). The edition is composed of a slipcase that gathers the book introduced by Bernard Marcelis - specialist of Cadere, author of his catalogue raisonne? - followed by the 43 letters commented, annotated and illustrated.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Exhibition invite, 5 x 7 inches; very good condition; a mailed copy with address and postal marks on rear.

Condition: New.

Condition: New.

paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. box edition. 128 pages. 9.00x6.25x0.75 inches. In Stock.

Condition: New.

270 pp.; 28.5 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 29, 2000 - January 21, 2001. Texts by Enrico Lunghi and Jan Debbaut. Artists include Marcel Broodthaers, Nïele Toroni, Mario Merz, Jannis Kounellis, A.R. Penck, Richard Long, Gilbert & George, Giulio Paolini, Luciano Fabro, Giovanni Anselmo, Gerhard Richter, Daniel Buren, Jan Dibbets, André Cadere, Hanne Darboven, Art & Language, Stanley Brouwn, Robert Ryman, Ian Wilson, Joseph Kosuth, On Kawara, Douglas Huebler, Robert Barry, Dan Graham, Bruce Nauman, Sol LeWitt, Lawrence Weiner, Donald Judd, Edward Ruscha, Carl Andre, Michelangelo Pistoletto, Jan Vercruysse, René Daniëls, Jean-Marc Bustamante, Didier Vermeiren, Rodney Graham, Harald Klingelhöller, Reinhard Mucha, Thomas Schütte, Franz West, Martin Kippenberger, and Mike Kelley. includes exhibition checklist, artist texts, list of the artists. Covers by Lawrence Weiner. Texts in English and French. Very Good. Bumping of top right corner of recto and top left corner of verso. Rubbing and yellowing of covers. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Condition: new. Hardcover. We know of only three texts written by Andre Cadere, this is the only one that was not yet published. Between May and July 1978, in the weeks preceding his death, he wrote forty-three letters to his friend and gallery owner, Yvon Lambert. These letters a moving testimony to his thinking, his practice and his work are published here for the first time in their entirety, and constitute the artists third and last writing, after Presentation of a work. Use of a work (1974), and History of a work (1982). The edition is composed of a slipcase that gathers the book introduced by Bernard Marcelis specialist of Cadere, author of his catalogue raisonne? followed by the 43 letters commented, annotated and illustrated. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: NEW.

Hardback. Condition: New. We know of only three texts written by André Cadere, this is the only one that was not yet published. Between May and July 1978, in the weeks preceding his death, he wrote forty-three letters to his friend and gallery owner, Yvon Lambert. These letters - a moving testimony to his thinking, his practice and his work - are published here for the first time in their entirety, and constitute the artist's third and last writing, after Presentation of a work. Use of a work (1974), and History of a work (1982). The edition is composed of a slipcase that gathers the book introduced by Bernard Marcelis - specialist of Cadere, author of his catalogue raisonne? - followed by the 43 letters commented, annotated and illustrated.

Couverture souple. Condition: Comme neuf. Paris 2018. 1 Volume/1. -- Comme Neuf -- Brochure agrafes. Format 30 x 23,2 cm ( gr).--------- 80 pages. Nombreuses illustrations. ******************* Présentation éditeur : "" La sixième occurrence de ce fanzine de luxe ne déroge pas à sa vocation de présenter l'artiste comme une rock star. Mieux, il revisite le mythe créé autour de la figure d André Cadere pour en saisir sa complexité. Personnage public à la pratique secrète voire cabalistique, l artiste promène sa gracile silhouette et son bâton de bois rond comme autant de séduisantes armes de sabotage. Assiégeant les structures de pouvoir depuis leurs interstices, l uvre d André Cadere excède les franges de l art et brave de son geste politique conventions et hypocrisies. ."" ************************* réf od.

Hardback. Condition: New. We know of only three texts written by André Cadere, this is the only one that was not yet published. Between May and July 1978, in the weeks preceding his death, he wrote forty-three letters to his friend and gallery owner, Yvon Lambert. These letters - a moving testimony to his thinking, his practice and his work - are published here for the first time in their entirety, and constitute the artist's third and last writing, after Presentation of a work. Use of a work (1974), and History of a work (1982). The edition is composed of a slipcase that gathers the book introduced by Bernard Marcelis - specialist of Cadere, author of his catalogue raisonne? - followed by the 43 letters commented, annotated and illustrated.

Softcover, 168 pages; in English, German and French; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

paperback. Condition: Ottimo (Fine). Prima edizione (First Edition). Catalogo della mostra itinerante tenutasi presso: Staatliche Kunsthalle Baden-Baden, Musée d'Art Moderne de la Ville de Paris, Bonnefantenmuseum Maastricht nel 2008. Testi di Astrid Ihle, Bernard Marcelis, François Michaud. Illustrazioni a colori e in bianco e nero. Catalogo delle opere esposte e Biografia. Edizione in inglese, tedesco, francese . 8vo (cm 27x21,5). pp. 168. . Ottimo (Fine). . Prima edizione (First Edition). . This first book in a two-volume set contains documentation of works from 1971 to 1978 by the key Polish-born, Paris-based Minimalist and Conceptualist, André Cadere?who died in 1978 at the age of 45.Questo primo libro di una serie di due volumi contiene la documentazione delle opere dal 1971 al 1978 dell'importante artista minimalista e concettuale di origine polacca, André Cadere, morto nel 1978 all'età di 45 anni. Book.

Softcover, 180 pages, in English and French; good condition; covers very yellowed around edges; no internal marks. Foreign shipping may be extra.

paperback. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Condition: Fine. [16] pp.; 20.4 x 13.8 cm.; staple bound; duotone; edition size Unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held September, 1987. Introduction by Rudi Fuchs. Artists include André Cadere, Arthur Köpcke, Blinky Palermo. Text in Dutch and French.

248 pp.; 27.5 x 23 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 22, 1989 - February 18, 1990. Preface by Suzanne Pagé. Essays by Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, and Seth Siegelaub. Includes bibliography. Illustrated in black-and-white. First edition includes text, in English, by Joseph Kosuth in response to Buchloh's essay printed on sticker and affixed to page 54. Artists include: Art & Language, Michael Asher, John Baldessari, Robert Barry, Mel Bochner, Alighiero e Boetti, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Andre Cadere, Hanne Darboven, Jan Dibbets, Marcel Duchamp, Dan Flavin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Jasper Johns, On Kawara, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Robert Morris, Bruce Nauman, Claes Oldenburg, Roman Opalka, Adrian Piper, Robert Rauschenberg, Edward Ruscha, Robert Smithson, Bernar Venet, Lawrence Weiner, Ian Wilson, and Art & Project. Texts in English and French. Good. Bumping of corners and cover edges with adjacent creasing. Yellowing and dust soiling of covers with additional 4.2 cm. area of soiling to verso. Light bumping of page corners. Contents clean and unmarked. Includes "compliments of" card from the Musée d'Art Moderne de la Ville de Paris, in French. This copy includes the tipped-in text by Joseph Kosuth, "Joseph Kosuth Responds to Benjamin Buchloh" [in English], affixed to page 54. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover without dustjacket as issued, 472 pages, in English and Romanian?; fair condition; last half of pages crumpled at lower right corner; no internal marks. As is. Foreign shipping may be extra.

Erste Deutsche Auflage. 30 x 21 cm. 174 unpaginierte S. OKarton. Einband leicht angestaubt und leicht lichtrandig, sonst gutes Exemplar. "Geschichte einer Arbeit" liegt hier in der ersten deutschen Übersetzung eines von Andre Cadere in den Jahren 1977 - 1978 konzipierten Künstlerbuches vor.(Die erste Französische Ausgabe erschien 1982). Es erschien parallel zu den Ausstellungen im Kunstverein München, 26. Januar bis 24. März 1996 und in der Neuen Galerie am Landesmuseum Graz, 8. August bis 8. September 1996. Durchgehend mit s/w Abbildungen versehen.