Anthony Buckingham (23 results)

Paperback. Condition: Very Good. Collect First Day Covers 1985 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Paperback. Condition: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

Soft cover. Condition: Fair. Fair condition soft cover, some wear to cover and spine, ex library book with all the usual marks and labels, otherwise in a good readable condition.

paperback. Condition: Good. Queen's Gallery, London, 1968. Paper covers, 55 pp. Catalogue of exhibition held at the Queen's Gallery, 1968, with detailed descriptions of 127 works. Includes an 12 unnumbered pages of black and white plates. In good condition. Black and white illustrated paper covers have a few small nicks and tears and light creasing along edges. light overall scuffing, aging and soiling to covers as well. Binding tight (staple bound). Pages lightly aged but otherwise unmarked. NOT Ex-Library. NO remainder marks. The exhibition and related catalogue focused on the works of Anthony van Dyck, a leading court painter of the early Stuarts, Wenceslaus Hollar, a notable etcher and draftsman, and various miniature painters who worked during that period. Contents include: Introduction; Catalogue :Sir Anthony van Dyck (1599 - 1641) includes details of 24 works; Essay on Wenceslaus Hollar followed by detailed descriptions of items 25 -77; Miniature (essay) followed by detailed descriptions of items 78 - 127, including works by Nicholas Hilliard (1547 - 1619), Peter Oliver (1594 - 1647), Isaac Oliver (1565-1617), John Hoskins (1595-1665), David des Granges, Alexander Cooper (1631-54); Samuel Cooper (1609 - 72); Daniel Mytens (1590-1647); Sir Peter PaulRubens (1577-1640); Edward Bower (d. 1667). [From page 2] There are twenty-six pictures by Van Dyck in the royal collection. Only The Hermitage in Leningrad can boast of a larger number. In this exhibition room has been found for all the Queen's Van Dycks except for the posthumous portraits of James I and Henry, Prince of Wales, which the artist painted for the royal family portrait gallery at Somerset House; the frontal portrait of Henrietta Maria designed for Bernini (see below, No. 17); the 'greate peece' of Charles I, his queen and their two eldest children, which is distorted by enlargements made in the time of William III; and the portrait of Beatrice de Cusance. All the pictures by Van Dyck in this exhibition have recently been cleaned and it is doubtful if the student could see anywhere a more beautiful display of the work of this painter. The exhibition also includes, from the Royal Library, a selection of prints by Hollar to illustrate the world in which Van Dyck lived, and a group of miniatures which contains portraits of the Stuart family, their friends and courtiers, which can show us sometimes how Van Dyck's sitters looked when they were seen through other eyes.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Phyllis Mahon, Lesley Buckingham, Emma Whiting, Anthony Bussey (illustrator). 1st Edition. Tales from Europe Retold by Kevin Crossley-Holland BBC Educational Publishing / BBC Books, London, 1991 First Edition / First Printing ISBN-10: 0563347953 | ISBN-13: 9780563347958 Hardcover with illustrated boards, approx. 96-104 pages £9.99 original UK price Condition: Near Fine Ex-Library Solid ex-library copy with clear library markings. Features a prominent Hertfordshire Library Arts & Information stamp and label on the acknowledgements page. Barcode sticker present on the front endpapers. No other major library markings were noted on the pages shown. Overall, the book remains clean and bright with vibrant color illustrations intact. Tight binding; pages are generally clean with minimal handling wear. Minor shelf wear and light rubbing to the illustrated boards and edges consistent with library use and age. The DJ has light edge wear, rubbing, and minor creasing consistent with library use and age, but remains complete and attractive. Still very presentable for an ex-library children's title from 1991. A wonderful collection of classic and lesser-known European folk tales, retold for children (and parents to read aloud). Originally tied to the popular BBC Schools TV series Zig Zag. Each story is beautifully illustrated with striking, full-color plates and vignettes that capture the magic, humor, and wonder of the tales. Stories included (by country of origin): Germany: The Pied Piper of Hamelin Czechoslovakia: Godfather Death Finland: Reeta and the Cow that Ran Dry Netherlands: The Lady of Stavoren Iceland: Thor Goes Visiting Denmark: The Ugly Duckling Switzerland: The Army of Bears Belgium (Flemish): With My Right Hand Greece: Persephone, Rising Great Britain: Arthur the King Plus notes at the end. The cover illustration is taken from the Czechoslovakian tale Godfather Death. About the Author - Kevin Crossley-Holland Kevin Crossley-Holland (b. 1941) is one of Britain's most respected children's authors, poets, and translators. A Carnegie Medal winner (for Storm, 1985) and Fellow of the Royal Society of Literature, he is renowned for his vivid retellings of myths, legends, and folk tales. His acclaimed Arthur trilogy has sold over a million copies worldwide and been translated into 25 languages. Other major works include The Penguin Book of Norse Myths, Beowulf, and numerous collections of British and European folklore. Crossley-Holland's prose is lyrical yet accessible, breathing new life into ancient stories while staying faithful to their cultural roots. He has a deep passion for Anglo-Saxon literature and history (studied at Oxford). This 1991 volume showcases his skill as a master storyteller for younger readers. Illustrators The book features rich, atmospheric color illustrations by Phyllis Mahon, Lesley Buckingham, and Emma Whiting. Cover and book design by Anthony Bussey. The artwork is highly praised for its expressive character work, vibrant colors, and folk-art influences that perfectly complement the tales. Why Collect This Edition? A scarce BBC Educational tie-in from the early 1990s. Excellent introduction to pan-European folklore for families. Beautiful production values with glossy pages and multiple full-page illustrations. Ideal for fans of Crossley-Holland, Norse/Greek/Arthurian myths, or classic children's illustrated books. A charming, well-preserved copy ready for a new generation of readers. Ships promptly from the UK.

Condition: As New. Unread book in perfect condition.

Condition: New.

Soft cover. Condition: Very Good. 1st Edition. A NICE COPY , VERY GOOD CONDITION , EXCELLENT VALUE.

Condition: New.

Condition: As New. Unread book in perfect condition.

Softcover. BB Philatelic Pubns. Good condition. Some moderate tanning on page edges, and some scuffing/ creasing wear on cover.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Taschenbuch. Condition: Neu. Neuware - First published in 1988, the aim of this book can be stated in Nietzsche's words: 'To look at science from the perspective of the artist, but at art from that of life'. The title contests the notions that science alone can provide us with the most objective truth about the world, and that artistic endeavour can produce nothing more valuable than entertainment. O'Hear argues that art and the study of art are not indispensable aspects of human life, and that this is equally as important as the investigation of the natural world.

Taschenbuch. Condition: Neu. Neuware.

Gebunden. Condition: New.

Gebunden. Condition: New.