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CAPANDA - RCC DAM - 12 YEARS QUALITY CONTROL DATA (EXTRAIDO ORIGINAL DEL AÑO 2003, ESTUDIO COMPLETO TEXTO INTEGRO)
M. A. Tavares / M. A. Origa, T.T.F. Fontoura & E. R. Holanda / W. A. pacello / F.R. Andriolo
Seller: Libreria 7 Soles, Galapagar, SpainLibreria 7 Soles
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Add to basket2003, Swets & Zeitlinger, Lisse, Extraido Original Roller Compacted Concrete Dams, 12 paginas, ilustraciones, 24x17, nuevas cubiertas en rustica sin impresion, buen estado.
More imagesPublished by Harvey Miller Publishers, London, [first edition, 2017 2017
- Hardcover
Seller: Wykeham Books, LONDON, United KingdomWykeham Books
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Add to basketCloth, blindstamped cover device, folio, 34 cm, 288 pp, profusely illustrated in colour. From the blurb - "This is the first part of a two-volume catalogue of incunabula (books printed before 1501) with illumination added by hand, in the Fitzwilliam Museum and the College libraries of Cambridge. It covers books printed in Italy…from the pioneering Roman editions of the German printers Conrad Sweynheym and Arnold Pannartz in the 1460s to the elegant imprints of Aldus Manutius in Venice at the close of the century. Bibles and liturgies, classical, legal and scientific texts, and vernacular poetry are all represented in printed copies that were decorated by some of the foremost illuminators of the day, more familiar to us from their work in manuscripts. The 156 catalogue entries describe these incunabula - many of them previously unpublished - at a level of detail customarily reserved for manuscripts, and offer compelling evidence of the interwoven worlds of manuscript and print in the second half of the fifteenth century. The entries are arranged chronologically within printing centres, demonstrating that while some printers favoured particular illuminators, prestigious editions might also be sold undecorated to wealthy patrons who commissioned eminent artists, such as Altavante degli Attavanti, to decorate their new purchase. Books would also travel from the print shop in one centre to be illuminated elsewhere in the Italian peninsula, or be exported north across the Alps, undecorated and unbound, to France. Germany, the Low Countries and England: these volumes with non-ltalian decoration - a fifth of the entries - are grouped together here in a separate section. This publication sheds new light on the transformation of book production and illustration generated by the coming of print and shows evidence of the key role played by artists such as the Master of the Pico Pliny at the latter end of the century. Each entry includes reference to the standard works on early printing, setting each individual volume in context, and opening up new avenues of research into the market and readership for books at this watershed period. In addition every incunable catalogued Is illustrated, often with several images, all reproduced in full colour. The volume also includes an exhaustive Bibliography, and detailed indexes, notably of Iconography. Provenance, and ISTC number." Near Fine in Near Fine dustwrapper.
- Hardcover
- First Edition
Seller: Luigi De Bei, PREGANZIOL, ItalyLuigi De Bei
Contact seller2-star sellerCondition: New
US$ 266.06
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Couverture rigide. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Harvey Miller Publishers Illuminated Manuscripts and Incunabula in Cambridge (HMIMC 5.1) A. E. Andriolo, S. Reynolds A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Five: Volume One: Books Print…ed in Italy before 1501 288 p., 330 colour ill., 230 x 330 mm, 2017 ISBN: 978-1-909400-85-6 Languages: English Hardback The publication is available. Retail price: EUR 222,00 print Share/Save/Bookmark This is the first part of a two-volume catalogue of incunabula (books printed up to 1500) with illumination added by hand, in the Fitzwilliam Museum and the College Libraries of Cambridge. Incunabula research is flourishing in the twenty-first century. Since the turn of the millennium, printed catalogues of globally important collections have been published and online cataloguing projects have transformed knowledge and access. Nevertheless, the c. 2,000 incunabula in Cambridge outside the University Library remain comparatively unknown. A part of the Cambridge Illuminations Research Project, this catalogue examines books at the Fitzwilliam Museum, and the Cambridge Colleges books that were printed in Italy up to 1500 and have illumination and decoration added by hand. Over the two catalogue volumes, the College material constitutes approximately 75% of the coverage of over 400 individual incunabula in total. These collections are extraordinarily rich, and have been built up over the last 500 years through the patronage of late medieval benefactors and scholars, such as Roger Bower (d. 1507) and Thomas Rotherham (1423?1500), as well as that of classical scholars, and through the bequests of eminent British book collectors and bibliophiles from Archbishops Matthew Parker (1504?1575) and William Sancroft (1617?93), to Samuel Pepys (1633?1703), and John Maynard Keynes (1883-1946). The catalogue focuses on books with decoration intended to ornament rather than to rubricate the text, that include one or more of the following elements: miniatures, woodcuts with contemporary colour added by hand, historiated initials and borders, other types of ornamental initials with or without borders, pen-flourished initials, and a variety of drawings or sketches. In bringing to bear on early printed books the same level of attention to the individual features of particular copies, the editors hope to further erode the artificial barriers between those working on illumination in manuscripts and in printed books, and to offer striking evidence of the inter-meshed worlds of manuscript and print in the second half of the fifteenth century. Language : english text - Codice della libreria 010594.
