Andre Judd Morris (11 results)

96 pp.; 28 x 21 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1976. Essay by Bernice Rose. Artists include Carl Andre, Art & Language, Joseph Beuys, Mel Bochner, James Lee Byars, John Cage, Christo, Chuck Close, Hanne Darboven, Jim Dine, Mark di Suvero, Oyvind Fahlström, Dan Flavin, Richard Hamilton, Michael Heizer, Eva Hesse, David Hockney, Jasper Johns, Donald Judd, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Piero Manzoni, Brice Marden, Agnes Martin, Robert Morris, Bruce Nauman, Claes Oldenburg, Blinky Palermo, Panamarenko, Larry Poons, Robert Rauschenberg, Bridget Riley, Dorothea Rockburne, Robert Ryman, Fred Sandback, Richard Serra, Robert Smithson, Frank Stella, Jean Tinguely, Richard Tuttle, Cy Twombly, Andy Warhol, and Lawrence Weiner. Includes notes to the text. Very Good. Light yellowing and rubbing of cover edges with a 3 cm. area of staining from removed pricing sticker on verso and light bumping of bottom edge of verso. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. New. In publisher's plastic wrap as issued.

21 x 21cm. Paperback, 82pp. Almost disbound with significant split to spine. Glued perfect binding shows signs of splitting and is very fragile. Previous owner's name inked on inner flap. Reading copy only.

First Edition. First Edition. Published in conjunction with an exhibition at Nicola Jacobs Gallery between June 27 and September 1, 1990. Near Fine in card wrappers. Light toning and edgewear to wrappers with a small bump to lower right corner.

Brossura. Condition: molto buono. prima edizione. cm 25x21,5, pag 72, br edit ill, comp.te ill in b/n. Bio-bibliografie. Normali segni d'uso.

Tentoonstellingscatalogus. Papieren omslag. 82 p. -(Omslag verkleurd, het grootste deel van de pagina's ligt los, naam in ink aan binnenzijde achterplat.).

paperback. Condition: Molto buono (Very Good). Prima edizione (First Edition). Catalogo della mostra realizzata con opere provenienti dalla collezione Panza di Biumo di Varese,  tenutasi presso la Galleria Nazionale d'Arte Moderna di Roma: Carl Andre 16-27 gennaio 1980; Donad Judd 29 gennaio - 10 febbraio 1980; Robert Morris 12 febbraio - 2 marzo 1980. Testi di Giuseppe Panza e Ida Panicelli. Illustrazioni in bianco e nero. Biografie e bibliografie degli artisti . Cm 24x21. pp. 72. . Molto buono (Very Good). . Prima edizione (First Edition). . "Gli scultori minimal sentono la necessità di una verifica radicale su ciò che sono, siamo, e quindi che cosa è l'atto stesso del pensare. La filosofia ci dimostra che il pensare è un processo di astrazione. La matematica e la geometria sono gli strumenti per rendere reale e quindi visibile questo processo. Analizzando questi due strumenti noi definiamo e comprendiamo come la nostra mente funziona. E' quindi evidente per quale ragione questa arte utilizza delle forme geometriche (.)" (Giuseppe Panza).".il proporre forme semplici non significa affatto semplificare il nostro rapporto con esse. La grande dimensione delle sculture minimal, la loro matrice gestaltica, il problema della relazione ambientale, sono fattori enormemente complessi, che implicano un riesame delle modalità consuete dell'osservazione, non più nei termini della mera ricerca di un significato, ma nei termini di una rinnovata e più consapevole capacità di percezione e di sperimentazione degli oggetti nella realtà che ci circonda." (Ida Panicelli). Book.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the descri.

Softcover staple-bound, 16 pages; very good condition; white covers have moderate rubbing and edgewear; 1-inch crease to upper right corner of last 10 pages; no internal marks.

Softcover. Condition: Befriedigend. unpag., zahl. ganzs s/w Abb., brosch., 27 x 27,5 cm. Einband unfrisch, innen sauber.

No Binding. Condition: Good. Dust Jacket Condition: Good. 1st Edition. Guggenheim International Exhibition 1971 ; Exhibition catalogue for a group show with Carl Andre, Daniel Buren, Victor Burgin, Hanne Darboven, Walter de Maria, Antonio Dias, Jan Dibbets, Dan Flavin, Michael Heizer, Donald Judd, On Kawara, Joseph Kosuth, Sol Lewitt, Richard Long, Mario Merz, Robert Morris, Bruce Nauman, Robert Ryman, Richard Serra, Jiro Takamatsu, and Lawrence Weiner. Fun Fact: Donald Judd and Dan Flavin asked to remove Daniel Buren s work from the show, calling it French drapery that was blocking the view of their own works. The show opened without Buren s work on view. Even so, Buren s insert is included in the catalogue. Texts by Thomas M. Messer, Diane Waldman, and Edward F. Fry ; Published by Guggenheim Museum, 1971; Condition: Good (G); Complete 21 booklets in slipcase; scuffing and rubbing to slipcase cover and sticker mark; including some handling creases in booklets inside, else very good.