Anna O'sullivan (22 results)

paperback. Condition: Very Good. First Edition. In stock.

No Binding. Condition: VG+. A VG or better 4-page unfolded pressbook with no cuts or missing pages. 1960's re-release. Size: 11" X 14". Book.

Soft cover. Condition: Fine. 1st Edition. Fine exhibition catalog, no writing, no wear. French flaps. Introduction by Anna O'Sullivan, Director of the Butler Gallery, Kilkenny Castle, Ireland. Includes 17 paintings and drawings, abrief biographical information. M00382.

Condition: New.

Hardcover. Condition: Near Fine. Reprint of 1953 edition. Near fine.

Paperback. Condition: New.

Tapa blanda. Condition: New. El presente volumen colectivo recoge las ideas sobre la relación entre filosofía, política y religión de pensadores capitales de la segunda mitad del siglo XX. Entre otros, Berlin, Arendt, Oakeshott, Aron, Hayek, Popper, Habermas, Taylor, Ratzinger, Strauss o Rawls. Los lectores encontrarán que el cuadro general que se desprende de su lectura no permite reducir su contenido a una idea fuerza o a una tesis general que unifique el libro. Los autores tratados, provenientes de disciplinas distintas, con intereses temáticos y sensibilidades diversas, coinciden, sin embargo, en ofrecer una reconsideración teórica del papel de la religión en la sociedad y la política contemporáneas. Esta pluralidad de posiciones se presenta al lector como fruto de la indeterminación de las sociedades políticas occidentales respecto al problema de la religión. De esta forma, los clásicos contemporáneos que se visitan nos invitan a una discusión profunda y matizada, que servirá para intentar distinguir, de manera equilibrada, tanto los elementos donde religión y política han sido y son esferas enfrentadas, como aquellos donde el encuentro entre Atenas y Jerusalén produce una relación positiva.…

Paperback. Condition: Very Good. 2009 Whitechapel Gallery paperback edition. Light reading wear else very good condition. Contents: THE REVIVAL OF BEAUTY Dave Hickey Enter the Dragon: On the Vernacular of Beauty Kathleen Marie Higgins Whatever Happened to Beauty? A Response to Danto Elaine Scarry On Beauty and Being Just Wendy Steiner Venus in Exile: The Rejection of Beauty in Twentieth-Century Art Suzanne Perling Hudson Beauty and the Status of Contemporary Criticism Saul Ostrow The Eternal Problem of Beauty's Return Arthur C. Danto The Aesthetics of Brillo Boxes Alexander Alberro Beauty Knows No Pain Diarmuid Costello, Arthur C. Danto, Anna Dezeuze, Martin Donougho, Thierry de Duve, James Elkins, David Raskin, Dominic Willsdon, Richard Woodfield The Art Seminar CONCEPTS AND CONTEXTS Theodor Adorno On the Concept of the Beautiful Jacques Derrida The Sans of the Pure Cut Griselda Pollock Woman as Sign: Psychoanalytic Readings Jay Bernstein Beauty and the Labour of Mourning Fredric Jameson Transformations of the Image in Postmodernity Thierry de Duve Kant after Duchamp Jason Gaiger Incidental and Integral Beauty: Duchamp, Danto and the Intractable Avant-Garde T.J. Clark Vulgarity Caroline A. Jones The Discourse of the Studio Meets the Technological Sublime John Roberts Replicants and Cartesians Mark Cousins The Ugly Mark Hutchinson Nausea: Encounters with Ugliness Simon O'Sullivan Art and the Political: Minor Literature, War Machines and the Production of Subjectivity POSITIONS Rosalind Krauss The Photographic Conditions of Surrealism Benjamin H.D. Buchloh Robert Morris's Paradoxes Robert Smithson An Aesthetics of Disappointment Andy Warhol On Beauty Rasheed Araeen Cultural Imperialism: Observations on Cultural Situation in the Third World Gerhard Richter Notes Paul Wood Truth and Beauty: The Ruined Abstraction of Gerhard Richter Leon Golub and Nancy Spero Interview with Adrian Searle Agnes Martin Interview with Irving Sandler Alex Katz Interview with David Sylvester John Currin Interview with Robert Rosenblum Wendy Steiner On Marlene Dumas Art & Language On Painting Rudolf Sagmeister Endangered Beauty: On Gary Hume Christoph Grunenberg Attraction-Repulsion Machines: The Art of Jake and Dinos Chapman Vito Acconci Interview with Bryant Rousseau Leo Fitzmaurice Beauty (a list of possibilities).…

Paperback. Condition: New.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. A clean unmarked copy in the dust wrapper. Second printing. Michael O'Sullivan (illustrator).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. A clean unmarked copy in the dust wrapper. Michael O'Sullivan (illustrator).

Condition: New. KlappentextHijacks the traditional narratives of war photography and humanitarianism.

Buch. Condition: Neu. Neuware - Hijacks the traditional narratives of war photography and humanitarianism.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardcover. Condition: Brand New. 240 pages. 13.40x9.90x1.40 inches. In Stock.

Condition: New.

Paperback. Condition: new. Paperback. For the last three years, Richard Mosse has been working in eastern Congo, a region beset by ongoing cycles of conflict and factional violence. His depictions of the region and its inhabit - ants operate within the uneasy interstices of documentation, fiction, and hallucination. The Enclave presents an imaginary spacea conflation of many discrete rebel territories into one fictive, isolated destination; a space in which logic and time have become unhinged. Mosses landscapes and environmental portraits are rendered surreal in part through his use of discontinued military surveillance film, which registers an otherwise invisible spectrum of infrared light in vivid hues of fuchsia and lavender. The images are seductive, alluring. Ultimately, however, they serve to map the otherwise invisible edges of violence, chaos, and uncommunicable horror. The Enclave is also a space in which communities starve despite inhabiting the worlds most fertile and resource-laden landscapes.Within this space, massacre follows massacre; young children are brutalized and forced into military service; friends turn out to be enemies; and women are routinely raped before being slaughtered in front of their families. Eyewitness accounts of these acts, collected and transcribed by Human Rights Watch, are included in the pages of this volume, in stark contrast to the - real landscapes. With this disorienting mix of fact and the fantastical, The Enclave book and the five-screen multimedia installation it accompanies, to be presented at the Venice Biennalehijacks the traditional narratives of war photography and humanitarianism, plunging the viewer directly into the ambiguities that are actively redefining the project of both documentation and geo-political intervention. For the last three years, the author has been working in eastern Congo, a region beset by ongoing cycles of conflict and factional violence. This title presents an imaginary spacea conflation of many discrete rebel territories into one fictive, isolated destination; a space in which logic and time have become unhinged. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardcover. Condition: New.

Paperback. Condition: New.

Hardcover. Condition: Very Good. No Dust Jacket. Very good condition hardcover with printed boards, no dust jacket, signed and dedicated by the artist. Boards are marked, and edges, corners and spine ends are slightly bumped and rubbed. Binding is sound and content is clear with colours vivid. LW. Signed and Dedicated By Artist. Used. …

Paperback in slipcase. Condition: Near fine. First Edition. 25 x 34cm 237pp near fine softcover in limp faux-leather covers, boxed with poster and 45 rpm record. Fully illustrated in colour throughout. Number 199 of 250, a limited edition of 250 copies released as a boxed set including the 45rpm record by Ben Frost, a poster featuring an image for Richard Mosse, and a signed and numbered copy of the book, published to coincide with an installation of Mosse's work in 2013 at the Pavilion of Ireland at the International Art Exhibition of the 55th Venice Biennale.…

Paperback. Condition: New.