Angiola Canevari (4 results)

Paperback. Quarto. Softcover. Illustrated wraps. 481 pages: color illustrations. Includes bibliographical references and index. Text in Italian. Illustrated throughtout. VG (scuffs & scratches to wraps; rubbing to corners & spine ends. may creased spine; textblock firm & intact).

Condition: BUONO USATO. ITALIANO Roma, Palazzo Fontana di Trevi 7 aprile-11 giugno 2006, brossura editoriale completamente illustrata, flessibile e con leggera velatura di polvere, pagine in ottimo stato di conservazione, arricchite da numerose illustrazioni a colori ed in nero, a fine volume tasca in acetato trasparente contenente cdrom con bollino siae ancora integro. Numero pagine 231.

481 S., einige 100 s/w und farb. Abb. Lit.verz. Reg. 4° Br. *neuwertig*.

Couverture souple. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Pietro Testa e la nemica Fortuna. Un artista filosofo tra Lucca e Roma. (1612-1650). Descrizione libro: Palombi Editori, 2014. Condizione libro: new. Pubblicazione monografica promossa dal Ministero per i Beni e delle Attività Culturali del Turismo, Istituto Nazionale per la Grafica. A cura di Giulia Fusconi e Angiola Canevari. Roma, 2014; br., pp. 496, 350 ill. e tavv. b/n col., cm 23x27. Among the most renowned Italian printmakers and draftsmen of the 1600s, Pietro Testa desired fame as a history painter but never achieved it. In Rome by the late 1620s, Testa drew hundreds of antiquities for engravings and for various patrons. In 1631 he entered Pietro da Cortona's studio, but Cortona threw him out because of his difficult personality. After an interlude in Lucca, Testa returned to Rome vowing to study coloring. In fact, he continued to concentrate on drawing and etching, where his greater skills lay. Another stay in Lucca six years later failed to attract new patrons. Back in Rome, Testa began a treatise on painting, rejecting Baroque illusionism and the concept of copying nature like those "dirty and ridiculous apes of nature," the Dutch Italianates. He also transformed his imagery, replacing poetic mythologies with ancient history themes and employing a more severe, monumental style anticipating Neoclassicism. Codice libro della libreria 007822 Size: 230 x 270 Mm.