Anna Oppermann (33 results)

Magazine. First edition. Very Good+ magazine with a touch of shelf wear including a scuff to the front and a mailing label to the back. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. Issue 59 of Photography Center Quarterly, the magazine published by The Center for Photography at Woodstock from 1979 through 2009. This issue was published as the catalogue for an exhibition titled Brian Weil: The AIDS Photographs, which ran at the Center from April 30 - June 12, 1994, and includes an 8-page illustrated piece by Weil and an exhibition checklist. Also in the issue, on the theme of photography as a device for healing, is: an essay by David Levi Strauss; Gisela Hossmann on the German artist Anna Oppermann; Rosy Martin on "Photography and Therapy;" and Matuschka on her mastectomy; an introduction by Kathleen Kenyon; and much more. Edited by Kathleen Kenyon. Staple-bound magazine; 32 pages; b&w photographic reproductions throughout; 8.25 x 11 inches.

Paperback. Condition: New. Surreal, psychedelic riffs on domestic objects from a trailblazing feminist artist From her beginning in the mid-1960s through the early '70s, German artist Anna Oppermann (1940-1993)-best known for her encyclopedic, immersive installations-created an astonishing series of surreal, almost psychedelic drawings that quietly explode the private space of the home, and her experience within it. These early drawings contribute to a feminist reentering of spheres traditionally associated with women, casting everyday objects as symbolic, consequential protagonists: houseplants sprawl to take over the picture plane, windows and mirrors provide views into other worlds and tables display drawings that themselves open out into new domestic scenes. By placing her own body-her knees, arms, the back of her head-as reference points in the work, Oppermann emphasizes the gendered realms of the home and the relationships that we form to our private spaces.This volume gathers these drawings and early installations in an English-language publication for the first time.

Softcover. Condition: Sehr gut. 4°. 144 S. m. zahlr. Abbildungen u. graph. Darstellugen. OKart.

Paperback. Condition: New. Surreal, psychedelic riffs on domestic objects from a trailblazing feminist artist From her beginning in the mid-1960s through the early '70s, German artist Anna Oppermann (1940-1993)-best known for her encyclopedic, immersive installations-created an astonishing series of surreal, almost psychedelic drawings that quietly explode the private space of the home, and her experience within it. These early drawings contribute to a feminist reentering of spheres traditionally associated with women, casting everyday objects as symbolic, consequential protagonists: houseplants sprawl to take over the picture plane, windows and mirrors provide views into other worlds and tables display drawings that themselves open out into new domestic scenes. By placing her own body-her knees, arms, the back of her head-as reference points in the work, Oppermann emphasizes the gendered realms of the home and the relationships that we form to our private spaces.This volume gathers these drawings and early installations in an English-language publication for the first time.

paperback. Condition: Good. Ex-library paperback book with library stickers, labels and stamps on cover and inside. Book contains an English intro pamplet that is separate from the book. Cover edges have bends. Spine is tight, but has some small tears at the base and top. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: new. Paperback. Surreal, psychedelic riffs on domestic objects from a trailblazing feminist artistFrom her beginning in the mid-1960s through the early 70s, German artist Anna Oppermann (19401993)best known for her encyclopedic, immersive installationscreated an astonishing series of surreal, almost psychedelic drawings that quietly explode the private space of the home, and her experience within it. These early drawings contribute to a feminist reentering of spheres traditionally associated with women, casting everyday objects as symbolic, consequential protagonists: houseplants sprawl to take over the picture plane, windows and mirrors provide views into other worlds and tables display drawings that themselves open out into new domestic scenes. By placing her own bodyher knees, arms, the back of her headas reference points in the work, Oppermann emphasizes the gendered realms of the home and the relationships that we form to our private spaces.This volume gathers these drawings and early installations in an English-language publication for the first time. Surreal, psychedelic riffs on domestic objects from a trailblazing feminist artist Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

167 S. Kartoniert mit Umschlagklappen. Sauberes Exemplar ohne Stempel oder Anstreichungen. Zahlreiche Abbildungen und Tafeln. Kanten minimal berieben. Sonst sehr gut erhalten. Sprache: deu.

Paperback. Condition: Brand New. 131 pages. 13.25x8.00x0.50 inches. In Stock.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: Brand New. 48 pages. German language. 8.07x0.20x11.50 inches. In Stock.

Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Surreal, psychedelic riffs on domestic objects from a trailblazing feminist artist From her beginning in the mid-1960s through the early '70s, German artist Anna Oppermann (1940-1993)-best known for her encyclopedic, immersive installations-created an astonishing series of surreal, almost psychedelic drawings that quietly explode the private space of the home, and her experience within it. These early drawings contribute to a feminist reentering of spheres traditionally associated with women, casting everyday objects as symbolic, consequential protagonists: houseplants sprawl to take over the picture plane, windows and mirrors provide views into other worlds and tables display drawings that themselves open out into new domestic scenes. By placing her own body-her knees, arms, the back of her head-as reference points in the work, Oppermann emphasizes the gendered realms of the home and the relationships that we form to our private spaces.This volume gathers these drawings and early installations in an English-language publication for the first time.

Paperback. Condition: new. Paperback. Surreal, psychedelic riffs on domestic objects from a trailblazing feminist artistFrom her beginning in the mid-1960s through the early 70s, German artist Anna Oppermann (19401993)best known for her encyclopedic, immersive installationscreated an astonishing series of surreal, almost psychedelic drawings that quietly explode the private space of the home, and her experience within it. These early drawings contribute to a feminist reentering of spheres traditionally associated with women, casting everyday objects as symbolic, consequential protagonists: houseplants sprawl to take over the picture plane, windows and mirrors provide views into other worlds and tables display drawings that themselves open out into new domestic scenes. By placing her own bodyher knees, arms, the back of her headas reference points in the work, Oppermann emphasizes the gendered realms of the home and the relationships that we form to our private spaces.This volume gathers these drawings and early installations in an English-language publication for the first time. Surreal, psychedelic riffs on domestic objects from a trailblazing feminist artist Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Erstausgabe, gr.8°, 54 S. mit ganzseitigen Farb- und s/w-Abbildungen, original Pappband (Hardcover) mit Ausstanzung im Vorderdeckel für die zugehörige CD, durchsichtiger original Klarsichtfolien-Umschlag, sonst gutes, sauberes Exemplar. Mit der CD. Abholung im Ladengeschäft in Frankfurt am Main (Nordend ggü. Musterschule) möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main (Nordend, close to Musterschule) is possible. It saves the shipping costs.

Paperback. Condition: New. Surreal, psychedelic riffs on domestic objects from a trailblazing feminist artist From her beginning in the mid-1960s through the early '70s, German artist Anna Oppermann (1940-1993)-best known for her encyclopedic, immersive installations-created an astonishing series of surreal, almost psychedelic drawings that quietly explode the private space of the home, and her experience within it. These early drawings contribute to a feminist reentering of spheres traditionally associated with women, casting everyday objects as symbolic, consequential protagonists: houseplants sprawl to take over the picture plane, windows and mirrors provide views into other worlds and tables display drawings that themselves open out into new domestic scenes. By placing her own body-her knees, arms, the back of her head-as reference points in the work, Oppermann emphasizes the gendered realms of the home and the relationships that we form to our private spaces.This volume gathers these drawings and early installations in an English-language publication for the first time.

Edition Lebeer Hossmann, Hamburg und Brüssel 1984. Quer-4°. 10 Blatt. OBroschur. Mit zahlreichen Abbildungen.

Erste Auflage. 21 x 21 cm. [10] Blatt; 1 Blatt. Illustrierter, klammergehefteter OKarton. Gutes bis sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Katalog zur gleichnamigen Ausstellung der Installation "Pathosgeste" (1984 - 1987) im Altonaer Rathaus in Hamburg im Jahre 1991. Texte in deutscher Sprache. Beiliegend ein farbiges Faltplakat (31,8 x 47,8 cm) der Galerie Vorsetzen und der Edition Lebeer Hossmann zu einer Publikation zur Installation.

Pp. Condition: Sehr gut. 83 S. : überw. Ill. ; 31 cm Sehr gutes, sauberes Exemplar. - Inhalt - - 7 Vorwort - - 8 Über die Methode - - 35 Kunst und Kommerz. Der ökonomische Aspekt - - 50 Macht und Ohnmacht. - - Lust und Konflikt. Spannung und Dialektik. Das Ensemble als Ort der Auseinandersetzung - - Anders sein (irgendwie ist sie so anders) - - Ersatzproblem am Beispiel Bohnen Hausfrau sein Gurken und Tomaten (Frau sein) - - Frauen wie Ängel Umarmungen, Unerklärliches und eine Gedichtzeile von R. M. R. - - Künstler sein (Zeichnen nach der Natur, zum Beispiel Lindenblütenblätter) - - Spiegelensemble Dilemma der Vermittlung Ensemble über die Methode (Bild-Text-Relation) - - Der ökonomische Aspekt Öl auf Leinwand/MKÜVO - - Die Fensterecke - MKÜVO Pathosgeste - MGSMO - - Profil zeigen - - Problemlösungsauftrag an Künstler (Raumprobleme) - - Altarensemble - - Besinnungsobjekte über das Thema Verehrung - Anlaß Goethe - - Digitalis purpurea (ein an den Haaren herbeigezogener Hut) - - Cotoneaster horizontalis - Zwergmispel - Boden(be)decker (Antikommunikationsdesign) - - Mythos und Aufklärung Aggression (Arrangement mit dem Messer) - - Pudding oder Seife; Ensemble über die Ehrlichkeit oder die verschiedenen Aspekte des Schafes - - Das Blaue vom Himmel herunter- lügen / Paradoxe Intention - - M + M (Masse und Macht), sowohl als auch, einerseits - andererseits - - 73 Schlußsatz - ISBN 9783887462918 Sprache: Deutsch Gewicht in Gramm: 250.

Taschenbuch. Condition: Wie neu. 144 Seiten; Ungelesen! Einband mit leichten Lagerspuren bzw. geringfügig angestoßen daher als Mängelexemplar gekennzeichnet. Rechnung mit ausgew. MwSt. amalia kunst 12/2018 1 9783941295063 . Bei Mehrfachbestellungen bei uns, reduziert sich für Sie der Versandkostenanteil pro Titel. Sprache: Deutsch Gewicht in Gramm: 662.

Condition: New. Die Publikation MIND THE PARK erscheint anlaesslich eines gleichnamigen prozessualen Ausstellungsprojektes. Dieses thematisiert die Zusammenhaenge von Planung, Verwaltung, Kreativitaet und oeffentlichen Gruenflaechen. Als eigenstaendiger Projektbeitrag bindet die .

Originalbroschur. Condition: Wie neu. 199 Seiten. Mit zahlreichen farbigen Abbildungen. 32 cm FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. Sprache: Deutsch Gewicht in Gramm: 1200.

Gefalzt. Condition: Gut. Anschreiben an die Mitglieder des Protektoriums der Heitland Foundation bezüglich der Verlehung des Kunstpreises der Heitland Foundation an die Künstlerein Anna Oppermann vom 10.11.1984; im Jahr darauf wurde der Preis an Anna Oppermann verliehen. Signiert. Brief.

Taschenbuch. Condition: Neu. Mind the Park | Planungsräume.Nutzersichten.Kunstvorfälle | Anna/Oppermann, Christiane/Schild, Margit u a Grunemann | Taschenbuch | 144 S. | Deutsch | 2009 | Fruehwerk Verlag | EAN 9783941295063 | Verantwortliche Person für die EU: Fruehwerk e.V., c/o HAWK, Fakultät Gestaltung, D. Hasse, Renatastr. 11, 31134 Hildesheim, info[at]fruehwerk-verlag[dot]de | Anbieter: preigu.

9 Bll. mit s/w und farbigen Abbildungen, Orig.-Karton. Erste Ausgabe.- Untere Ecker minimal bestoßen. Gutes Exemplar.

4°, 31, (1) S., mit vielen s/w Abbildungen, in losen Lagen. Orig.-Karton. Erste Ausgabe.- Berichte und Fotografien von verschiedenen Ausstellungen. Gutes Exemplar.