Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
PAP. Condition: Used - Very Good. Used - Like New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Homestead P.,Cambridge, 1997
ISBN 10: 095311760X ISBN 13: 9780953117604
Seller: Priceless Books, Urbana, IL, U.S.A.
Soft cover. Condition: Very Good. 24pp. Extremities lightly rubbed. Illus.; chronology; biblio. Stapled binding.
PAP. Condition: Used - Very Good. Used - Like New Book. Shipped from UK. Established seller since 2000.
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. 2011. Paperback. . . . . . Books ship from the US and Ireland.
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 2011. Paperback. . . . . .
Language: English
Published by Hamilton Kerr Institute, University of Cambridge & Harvey Miller Publishers, 2003
ISBN 10: 1872501079 ISBN 13: 9781872501079
Seller: *bibliosophy*, Exeter, United Kingdom
US$ 102.22
Quantity: 1 available
Add to basketHardcover. Condition: Near Fine. 2003, hardback in jacket, 10 x 11.5 inches approx, 239 pages, illus. b&w and colour | gently read copy - clean and bright, tight spine, and free of name, notes etc ; jacket is clean and bright, shows light shelf wear | carefully packaged and dispatched from UK.
Seller: old aberdeen bookshop, Aberdeen, United Kingdom
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Add to basketHardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Embossed black cloth, to apparent wear. Very slight tear to end-paper and lining of inside of front board. Text very clean, not inscribed. Jacket bright and clean Very heavy book, will incur extra postage (at cost) outside the UK.
Condition: New.
Condition: As New. Unread book in perfect condition.
US$ 150.01
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Add to basketCondition: As New. Unread book in perfect condition.
Seller: Revaluation Books, Exeter, United Kingdom
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Add to basketHardcover. Condition: Brand New. 232 pages. 11.00x9.50x1.00 inches. In Stock.
US$ 157.68
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Add to basketCondition: New.
Language: English
Published by Harvey Miller, Cambridge, 2012
ISBN 10: 1905375344 ISBN 13: 9781905375349
Seller: Priceless Books, Urbana, IL, U.S.A.
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 320pp. Corners lightly rubbed & bumped. Dj corners lightly bumped & chipped. Illus.; appendix; endnotes; glossary; biblio.; index. Text in English & French.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
hardcover. Condition: New. 1st.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
US$ 190.66
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Add to basketCondition: As New. Unread book in perfect condition.
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
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Add to basketHRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Seller: Thomas Heneage Art Books, London, United Kingdom
US$ 180.26
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Add to basket240pp with 263 colour and 109 monochrome illustrations. Cloth 28.6x25cms. ISBN: 1872501079. Documents the examination and conservation of the Retable, one of Britain's largest and best preserved medieval altarpieces. The results of the technical examination are complemented by a series of articles placing the Retable in a technical and art historical context. The restoration of the altarpiece has provided new insights into the sophisticated practice of oil painting in England before the 15th century. Text in English.
Language: English
Published by PAPERBACKSHOP UK IMPORT, 2012
ISBN 10: 1905375344 ISBN 13: 9781905375349
Seller: moluna, Greven, Germany
Condition: New.
Language: English
Published by Brepols N.V., New York, 2012
ISBN 10: 1905375344 ISBN 13: 9781905375349
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. During the latter half of the eighteenth century, especially the period around and just after the French Revolution, what was happening in France in the field of painting restoration influenced all of Europe. In 1750, the museum in the Luxembourg Palace in Paris was opened to the public, and it became necessary to display to the public paintings which had been in storage for years. In the following decades, King Louis XVI and his advisor, the Comte d'Angiviller, developed and enlarged the national collection of paintings. And with this came the need for painting restorers doing quality work - more than just the quick repairs as done by painters in the past - and several full-time painting restorers were employed. By the time the museum in the Louvre was opened to the public in 1793, in the midst of the French Revolution, the profession had been established. During the latter half of the eighteenth century, painting restoration techniques improved and French restorers began to travel to England and to other European countries more frequently, spreading their practical knowledge - especially about the lining and transfer of paintings. In Paris, a national concours was prepared to choose the most capable from a growing group of candidates, and in 1802 plans were drafted for a school of restoration. In this book, the lives and careers of several of the more well-documented painting restorers for the French Royal Collection are traced one-by-one - including as much as possible about their restoration techniques. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Brepols Publishers Mär 2012, 2012
ISBN 10: 1905375344 ISBN 13: 9781905375349
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Neuware - During the latter half of the eighteenth century, especially the period around and just after the French Revolution, what was happening in France in the field of painting restoration influenced all of Europe. In 1750, the museum in the Luxembourg Palace in Paris was opened to the public, and it became necessary to display to the public paintings which had been in storage for years. In the following decades, King Louis XVI and his advisor, the Comte d'Angiviller, developed and enlarged the national collection of paintings. And with this came the need for painting restorers doing quality work - more than just the quick repairs as done by painters in the past - and several full-time painting restorers were employed. By the time the museum in the Louvre was opened to the public in 1793, in the midst of the French Revolution, the profession had been established. During the latter half of the eighteenth century, painting restoration techniques improved and French restorers began to travel to England and to other European countries more frequently, spreading their practical knowledge - especially about the lining and transfer of paintings. In Paris, a national concours was prepared to choose the most capable from a growing group of candidates, and in 1802 plans were drafted for a school of restoration. In this book, the lives and careers of several of the more well-documented painting restorers for the French Royal Collection are traced one-by-one - including as much as possible about their restoration techniques.
Language: English
Published by Brepols N.V., New York, 2012
ISBN 10: 1905375344 ISBN 13: 9781905375349
Seller: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condition: new. Hardcover. During the latter half of the eighteenth century, especially the period around and just after the French Revolution, what was happening in France in the field of painting restoration influenced all of Europe. In 1750, the museum in the Luxembourg Palace in Paris was opened to the public, and it became necessary to display to the public paintings which had been in storage for years. In the following decades, King Louis XVI and his advisor, the Comte d'Angiviller, developed and enlarged the national collection of paintings. And with this came the need for painting restorers doing quality work - more than just the quick repairs as done by painters in the past - and several full-time painting restorers were employed. By the time the museum in the Louvre was opened to the public in 1793, in the midst of the French Revolution, the profession had been established. During the latter half of the eighteenth century, painting restoration techniques improved and French restorers began to travel to England and to other European countries more frequently, spreading their practical knowledge - especially about the lining and transfer of paintings. In Paris, a national concours was prepared to choose the most capable from a growing group of candidates, and in 1802 plans were drafted for a school of restoration. In this book, the lives and careers of several of the more well-documented painting restorers for the French Royal Collection are traced one-by-one - including as much as possible about their restoration techniques. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Seller: BWS BKS, Ferndale, NY, U.S.A.
Hardcover. Condition: New.
Language: Italian
Published by Harvey & Miller Publishers, Turnhout, 2012
ISBN 10: 1905375344 ISBN 13: 9781905375349
Seller: Luigi De Bei, PREGANZIOL, TV, Italy
First Edition
Couverture rigide. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Harvey Miller Painting and Practice(HMPP 3) A.Massing Painting Restoration before "La Restauration" The Origins of the Profession in France Add to basket -> 320 p., 240 b/w ill., 238 x 280 mm, 2012 ISBN: 978-1-905375-34-9 Languages: English Hardback The publication is available During the latter half of the eighteenth century, especially the period around and just after the French Revolution, what was happening in France in the field of painting restoration influenced all of Europe. In 1750 the museum in the Luxembourg Palace in Paris was opened to the public, and it became necessary to display to the public paintings which had been in storage for years. In the following decades King Louis XVI and his advisor, the Comte d'Angiviller, developed and enlarged the national collection of paintings. And with this came the need for painting restorers doing quality work - more than just the quick repairs as done by painters in the past - and several full-time painting restorers were employed. By the time the museum in the Louvre was opened to the public in 1793, in the midst of the French Revolution, the profession had been established. During the latter half of the eighteenth century, painting restoration techniques improved and French restorers began to travel to England and to other European countries more frequently, spreading their practical knowledge - especially about the lining and transfer of paintings. In Paris, a national concours was prepared to choose the most capable from a growing group of candidates, and in 1802 plans were drafted for a school of restoration. In this book the lives and careers of several of the more well-documented painting restorers for the French Royal Collection are traced one-by-one - including as much as possible about their restoration techniques. Ann Massing has a degree in the History of Art and Fine Art from Indiana University, Bloomington, Indiana and has the title of Diplom-Restorator from the Institut für Technologie der Malerei, Stuttgart, Germany. She is a painting restorer and was Assistant to the Director of the Hamilton Kerr Institute from 1978 to 2007.Review "Le documentazioni e testimonianze riunite in questo volume così denso, quale che sia il giudizio che noi diamo dei singoli episodi, offrono in ogni caso al lettore la possibilità di un'affascinante incursione in una grande stagione della storia del restauro." (Giorgio Bonsanti, in: Kermes, N° 89, Gennaio-Marzo 2013, p. 77-78) Language : english text 320 p., 240 b/w ill., 238 x 280 mm, 2012 ISBN: 978-1-905375-34-9 Languages: English Hardback The publication is available. Retail price: EUR 155,00 excl. tax Size: 238 x280 mm.