Arthur Ned (36 results)

Soft cover. Condition: Fair. No Jacket. Sheet Music. Piano and vocal. Fox Trot Tango. Canadian Edition. The pages are tanned and have a very few light soil spots. The cover has a few soil spots, a store stamp and some creases. The spine ends have tears. The item is rated fair because it has a musty smell. 5 pages.

Condition: As New. Unread copy in mint condition.

Paperback. Condition: New. YOUNG JUSTICE! Before Judge Dredd, there was Cadet Dredd - a keen, fresh-faced apprentice, and stickler for the rules, with no idea of the legend he will one day become. Young Joe hits the streets of Mega-City One for the first time, facing off against perps, monsters and genetically modified movie stars as he learns how to become the greatest Judge the Meg has ever seen. Zarjaz adventures await inside this thrilling new collection!

Paperback. Condition: New. YOUNG JUSTICE! Before Judge Dredd, there was Cadet Dredd - a keen, fresh-faced apprentice, and stickler for the rules, with no idea of the legend he will one day become. Young Joe hits the streets of Mega-City One for the first time, facing off against perps, monsters and genetically modified movie stars as he learns how to become the greatest Judge the Meg has ever seen. Zarjaz adventures await inside this thrilling new collection!

paperback. Condition: Very Good. Cadet Dredd: Tooth And Claw (Volume 1) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condition: Brand New. 107 pages. 11.00x8.50x0.25 inches. In Stock.

Condition: New.

Paperback. Condition: Brand New. 126 pages. 9.61x6.69x0.32 inches. In Stock.

Hardcover. 215p., 9.5x11.5 inches, very good condition in like dust jacket.

Paperback. Condition: New.

Hardcover. Condition: Good. Dust Jacket Condition: No Dust Jacket. Covers have overall faint patchy staining.

Condition: New.

Condition: New. In.

paperback. Condition: New.

Condition: New.

paperback. Condition: New.

Hardcover. Condition: Good+. No Jacket. 1st Ed. 309pp, octavo hardcover in navy blue cloth. mild wear to boards and book edges yet clean, pages open easily at a few points yet binding solid, owner name, text clean.

Hardcover. Condition: Very Good. ---------------------Blue cloth spine with gilt letters and red patterned covers, a thick book, 9 1/2" x 7". 309 pages with frontispiece and 7 toher illustrations-- all present and checked and in original condition.---------------- VERY GOOD CONDITION, solid book, clean bright text, wear to covers---------. no dust jacket.

Hardcover. Condition: As Described. No Jacket. The London Spy: The Vanities and Vices of the Town Exposed to View by Ned Ward, Edited with Notes by Arthur L. Hayward. With Eight Full-Page Illustrations. Cassell and Company, Ltd. London. 1927. Hardback. Octavo, measures around 6 3/4" by 9 1/2" by 1 3/4". Pagination: x, 309pp. No dust jacket. Dark blue cloth binding, with gilt lettering to spine. Signs of wear, scuffing, some rubbing at edges and on hinges. A little marking. Slightly bumped corners. A little slackness to binding but contents reasonably firm. Book has forward tilt. Page edges browned, scuffed, foxed and otherwise marked. Some marking to endpapers, a little staining to front pastedown and endpapers. Some foxing throughout and a little other marking, with the occasional pencil mark and a little pencil writing to verso of rear endpaper. See pictures for further information. x, 309 pp. n.

Paperback. Condition: New. YOUNG JUSTICE! Before Judge Dredd, there was Cadet Dredd - a keen, fresh-faced apprentice, and stickler for the rules, with no idea of the legend he will one day become. Young Joe hits the streets of Mega-City One for the first time, facing off against perps, monsters and genetically modified movie stars as he learns how to become the greatest Judge the Meg has ever seen. Zarjaz adventures await inside this thrilling new collection!

Hard Cover. Dust Jacket Condition: Fine. Book Club (BCE/BOMC). HBDJ, 1998, Book-of-the-Month Club, FINE-/FINE-, AS-IS, DJ light rub, wear, DJ protected in Clear Mylar, 5 1/2 X 8 1/4 in. 309 pgs, Interior nice tight clean. Beige boards with Green cloth spine Titled in Gold Gilt light wear cvr. .small soil mark corner back inner flap DJ. blank endpapers light scuff mark .Prehistoric land ruled by dinosaurs & ape-men comes vividly to life in this fantastic journey to remote Plateau in Amazon Jungle Being an account of the recent amazing adventures of Professor E. Challenger, Lord John Roxton, Professor Summerlee and Me. Ed Malone of the "Daily Gazette.".

Paperback. Condition: New. YOUNG JUSTICE! Before Judge Dredd, there was Cadet Dredd - a keen, fresh-faced apprentice, and stickler for the rules, with no idea of the legend he will one day become. Young Joe hits the streets of Mega-City One for the first time, facing off against perps, monsters and genetically modified movie stars as he learns how to become the greatest Judge the Meg has ever seen. Zarjaz adventures await inside this thrilling new collection!

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 1st ed., 1st printing ; ; 272 pages : illustrations (some color) ; 28 cm ; ISBN 9780810934269, 9780890900604, 0810934264, 0890900604 OCLC 31088352 "Published on the occasion of the exhibition . organized by the Museum of Fine Arts, Houston, and the Metropolitan Museum of Art, New York, in collaboration with the High Museum of Art, Atlanta."--Title page verso; Exhibition held at Museum of Fine Arts, Houston, August 21-October 23, 1994 ; High Museum of Art, Atlanta, December 13, 1994-February 12, 1995 ; Metropolitan Museum of Art, New York, March 15-July 9, 1995 ; black cloth with gold designs and lettering ; in color photographic dustjacket ; In 1848, Gustave Herter arrived in America from Germany, fleeing political and economic chaos. His brother, Christian, joined him a decade later. By 1875 their firm, renamed Herter Brothers, was supplying the White House with furnishings, as it had been doing for some of America's wealthiest families since 1858. During this opulent period, Herter Brothers could claim to be the leading cabinetmaking and decorating firm in the country. The best of the Herter Brothers' furniture and interiors are displayed in 133 color and 167 black-and-white illustrations, including many close-up details as well as comparative work by rival fine cabinetmakers of the time in New York and Europe. Herter Brothers tells the story of the company from its earliest manifestations, when Gustave worked with other partners and alone, through his partnership with his brother, to Christian's years as head of the firm and the end of his tenure ; Katherine S. Howe is the director of the Rienzi house museum for European decorative arts in the Museum of Fine Arts, Houston.; Peter C. Marzio. Peter was the director of the Museum of Fine Arts in Houston, a post he held for almost three decades; born into a working-class immigrant family, becoming the first in his family to graduate from High School. At Juniata College he became inspired by the art and museum world, deciding to make this his career. He went on to earn a doctorate in art and American history from the University of Chicago. He served as curator of prints and drawings at the Smithsonian and then as director and chief executive officer of the Corcoran Gallery of Art, before becoming the director in Houston. ; Philippe de Montebello is a French and American museum director. He served from 1977 to 2008 as the director of the Metropolitan Museum of Art in New York. On his retirement, he was both the longest-serving director in the institution's history and the third longest-serving director of any major art museum in the world; He immigrated to the United States of America in the 1950s, and became a naturalized citizen of the US in 1955. He was educated in New York City at the Lycée Français de New York, graduated from Harvard University with a degree in art history, and earned an MA from New York University, after which he embarked on a career in Fine Arts. He became the Director of the Metropolitan Museum in 1977 and has become widely known as the public face of the museum.; Ned Rifkin joined the staff of the Hirshhorn Museum and Sculpture Garden in December 1986 as the first chief curator for exhibitions. ; Contents: A European context, 1840-80 : England / Simon Jervis. Germany / Hans Ottomeyer. France / Marc Bascou -- An introduction to the Herter Brothers / Katherine S. Howe -- From the Bowery to Broadway : the Herter Brothers and the New York furniture trade / Catherine Hoover Voorsanger -- Patronage and the artistic interior / Alice Cooney Frelinghuysen -- Herter Brothers furniture / Alice Cooney Frelinghuysen, Katherine S. Howe, Catherine Hoover Voorsanger ; FINE/FINE. Book.

Hardcover. Condition: Very Good. No Jacket. 152 p. illus. 28 cm. ; OCLC 716731 LCCN 74211128 ; LC M1630.18 .S4755 ; ex-library; stamps, labels, sturdy library binding ; Contents : And the angels sing -- Beyond the blue horizon -- Blue Hawaii -- Cocktails for two -- Day in, day out -- Heart and soul -- I get along without you very well -- I wanna be loved -- Isn't it romantic -- It looks like rain -- It's a sin to tell a lie -- It's easy to remember -- June in January -- Keepin' out of mischief now -- A little street where old friends meet -- Love in bloom -- Love is just around the corner -- Lover -- Mimi -- Moon over Miami -- The moon was yellow -- Moonlight and shadows -- My old flame -- The night is young -- The nearness of you -- On the good ship Lollipop -- Out of nowhere -- Penthouse serenade -- Please -- Prisoner of love -- Sing you sinners -- Small fry -- Stompin' at the Savoy -- Stormy weather -- Thanks for the memory -- Two sleepy people -- When a gypsy makes his violin cry -- When I take my sugar to tea -- Winter wonderland -- With the wind and the rain in your hair ; with historical overview and several black and white photos ; VG. Sheet music.

Condition: Very Good. First edition vintage piano sheet music in colour paper covers with photograph of James Stewart and Cathy O'Donnell to the front cover. 11'' x 8½''. Contains 4 printed pages of score for the piano and voice with words. With small tear to the front fore edge and in Very Good clean condition. Member of the P.B.F.A. SHEET MUSIC.

Condition: Good. 4to. 216 pp. Very Good. Hard Cover. Black cloth covered boards. Dust Jacket Very Good. Minor shelf wear. Color and B&W plates throughout. From the library of Pasquale Iannetti, as indicated by stamp and library card on end papers.

Hardcover. Condition: Very Good. No Jacket. Illustrated by Arthur DeWitt Brooks (illustrator). 1st Edition. 62 pages. Front free endpaper removed, otherwise a very good copy of a scarce book. Includes ghost stories and one titled "Deductions a la Sherlock Holmes.". Book.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Arthur, Victoria (book design) (illustrator). 1st Edition. Fine unread condition red cloth boards with gold spine lettering contained in a fine condition non price-clipped color illustrated and black-and-white photographic dust jacket. Includes Preface by Arthur King Peters; A Jean Cocteau Chronology; Acknowledgments; Contributors; Index and Photographic Credits. Illustrated with nearly one hundred period black-and-white photographs, paintings, and drawings, including many previously unpublished works. "There are as many Cocteaus as there are biographers of him," writes composer Ned Rorem in this strikingly illustrated book. Nineteen eight-three, the year of the twentieth anniversary of the death of this supremely versatile artist, brought an outpouring of commemorative exhibitions, publications, performances, homages, and reassessments of this "mirror and victim of his time." His creative life began in Proustian Paris and the dying embers of the fin de siecle; came to precocious maturity in the midst of the vanguard achievements and conflicts of Cubism, Dada, and Surrealism; and actively continued throughout the next three decades. His associations and collaborations with everyone from Diaghilev and Stravinsky to Picasso, Satie, and Les Six remain as abidingly interesting as do his films and the proteges he discovered, Radiguet and Marais. Cocteau remained an enfant terrible of the arts througout his long life. He put in fifty years of hard labor in what film critic Stephen Harvey describes as "eight or nine of the seven lively arts." Poet, portraitist, painter, novelist, playwright, impresario, muralist, designer, and filmmaker, Cocteau was the greatest multimedia artist of his times. His collaborative spirit made him a catalyst for all the arts, just as his energy and wit for all the arts, just as his energy and wit made him a bridge between haut-monde Paris and the avant-garde of Montparnasse and Montmartre. His lust for attention and his talent for self promtion led observers to call him "the most photographed man" in Paris - a fact admirably documented by this book. In Jean Cocteau and the French Scene, eight prominent French and American authors adress Cocteau's incessant artistic activities. These trenchant essays relate the poet's kaleidoscopic talents to the larger canvas of the artistic, literary, theatrical, musical, cinematic, and intellectual worlds in which he flourished. Francis Steegmuller, who received a Pulitzer prize for an earlier biography of Cocteau, investigates the circumstances, events, and interconnections of Cocteau's life. Roger Shattuck describes Cocteau's many shapes," and considers his often uneasy relationship to the Parisian avante-garde. Art historian Dore Ashton provides an intellectual backdrop to the artist's own shifting ideas and sources in a discussion of the major currents of thought that emerged during half a century and two world wars. Breaking new ground, Kenneth Silver examines the influence of the image d'Epinal on several of Cocteau's theatrical collaborations, pointing out the ways in which the French popular prints were transmuted for costumes and characters in Parade and other productions. Other articles include Pierre Chanel's critique of Cocteau's drawings and illustrations, Neal Oxenhandler on the three perioes of Cocteau's work for the theater, and Ned Rorem on Cocteau's musical ideas and his relationship with Les Six. Stephen Harvey, one of our most perceptive young critics, examines Cocteau's development as a filmmaker and considers the seamless artifice and erotic symbolism that made his films precursors of modern cinema. This collection is embellished with reproductions of nearly one hundred period photographs, paintings, and drawings, including many previously unpublished works." - from the inner front and rear jacket flaps.

Condition: New. Print on Demand.