Art Workers Guild (23 results)

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Very Good. 1st Edition. 'Art And Work Of The Art Workers Guild - 27th February to 21st March 1975' ~ by John Brandon-Jones & Charles Hutton; pub by The National Book League 1975; paperback, 8vo, 48ps, few marks on covers o/w a nice clean copy.

Condition: New.

Condition: Very Good. *Price HAS BEEN REDUCED by 10% until Tuesday, May 26 (holiday SALE item)* Volume 4 only, quarto, 64, [4] pp., illustrated throughout, sticker on front cover of paper wrappers, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condition: Good. Hardback book with 44 pages of text followed by 59 pages of illustrations. Boards show scuffing/rubbing especially on edges - light browning/foxing on edge of a few pages. Bookseller since 1995 (LL-Base2-A-Middle-L) rareviewbooks.

Condition: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

See his entry in the Oxford DNB. On one side of a slightly-irregular 11 x 3.5 cm slip of wove paper, cut from the end of a letter. A good example of Crane's stylized and distinctive signature. Reads: 'Believe me, / Very truly yours, / Walter Crane'. The top part of a cropped 'P S' is present at bottom left. See Image.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 148. A perfect gift for your loved ones. Reprinted from 1899 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 148.

LeatherBound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 140. A perfect gift for your loved ones. Reprinted from 1899 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 140.

Condition: New. Print on Demand pp. 154.

Condition: Good. Bon Etat. in8. 1899. Relié. np pages.  Un vol. reliure demi percaline bradel verte à coins dos lisse sécor floral double liserets en pied d'ouvrage page de gardes décorées couv. cons. int. frais. Nombreuses illustrations en noir et en couleurs. Divers illustrateurs ont contribués à cette revue dont Walter Crane (quelques planches en couleurs). Good.

All three items 8vo. The first of two pages, and the other two of one page each. Texts clear and complete. Fair on aged, creased and slightly-discoloured paper. Discussing his disagreement with the architect of a building over the width of two proposed uprights. Walker considers that these 'would handicap the fullest expression'. The first letter carries a simple pencil diagram of the window. He feels 'we shall all have forgotten this point' when the window is seen 'in all its glory'. In the second letter he boasts of having filled 'architectural shapes all my life with glass', this having got him 'rather deeper than just the different orders & styles of Architecture'.

London, The Studio Summer Number 1899. In-4° (30 x 22), pp. 44 di testo e 59 di tavv. (la prima in autolitografia di Joseph Pennel), 6 delle quali a colori (una doppia) precedute da veline colorate con i titoli, e infine due di musica notata. In apertura un'acquaforte originale di William Strang. Il testo è preceduto da 8 pp. di annunzi pubblicitari. Brossura editoriale in carta giallina con ill. ai piatti. Buon es., salvo guasti al dorso e cuciture un po' allentate. (11801) Bella pubblicazione dedicata alla festa in maschera, organizzata nel giugno 1899 dalla Art Worker's Guild, presieduta da Walter Crane, di fronte alle autorità della città di Londra per rapprezsentare il passaggio di stagione. Ad essa collaborarono i maggiori artisti illustratori della società (da Pennell e Crane), organizzata in forma di "Ghilda" medioervale. Come è noto il sodalizio artistico Art Worker's Guild nacque nel 1884, sull'onda dell'Art & Crafts Movement, basato sulla unitarietà di arti figurative e arti applicate, sulla base dei principi di William Morris.

London, The Studio Summer Number 1899. In-4° (30 x 22), pp. 44 di testo e 59 di tavv. (la prima in autolitografia di Joseph Pennel), 6 delle quali a colori (una doppia) precedute da veline colorate con i titoli, e infine due di musica notata. In apertura un'acquaforte originale di William Strang. Il testo è preceduto da 8 pp. di annunzi pubblicitari. Brossura editoriale in carta giallina con ill. ai piatti. Buon es., salvo guasti al dorso e cuciture un po' allentate. (11801) Bella pubblicazione dedicata alla festa in maschera, organizzata nel giugno 1899 dalla Art Worker's Guild, presieduta da Walter Crane, di fronte alle autorità della città di Londra per rapprezsentare il passaggio di stagione. Ad essa collaborarono i maggiori artisti illustratori della società (da Pennell e Crane), organizzata in forma di "Ghilda" medioervale. Come è noto il sodalizio artistico Art Worker's Guild nacque nel 1884, sull'onda dell'Art & Crafts Movement, basato sulla unitarietà di arti figurative e arti applicate, sulla base dei principi di William Morris.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1899 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 161 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 161 Language: English.

The fourteen items are laid down on three pages, on two leaves of grey paper, removed from an album, on the reverse of one leaf are two coloured coaching scenes by Randolph Caldecott, one featuring a highwayman. The overall condition is fair, with creasing and signs of age. The Autograph Letter Signed is from Crane to 'My dear Stanley Little'. 1p., landscape 8vo. With letterhead of Beaumont Lodge, Shepherd's Bush, featuring an illustration by Crane of a shepherd and sheep. 20 September 1892. He is sending a copy of his 'Claims of Decorative Art', and hopes that, 'as one who has thought & written much on art', he will 'accept it as a contribution from my side the question, or at least as "Friendship's Offering".' (As an imperialist, Little's politics were opposed to Crane's.) He asks him to 'look for us at No 13 Holland St. Kensington, when you are next in town'. In a postscript he states: 'The good wife is away in Essex with the two boys, but returns at the week's end.' On the same page are six items with decorations apparently by Crane: first, a label for 'The Pioneer', printed in sepia, with space for 'Number | Contents | Price', showing a knight climbing up dense foliage to a languid lady; second, a label or bookplate for the 'A E & C S | Handicraft | Design', with the name supported by two women in revolutionary caps, each flanked by a cherub; third, another example of the Beaumont Lodge letterhead ; fourth and fifth, two copies of a strange tiny design of an African hunter with spear before a setting sun, printed in negative on grey paper; sixth, a tiny monogram (perhaps 'L J S'?), made by a snake and printed in red. The next page carries a season ticket, with design by Crane of two workmen shaking hands, for the 1906 Arts & Crafts Exhibition Society at the Royal Academy, made out in manuscript to 'The West Sussex Gazette'. The third page carries six items: first, a printed handbill advertising 'The Leek Press Papers: No. I. | The Relation of Art to Education and Social Life by Walter Crane | Twenty-eight pages in wrapper.' With two vignettes, the first, of two country folk with ten geese; the second of a peacock. The reverse advertises a 'Catalogue of a Collection of Designs by Walter Crane A.R.W.S., with vignette of stork and lettering by Crane. Carries two close tears repaired with archival tape. Second, printed in red, an invitation card designed by Crane, to the Old House, 13 Holland St: 'Dame Walter Crane bids you welcome on New Year's Day [1912] in the evening at nine thirty'. Third, Crane's autograph signature, cut from the valediction to a letter: 'Every yours | Walter Crane'. Fourth, a handbill advertisement for 'The Fabian Society | Session, 1886-1887', with design by Crane of female forms representing Liberty, Equality and Fraternity. The 'Executive' are named as Annie Besant, Hubert Bland, Edward R. Pease, Frank Podmore, G. Bernard Shaw, Sidney Webb and Charlotte M. Wilson'. Fifth, an invitation card, printed in brown, to the private view of the fifth Arts & Crafts Exhibition Society, 3 October 1896, at the New Gallery, 121 Regent Street. Made out to J. Stanley Little of the African Review. Featuring the same design as above of the two workers shaking hands. Sixth, letterhead, printed in red, for 13 Holland Street, Kensington, W. Featuring a design of a crane by Crane. Heavily creased. SEE IMAGES.

by Members of the Art Workers' Guild, Clifford's Inn Hall & Published for the Benefit of the Chest. 15 lithographs and lithographed contents and title sheet. c. 295 mm x 235 mm. Original portfolio. [London, Art-Workers' Guild]  Notable among the lithographers are William Strang's excellent portrait of Emery Walker, a sensitive portrait of a baby and mother by William Rothenstein, a portrait by W. Dacres Adams (brother to the bookbinder Katharine Adams) and Graily Hewitt's calligraphic title sheet. Joseph Pennell and C.J. Watson provide pictures of the interior of the Guild itself, and T.R. Way, who also printed the lithographs provides a fine picture of the staircase. The portfolios are apparently made by Douglas Cockerell, but the current one, which looks contemporary and so is presumably original, is a fairly perfunctory thing.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1899. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 158, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 158 158.